Monday, September 30, 2024

“The Slings and Arrows of Childhood” • by Richard Zwicker


“Last one there is a rotten egg!” said Astrid.

On my planet, that was literally true. One moment I was a kid racing my best friend to the swing set, my skinny legs pumping like an awkward machine. The next, after she had beaten me, I was rolling in the dirt, a damp, yucky-smelling egg yolk wearing a cracked shell just because she reached someplace first. I didn’t need the tension, and often I’d re-thought friendships based on whether a playmate would say those seven words. I held onto Astrid, though, as we’d known each other since I was three years old, and it was hard to think of my childhood without her. But we’d be playing house, and you could bet the rock garden she’d interrupt it by daring we run like madwomen to a stupid tree or a stop sign.

Fortunately, I was a rotten egg for only as long as I was the last one, and being kids, neither of us had long attention spans. I reverted to my human form once we jumped into another game, perhaps where we’d been abandoned by our stepmothers and hoped to grow up fast so we could meet a prince. But that was part of the problem. Because of the constant threat of being changed into a rotten egg, I’d stopped giving my dolls the attention they needed, putting them at risk for psychological damage.

I shouldn’t even say risk.

On my planet, it was literally true.

“Astrid, we have to talk about rotten eggs,” I said after reverting to a kid from my latest transformation. I still felt greasy and my nose was dripping.

She sat on a swing, her bare feet digging in the sand. Her cute face and braided brown hair made her look like a doll. Next to her the slide seemed to be laughing at me. The closer ends of the three seesaws pointed upwards, as if saying, Find someplace else to sit.

“What about them?”

Her pretense maddened me. “Why do you keep saying it? Isn’t running faster than me enough satisfaction for you? Why must you drag in body changes and disgusting smells? I want a happy childhood because we know what happens to people who don’t have one. You’re more competitive, but I can put up with that. What I can’t stand is thinking you get some kind of sick pleasure from turning me into a rotten egg. Please, stop saying it!”

“I don’t keep saying it.”

Oh, how I longed to grow up, to associate with mature people who didn’t deny the obvious, who thought of someone besides themselves. I was trying to fix this. If she wasn’t interested, fine, but lying to my face? I could take no more.

“Liar, liar, pants on fire!”

She burst into flame like a match. For a moment I stared, then smothered her legs in the sand as fast as I could. But there would be scars, and I would always hear her screams.

On my planet, memories are forever.




Richard Zwicker is a retired English teacher living in Vermont, USA, with his wife and beagle. His short stories have appeared in Stupefying Stories, Heroic Fantasy Quarterly, Dragon Gems, and other semi-pro markets. Two collections of his stories, Walden Planet and The Reopened Cask, are out now. A third, The Sum of its Parts, is due out soon.

In addition to reading and writing, Richard likes to play the piano, jog, and fight the good fight against age. Though he lived in Brazil for eight years, he is still a lousy soccer player.

Richard first came to our attention with “Stellar Dust and Mirrors,” which appeared in the now out-of-print Stupefying Stories #5, and “Riddle Me,” which first appeared in Stupefying Stories #7. Richard was kind enough to let us reprint “Riddle Me,” so you’ll find it at this link, and you’ll find his most recent contribution to Stupefying Stories magazine, “Possession is Ten-Tenths of the Law,” in Stupefying Stories 26

Watch for his next story, “Hello, Stranger,” coming soon!


Sunday, September 29, 2024

The Week in Review • 29 September 2024


Welcome to The Week in Review, our Sunday wrap-up for those too busy to follow Stupefying Stories on a daily basis. This past week was a busy and complicated week for us, coming as it did at the tail-end of a busy and very complicated month, but we did manage to publish…


“The Island of Dolls” • by Sam W. Pisciotta

Published: 9/23/2024

It’s the place they go at the end, to learn what it means to forget, and to be forgotten. But not on this night: this night there is one last and special little girl who really needs them…

 

Six Questions for… Andrew Jensen

Published: 9/24/2024

We seem to be publishing a lot of Andrew Jensen’s stories lately, so this seemed like an opportune time to catch up with him and ask what he’s been up to.

 

 

Six Questions for… Cameron Cooper

Published: 9/26/2024

Cameron Cooper is a remarkably productive writer, with literally hundreds of books in print, so we decided to ask how she does it. This profile is just a small taste to whet your appetite. If you really want to know how she does it, take a deep dive into her website, The Productive Indie Fiction Writer, and browse around her publishing company, Stories Rule Press.

 



Published: 9/27/2024

First Contact, as seen from their point of view.

[Editor’s Note: What drew me to this story is that the Axorthians are the sort of aliens I hope we someday meet. They’re like nice Vogons. They didn’t come here to establish contact at all; they came here to use our Sun as the power source for an engineering project, but when they found life on the 3rd planet, they changed their plans.

[If they were like us, they’d be like, “Oops, sorry, didn’t notice you there. Look, our plans are too far along for us to change them now, so we’re just going to scoop up as many of you as we can catch and transplant you to Mars. Enough of you should survive that in a few generations you’ll have rebuilt your population.”]



“Making Friends at Twenty Thousand Leagues” • by Addison Smith

Published: 9/28/2024

“Why can’t people understand? I just want to be their friend!”


Saturday, September 28, 2024

“Making Friends at Twenty Thousand Leagues” • by Addison Smith


“You’re worried about making friends?” 

My therapist smiles, and I know she is trying to ignore my awkward toe tapping and fidgeting with my tendrils. I hold myself still and look into her eyes. “Why is that?” she asks. “You seem like a nice enough guy.”

“I’m clumsy,” I say, and my voice cries in high-pitched shrieks of the dead and undying. I cover my mouth, but my therapist pretends not to notice my cracking voice. “And I think they’re afraid of me. That I might hurt them.”

My therapist taps her iron engraving spike on her stone tablet, but writes nothing down. “I don’t think anyone would judge you for being clumsy,” she says. “Is it possible you’re making it bigger in your mind than it actually is? Maybe nobody even notices. Maybe it’s endearing.”

My scaled skin sweats, and I close my eyes. I have so much to say and the words threaten to tumble out of me, tripping over themselves to be heard.

“I hurt them,” I say. “I don’t mean to, but I hurt them.”

“How so?” she asks.

My anger rises, but I tamp it down, control it as best I can. The shrieks of the undying emerge from my throat, past the tendrils of my mouth. I speak the words before they can eat me alive.

“Ships sink as I emerge from the sea,” I say. “But I can’t control the tidal waves which announce my presence. How can anyone expect me to? I’m a big guy, but I still care about the smaller people.”

The therapist says nothing, allowing me to continue.

“When their ships sink, they thrash in the sea on bits of flotsam. I try to retrieve them. I hold them in the safety of my maw, but they are so afraid of me. They scream. They fall from my teeth, or down my throat. They are crushed by tendrils as I try to make room for them so I can carry them to safety. I try to explain, but all they hear is the eldritch cracking of my voice.”

“They don’t listen to you,” my therapist says. “You feel like you’re not being heard.”

“I feel it in my soul!” I shout. Outside the waves rise with my anger and I control myself. I breathe the way she taught me. It helps.

“Then their friends come. Their real friends. They come with other vessels with harpoons and flaming arrows. They prick at my skin and lodge in my scales. They humiliate me. It doesn’t hurt, but… It does, you know? It hurts in here.” I pound my chest and my multiple hearts.

“Last time I tripped on their harpoon ropes. Fell right on my face in the water. I hoped nobody saw, but of course they did. They saw how clumsy I was. The water hid my tears, but I’m sure they knew. I pulled their ships into the deep as I ran away, unable to face them any longer.”

I burn with embarrassment as I retell my last attempt at making friends. My scales tighten and my skin below flushes and prickles.

My therapist gives me a moment to breathe, and I am thankful for it. In a soft voice I speak my concern. “What if I never have friends?”

She sets her tablet down, and her engraving spike. Her tendrils sway slightly as she gives me a sideways smile. “I don’t think you’re broken,” she says. “You’re doing great for yourself. You have a stable job in the soul marshes. You have a lovely home and an endless corridor of bones that would entice anyone to get to know you. You think you can’t attain the smallest friendship, but I think you’re actually aiming too small.”

I sigh. I worried this would come up. How could I make friends with other eldritch beings if I couldn’t even command the respect of the tiny humans?

“You’re a nice guy. If we met under other circumstances, I would have been happy to be friends with you.”

I look up, bewildered. “But I’m clumsy. My voice cracks, I can’t string two words together without fumbling.”

“It’s hard being an elder abomination,” she says. “I think that’s something you could connect with others over. Others like yourself. You deserve to be friends with equals.”

She smiles and retrieves a pamphlet from her purse. I look it over. Eldritch scrawl covers the page, with sketches of screaming humans and endless labyrinths.

“It’s a local games convention. That way you can play with humans while still getting to know your own kind. I think it could be good for you.”

I cling to the pamphlet. On page three I see a ship-sinking competition. I stare at the drawing of fiery arrows and harpoons. Maybe it would work.

Maybe I could still make a friend.



 

 

Addison Smith (he/him) is an amorphous being constructed of suspended cold brew and kombucha. His mind is a symbiotic culture of bacteria and yeast formed around a brainstem of Ophiocordyceps unilateralis fungus. He’s doing his best, though. His fiction has appeared in dozens of publications including Fantasy Magazine, Fireside Magazine, and Daily Science Fiction. Addison is a member of the Codex Writers Group and you can find him on Bluesky @addisoncs.bsky.social.

If you enjoyed this story, you might also like these other stories by Addison Smith.

“Three Things Your Wetware Mod Can Do For You (And One It Cannot”

Sometimes I can’t write an adequate teaser for a story. I can only say, “You really need to read this one.”

“His Monstrous Cloaca”

When a kaiju attacks, whatever you do, don’t look up.

[This was one of our most-read stories in 2023.]
 

“A Hero Through the Gate”

After you’ve defeated every menace your world could face, what do you do for an encore?

“Watch Over Me”

Nesthe’s mother told her she should make new friends.

“Aspiration Extermination”

What do robots dream of? If only it was electric sheep.

“Upon the Writer’s Block”

Having trouble coming up with an idea for a story? Don’t lose your head over it.


 



 

If you like the stories we’re publishing, become a supporter today. We do Stupefying Stories out of pure love for genre fiction, but in publishing as in tennis, love means nothing. To keep Stupefying Stories going at this level we need to raise at least $500 USD monthly, and rather than doing so with pledge breaks or crowd-funding campaigns, we’d rather have supporters. If just 100 people commit to giving $5 monthly, we can keep going at this level indefinitely. If we can raise more, we will pay our authors more.

Please don’t make me escalate to posting pictures of sad kittens and puppies…

Friday, September 27, 2024

“A Few Minutes in the Life of a Xenosociologist” • by Miriam Thor


Zaira almost smiled at the artwork she’d hung on the wall,
but caught herself just in time. Smiling wasn’t something Axorthians did. It was a human mannerism she’d picked up in the year she’d spent on Earth.

Truvaxijunio walked up beside her.

“Are you sure having that on the wall will help the humans feel more comfortable?” he asked, all three eyes widening in distaste.

“I’m sure,” she said.

He tilted his head in the equivalent of a human shrug.

“You’re the expert.” He still looked doubtful as he walked away.                                       

Zaira resisted the urge to sigh. While the human mannerism would help her feel better, it would make her coworkers question her decisions even more. That was something she had to avoid. If they were to disregard her advice entirely, the negotiations with the humans could fail. That was the last thing any of them wanted after they’d put so much time into this mission.

It had been two Earth years since a Rangian Alliance exploratory team had located the star that humans called the Sun. After the team reported its location, the Alliance had sent three Axorthian ships to handle the situation. The ships had traveled to the closest solar system connected to the wormhole network and then proceeded at standard velocity until they reached their destination.

The original plan had been to construct a Matrioshka brain around the star. Before doing so, they had done a sweep of the planets orbiting it. When the sweep found sapient life on Earth, they had decided to build a Dyson swarm around the star instead. While two ships of Axorthian engineers worked on that, the third ship had prepared to open diplomatic negotiations with Earth. It was Alliance policy to attempt to have good relations with any intelligent race residing near its megastructures.

First, they had sent probes to record human language. When they’d recorded enough that their communication spheres would be able to translate the human’s most common languages, a small contingent of Axorthians had gone to Earth in a shuttle to make first contact.

The humans had launched primitive missiles to destroy the shuttle. When that was ineffective, the humans had been willing to begin peaceful negotiations.

After several meetings, the humans had decided that they wanted to visit an Axorthian ship, but that they wanted to get there using a shuttle they built themselves. Even with Axorthian assistance, everyone knew that constructing such a vessel would take more than one Earth year.

During that time, the Axorthians had decided to send Zaira, the only xenosociolgist on board, to live on Earth and learn about human culture.

Armed with tiny holoprojectors that could make her appear human and a communication sphere, Zaira had spent a year living in the United States with Dr. Megumi Tanaka, a professor of astrophysics whose dream was to travel by wormhole.

Looking at the painting now, Zaira couldn’t help but remember one of her first experiences on Earth. She had gone with the Tanaka family to help their daughter, Amy, move into her college dorm. After they had moved everything in, Amy had frowned.

“We need to go buy some posters. This place looks like a prison.”

That evening, Zaira had made a note that humans were not comfortable with unadorned white walls.

Surveying the white walls of her ship, Zaira knew the humans would appreciate the artwork, even if her fellow Axorthians did not. Satisfied, she turned to look at the conference table, eyes widening when she saw the centerpieces. Immediately, she walked over and started removing the red spider lilies from the flower arrangements.

“Amonizaira, what are you doing?” Ruvenolita demanded. “These arrangements were ordered from a human shop, as you recommended.”

“Some of the delegates are Japanese,” Zaira explained. “These flowers would have a different meaning for them.”

“If you say so,” Ruvenolita said, walking away.

As she removed spider lilies, Zaira thought back to when Megumi’s father had died. Zaira had accompanied her to Japan for the funeral. There had been red spider lilies everywhere. When Zaira had asked, Megumi had explained that they symbolized a final goodbye. That was not what she wanted the humans thinking about during the negotiations.

Once Zaira had thrown the flowers into the moleculizer, she surveyed the room and noticed that placards had been set up to tell each human where to sit. Without hesitating, she started removing them as well.

“Assigned seats will reduce confusion,” Parforiti said.

“Humans value freedom over order,” she replied.

As he walked away, Zaira was glad she hadn’t told him her actual reasoning: humans preferred to sit with their friends. She knew he wouldn’t understand the term any better than she had at first. “Friend” was not a concept Axorthians had.

Zaira remembered when Megumi’s husband had gone to the hospital to sit with a coworker while his son had surgery.

“Why is he going there?” Zaira had asked Megumi. “He can’t do anything to help.”

“Because that’s what friends do,” she’d replied.

During her time on Earth, Zaira had learned that friends also “hung out,” helped each other, and sat together whenever possible.

When all of the name placards were removed, Zaira decided the room was ready.

The human delegates arrived an hour later. Megumi waved at Zaira as she sat down, and Zaira gave her a miniscule nod.

After two hours of negotiations, a group of human scientists left with two Axorthian guides to see some of their technology. Zaira accompanied the group, ostensibly to help with cultural misunderstandings.

The Axorthian scientists gave the humans a tour of the ship and then took them to the wormhole station that had recently been constructed near Mars. Megumi grinned at Zaira as she strapped herself in, and Zaira couldn’t help but smile back.

Zaira had “pulled strings” to make sure Dr. Megumi Tanaka would not only get to fulfill her dream, but that she would go down in history as the first human to travel by wormhole…

Because that’s what friends do.

 


 


Miriam Thor started writing in second grade and hasn’t stopped since. Her first (unpublished) work was an illustrated children’s book about seals that is probably still on her mother’s shelf. Currently, Miriam lives in Alabama with her husband and six adorable cats. Her published works include Listening to the Rain, Wish Granted, and Her First Noel, as well as short stories in Crunchy with Chocolate, Swords and Sorcery Magazine, and other publications. Visit her website at https://www.miriamthor.com/ or follow her on X
@Miriam_Thor17

Thursday, September 26, 2024

Six Questions for… Cameron Cooper


Cameron Cooper is the pen name of bestselling author Tracy Cooper-Posey, and the author of the six-volume Imperial Hammer space opera series, the eight-volume Iron Hammer space opera series, the five-volume Indigo Reports series, the five-volume Ptolemy Lane space opera mystery series (I’m particularly intrigued by The Body in the Zero-Gee Brothel; great title)—

And all of this since 2015!

As Cameron Cooper, Tracy writes science fiction short stories and novels, including space opera. Her fiction has appeared in Shelter of Daylight, Boundary Shock Quarterly, Blaze Ward Presents, and Space Opera Digest 2021. She came fourth in Hugh Howey’s SPSFC#2 in 2023, with Hammer and Crucible. An Australian-Canadian, she lives in Edmonton, Canada with her husband, a former professional wrestler, where she moved in 1996 after meeting him on-line. https://CameronCooperAuthor.com

We have been following Cameron’s remarkably productive career with great interest ever since “He Really Meant It” showed up in our inbox. She’s been a bit quiet lately, so it seemed like a good time to touch base with her and ask a few questions.

 


  

SS: What is the first SF/F book or story you remember reading?

CC: Oh, that’s easy. It has such a profound effect on my reading life and, eventually, my professional life, that I’ve never forgotten it. 
I grew up reading fairytales, including a doorstopper of a volume of Classic Fairytales by Readers’ Digest (I was without TV or movies until I was thirteen). So one could say they are my earliest fantasy influence.

But the book that really made me sit up and pay attention to an entire genre was The Chrysalids, by John Wyndham. It was required reading in my English class and was the only “required” novel that I ever enjoyed. I was, frankly, gob-smacked by story. I turned into a science fiction freak overnight.

SS: Who do you consider to be your most significant influence?

CC: That’s an open-ended question, isn’t it?  Depending upon who you speak to, I’ve been influenced by a great many evil and immoral people, and it shows. 

As for writers who have influenced my own writing, well, I can’t leave it at just one. 

Isaac Asimov has been a major influence over my love of writing a lot, of writing more and more books. If you read enough of his autobiographical essays and epigraphs, you get the impression that he simply adored writing, that it was enormous fun for him. And that has rubbed off, I’m glad to say. I can’t think of anything that is more fun while wearing clothes than making up stories.

Consuming stories comes close, but making them up is better.

While, on the other hand, Mary Stewart, author of the historical fantasy Merlin series, had a profound impact upon my writing style. Her sense of place, the way you feel you are there, is something my reviews tell me I also manage to impart. 

Desmond Bagley, the thriller writer, taught me how to make thrillers not just non-stop action, but also intelligent and, at times, thoughtful. I don’t write pure thrillers, but the action side of my stories, I think, tends to be as nuanced as his.

SS: When you write a new story, are you a plotter or a pantser?

CC: Plotter. All the way. I even plot out flash fiction and short stories. Those outlines might be three sentences long, or six beats only, but I prefer to have the story concept, the character arcs and the end of the story nailed before I write the first draft.

I didn’t always plot first. My first four novels (all trunked, now) were written without a plan. Then I picked up a book on screenwriting. Hollywood would seize and rust without their screen treatments and concept outlines, and they reach for high concepts. Writers must plot first. It’s a professional requirement. Reading about the techniques of plotting and crafting a story was a light-bulb moment for me.

I plotted my very next novel. It won a national award and was the first novel I sold.

I’ve plotted ever since. I’ve tried pantsing a few times just to see if it made better fiction for me but have never finished a single story that way. It’s too stressful for me.

SS: How do you balance writing vs having a life?

CC: A life? What’s that?

My family was a sensible middle-class Australian family who instilled in me the belief that having “a good job” that paid the bills was the best I could reach for. University was out of the question. So were high-falutin’ creative careers like acting or writing.

They were unimpressed when I sold my first story. They were equally unmoved when I sold my first two novels in the same week, a couple of years later.

I had to nurture for myself the dream of selling well enough to write full time. I held onto it for years, until I reached that goal in 2015. I worked my rear off to get there and thought that without the day job getting in the way, I would be able to relax a bit, and write all day.

Hollow laugh. I’ve worked harder, and for longer hours, since I quit the day job than I ever did while working for the man.

But…it doesn’t feel like work. I know, I know. That’s a tired old cliché, but it’s worn smooth because it’s quite true. I work ten-hour days most days, often twelve-hour days, that simply don’t feel like workdays. 

And now I’m in the privileged position where my husband, my son, and most recently, my daughter, are all also working in my family corporation, so every conversation drifts in and out of shop talk, and we don’t have to explain industry stuff to each other.

Each day, we all park ourselves in our corners of the house and get to work.  But it’s just not work. Not really. The business of writing and publishing fiction is the weft through which the rest of our lives warp.

SS: This story, “He Really Meant It:” is there anything special you’re hoping readers will notice or appreciate in it?


 

CC: I love flash fiction because of the neat ideas it presents, in one swift package. If science fiction is the genre of ideas, then flash SF is ideas stripped down to their skivvies.

But the best flash fiction, while presenting its idea, manages to impart a sense of the iceberg of a story sitting just beneath the prose. 

I’m hoping that readers spot the iceberg-sized story beneath “He Really Meant It,” too.

SS: What’s next for you? What are you working on now?

CC: I received an email from a reader several months ago, demanding to know (politely!) when I was going to write another Hammer series. This took me by surprise.

I’ve already written two complete Hammer space opera series, The Imperial Hammer and The Iron Hammer. Of course, there’s always more story to tell, but I thought that writing a third series would push my readers’ patience too far.

So I put out a poll asking my readers what they thought about the idea. A massive 99.9% of the responses said, “write another series! and most of the accompanying comments were of the “write it now” vein.

So I’m world-building and outlining a third Hammer space opera series, featuring Danny Andela, the protagonist from the previous two series.

I am, Asimov-style, having a blast.

SS: Thank you for your time, and on a parting note; if our readers want to check out more of your work, where should they look? 

CC: My website, https://cameroncooperauthor.com/, is always a good place to start. But if they’re looking for free e-books and special deals, they should go to https://cameroncooperauthor.com/free-sf/. There’s always something new coming up on that page.

Tuesday, September 24, 2024

Six Questions for… Andrew Jensen


We seem to be publishing a lot of Andrew Jensen’s stories lately, so this seemed like an opportune time to catch up with him. We have been following Andrew since his stories first began to show up in our slush pile in 2018, and all we can say is, Don’t let that soft and fuzzy Ned Flanders-style exterior fool you! He may look like he’s mostly harmless, but underneath that mild Canadian surface there lurks a writer with a seriously snarky sense of humor and a wonderfully clever way of playing with words.

Andrew’s standard author’s bio reads as follows: 

Andrew Jensen has moved to New Brunswick with his family and too many dogs and cats. He has retired from the ministry, but of course, clergy never really retire. His stories have appeared in Canada, the USA, New Zealand, and the UK. This past summer, his work appeared in both Amazing Stories and James Gunn’s Ad Astra.
We like to dig a little deeper, though, so let’s get right to the Q&A.

______________________

 

SS: What is the first SF/F book or story you remember reading?

AJ: The Lion, the Witch, and the Wardrobe was probably the first book, although a short story called “The Phantom Tollbooth” also sticks in my mind. I loved the ways they transported me into other worlds.

SS: Who do you consider to be your most significant influence?

AJ: It’s a split: Jonathan Swift is a life-long influence, but Terry Pratchett is my favourite author. I enjoy irony, but I’m moving in a gentler direction now.

SS: When you write a new story, are you a plotter or a pantser?

AJ: Definitely a pantser. I never know what’s going to happen, except in the broadest strokes. I am working up the discipline to plot better.

SS: If you could change one thing about the way you write, what would it be?

AJ: See the Plotter/Pantser question!

SS: What is your favorite time of day to write?

AJ: I am a morning writer, although I’ll grab whatever time becomes available. Some of my best stuff has happened at night, after everyone else has gone to bed.

SS: What is your favorite place to write?

AJ: The dining room table, on my laptop. Lots of space for snacks.

SS: What is your favorite beverage to drink while writing?

AJ: Orange Pekoe tea, usually Tetley’s. The gnome morris dancers are inspiring, too.

______________________

Recommended Stories by Andrew Jensen

“A Can of Piskies”

The elves’ latest plan to overthrow and conquer humanity was flawless and foolproof. All it required was the active cooperation of a large number of cats…



“Chapter 7”

There was a community uproar when the Golden Sandworm closed its doors… well, for a given value of ‘community.’ The guy with the bat’leth seemed pretty upset, but one mention of the police calmed him right down…

“Waxing Crescent”

25 years ago, the Moon disappeared. Really, is there anything more boring than commemorating something that happened to your parents? What can we do to make this interesting?


 

“Happy Anniversary?”

For some, the disappearance of the Moon was a prayer answered. For others, it was a heartache that would never go away.

“Running Away with the Cirque

Even in the far future, even on strange new worlds, some people will still find their worlds just a little too small and dull, and dream of one day leaving it all behind and running away to somewhere else that’s fun and exciting.

STUPEFYING STORIES 24, by the way, is free to read on Kindle Unlimited. Check it out!

Monday, September 23, 2024

“The Island of Dolls” • by Sam W. Pisciotta


Fog drifted off the dark waters around Xochimilco. 

Fantasma de la tierra, they would say. Ghost of the earth. Bent trees tangled across the island like charcoal smudges scratched into the land.  It was said that lost souls lived in that wood, twisting the trunks and creaking the branches.

Maya lay in the leaves beneath just such a tree—cheeks flushed, rose-petal lips held rigid and fixed, painted blue eyes turned toward the moon. In the distance, a child sobbed.

Every night was the same; the fog would rise and the ghost would weep—and the dolls would listen.

They were made from wood and plastic and cloth, and they hung from the trees and littered the ground. They were nailed to the decaying cottage where the caretaker no longer dared sleep.

The sobs brought scolding whispers from the dolls: Hush little girl. You’ll wake Coyote.

Maya glanced at Renata, who hung upside-down from a split cypress. “We have to help her,” said Maya.

“But we’ve never seen the girl.” Renata’s single button eye gazed into the fog. “She’s part of the mist.”

“Nobody can help her,” said Juanita. “She’s beyond saving.” Juanita was only a doll’s head stuck to the pointed end of a branch—but she had a lot to say. “Every night’s the same. Her crying wakes Coyote, and he chews up one of us. I wish she’d leave.”

“Juanita!” Maya snipped her words. “Remember who we are. Who we used to be, once upon a time.”

“Well, I don’t remember,” said Juanita. “Just flashes and odd feelings.” A beetle moved to shelter inside her head. “One day, that will be gone too.”

“I remember smiles and hugs,” said Renata, her own smile now torn and smudged.

Juanita clucked. “You’re new here, Maya. Eventually, you’ll learn what it means to forget. And to be forgotten.”

It was true. Maya had recently arrived on the island. Although the caretaker had placed her within a tree’s fork, a wind had knocked her to the ground. Still, her yellow dress and blue sash remained untorn and clean.

“Besides,” chided Juanita, “dolls don’t move. How could we ever find the weeping girl?”

Juanita was right. The child never left the fog. They say the caretaker had heard the girl, Bianca, crying for her doll; later, he found the child floating in a canal. Over the next fifty years, he brought dolls to the island to appease the girl’s spirit.

It hadn’t worked.

But Maya had a brilliant idea. “What if we call her to us?”

“That sounds like a horrible idea,” said Renata.

“What if Coyote comes instead?” said Juanita. “He’s already destroyed so many dolls.”

Through the fog, the child sobbed, and Maya remembered her own little girl, now long since grown up. She still had strong memories of Sofia, the child who once nestled her in the crook of an arm.

And there was a song she remembered—a lullaby Sofia sang to her while they hid beneath the blankets at night.

Maya lifted her voice and sang into the fog.

Duerme mi niña. No despiertes, mi hija. Sueña, sueña, niña pequeña.

“Quiet,” snapped Juanita. “He’ll come.” The dolls’ whispered words rose around her, but Maya only sang louder.

Sleep, my child. Do not wake up, my daughter. Dream, dream, my little child.

The song poured from Maya and wrapped her within memory. She hadn’t noticed that the other dolls had stopped whispering. It was the yipping of Coyote that tore her from song.

The dark figure pushed through the fog, a blotch of shadow between bent trees. And then the growl—like hard stones rattling inside a kettle—scratchy and tumbly.

Renata whispered down from her branch. “Quiet Maya! He’s here.”

If Maya could have closed her painted eyes, she would have snapped them shut and held her breath. Coyote sniffed at her hair, snorted into her ruffled dress.

All Maya could do was continue to sing. She needed to call the girl. It was the only way.

Dream, my little daughter. Dream, my little one.

Like a sigh released when waking, Bianca appeared on the threshold between here and there. The ghost stepped through, and Coyote stepped back, its dark shape returning to fog. Only the silhouette of a small child remained. Maya sang her lullaby, and her voice broke with joy.

Bianca, wispy and pale, stepped closer. She glittered with moonlight, and her dark eyes filled with stars. As Maya sang, the spirit stepped from the fog and lifted her. Maya nestled in the crook of the little girl’s arm. It felt right and true. The mist engulfed them, and they sang together until the morning broke.

Dream, little girl, dream, dream.

 


 

 

Sam W. Pisciotta is an intrepid storyteller hurtling through spacetime on the power of morning coffee and late-night tea. He writes stories for people who want to visit other planets, learn magic from birds, or camp in haunted forests. His M.A. in Literary Studies from the University of Colorado trained him to deconstruct a variety of texts; living life taught him how to put them back together. Sam is a graduate of the Odyssey writing program. He loves holidays and birthdays, pints at the bar, and falling down the research rabbit hole. He would never choose the blue pill. Connect with him at www.silo34.com and @silo34 on X and Instagram.

Sunday, September 22, 2024

The Week in Review • 22 September 2024



Welcome to The Week in Review,
our Sunday wrap-up for those too busy to follow Stupefying Stories on a daily basis. Actually, this is more like The Month in Review, as we were hit by a large disruption in the last week of August and it’s taken us a while to regain our stride. Picking where we left off, then…

“Feline” • by M. Legree

Published 8/26/24

The beautiful girl in the hotel bar just smiled and sipped her Scotch. He decided to try another tack.

“You can probably tell I’m not British,” he said. “My name’s Shrader, from the States. I’m in flame-retardant fabrics—jackets for firemen, blankets for welders, like that.”

“No doubt a lucrative trade,” said the girl. “Especially if Herr Hitler has his way.” She still hadn’t offered her name.

“Then you don’t agree with the PM? No appeasement for you, eh?”

“Hitler only respects strength. The British would do well to understand that.”

» Read the rest

 

The Never-ending FAQ

Published 8/28/24

In which we answer a plethora of questions about the Space: 1999 story contest and the Friends of Stupefying Stories reading list, do a good bit of angry venting about our ongoing problems with Linktree and the StupefyingSF online bookshop, review both Alien: Romulus and Deadpool and Wolverine, and announce what is either The Last Pete Wood Challenge or The Pete Wood Challenge: A New Beginning, but oddly enough don’t say a word about the electrical storm and power outage that knocked us offline for a day. 

» Read the rest

After that I desperately needed to take a few days off, so we may as well put in a book ad right here. 

 

 Following the extended Labor Day Weekend we returned, with:


“All We Have Are Memories” • by Rick Danforth

Published: 9/6/24

Fan-favorite writer Rick Danforth returns with another Kioxia story, set in the same world as “Thanks for the Memory.” The premise: in a world where memories can be bought and sold, Hyacinth’s memories of her life of wealth and privilege were sure to be best-sellers…

Weren’t they?

» Read the rest

 


Published: 9/7/24

Mitchell had a problem. How does one torment the very embodiment of torment itself?

» Read the rest


“Today in London History” • by Judith Field

Published: 9/8/24

Beginning Sunday, September 8th, we kicked off 1999 Week, our week-long observance of the 25th Anniversary of that unforgettable day in 1999 when a freak nuclear explosion on the Moon knocked it completely out of Earth’s orbit. 

At least, that’s what happened in the cult-classic 1970s TV series, Space: 1999.

So all week long, we partied like it was 1999, with story after story about what life was like here on Earth after the Moon and all those strange people on Moonbase Alpha took off for their extended tour across the galaxy. (Honestly, we thought they’d never leave.)

» Read the rest

I’d also like to take a moment here to note that the tags and “trail-of-breadcrumbs” links at the top of every story do work, although no one ever seems to use them. So if you were the sort who wanted to read the entire series in all its shining glory, you could just click this one single link: 

» Read the entire series

 

“Pulling Up the Moon” • by Karl Dandenell

Published: 9/9/24

The Moon is gone? You mean, totally gone?!

No problem. We can fix that.

» Read the rest

 

“Waxing Crescent” • by Andrew Jensen

Published: 9/10/24

It’s the eternal teenage question: is there anything more boring than some big deal public commemoration of something that happened to our parents? How can we make it interesting to us?

» Read the rest

Published: 9/12/24

From Our Man in Japan comes the story that asks the questions, “What did this catastrophe mean for the people living closest to the Nankai megathrust?” and “Did the Earth move for you, too?”

» Read the rest

[Editor’s Note: in the course of preparing this story for publication, we learned that there really is a thing called the “Nankai megathrust.”

[And yes, it looks rather overtly phallic to us, too.]

§

 

Unfortunately, further searching for stock art images to accompany this story put one of our editors into a dangerously high hypercutetastic coma. (It’s much like hyperglycemia, only instead of sugar it’s caused by consuming too much cuteness, and instead of being treated with insulin it’s treated with massive infusions of Leonard Cohen music.)

With that crisis narrowly averted, we moved on to—

 

“Chasing the Moon” • by Karin Terebessy

Published: 9/13/24

Everyone wondered what had happened to the Moon—except for little Jonathon Nelson. He knew exactly what had happened to it, and that it was all his fault.

» Read the rest

[Editor’s Note: As usual, Karin took what we expected to be a lightweight and fun idea and turned it into a story that really knocks it out of the park. This one has already made it onto our Top 10 Most-Read Stories of 2024 list. If you haven’t read it, you should check it out.]

 

 

“A Curse and a Blessing” • by Jeff Currier

Published: 9/14/24

 For some, the Moon’s disappearance was the best thing that ever happened…

» Read the rest

Published: 9/17/24

Darla had spent her entire life avoiding civilization. Now she wondered if she was the last woman on Earth.

» Read the rest

“Happy Anniversary?” • by Andrew Jensen

Published: 9/21/24

Andrew sent us two stories for the Space: 1999 challenge, each very different from the other and both too good to reject. We didn’t feel we could run the two stories too close to each other, though, so we ended up wrapping 1999 Week with this story, published a week later. We think you’ll agree: it’s clever and charming, and a great ending to the series.

» Read the rest

And now it’s time for another ad…

 

In addition to the 1999 Week stories, we also ran:

 


“You” • by Conrad Gardner

Published: 9/16/24

Sometimes we get a story that is so perfectly formed that any teaser we might write for it would be a distraction. Just, read this one. You’ll be glad you did.

» Read the rest

Six Questions for… Elise Stephens

Published: 9/19/24

Elise’s first appearance in our pages was “Two-Tone,” in Stupefying Stories 25. With the release this month of Thyme Travelers, which contains her story, “Remembrance in Cerulean,” it seemed like a good time to catch up with Elise and ask what she’s been doing lately.

» Read the rest

[One more Editor’s Note: “Six Questions for…” was once a regular feature on this site. We’d like to resume doing these. The question is, do you find these author profile featurettes interesting?] 

 


Maisie has never been anywhere interesting in her entire life. But now, the whole wide world is just a Blink® away...

» Read the rest