Wednesday, December 11, 2024

“A Contract for Meyerowitz” • by Bruce Bethke

It took ten minutes of standing in the shadows, hand on the gun in his pocket, before Ed Meyerowitz felt ready to cross the street and go in. Even for a Wednesday night, the old warehouse, loft, and boutique district was deserted. A strange mixture of sweet excitement and sickly fear churned in his gut, as he kept watch on the café across the street and listened to the soft noises seeping through the cool October air. In his mind, Karl Larsen’s voice reproached him one last time.

“Eddie,” he remembered Larsen saying, “we’re on to something big here. They won’t stop halfway once they decide to silence us.” He’d laughed at Karl then, for sounding like an extra in a Spillane story, and accepted the gun only to humor him. Now Meyerowitz found himself caressing the Beretta’s cold, hard grip and desperately trying to work up a grim and determined mood.

The trouble was, he kept reaching the same conclusion: if he were anywhere near sane, he’d throw the gun in the river, go home, and forget that anything had ever happened. As soon as he reached that decision, though, he’d look at the café again, and once more get sucked in by curiosity—curiosity flavored with a seductive hint of importance. It’d been so long since he’d done anything that felt important.

And so he’d flip-flop, and decide to work on his nerve a little longer. The one thing he knew for certain wasn’t helping any. No one had seen Larsen in over a month.

Like the unbidden memory of a bitter taste, he remembered the day Karl first proposed their little scam…

———

Ed Meyerowitz was ad manager for a weekly shopper. Karl Larsen ran a one-man advertising agency. Business threw them together, and it’d only taken them a few beers after work one day to learn they shared the same real profession. Both were unpublished Science Fiction writers.

Larsen was 31, Meyerowitz was 28. Larsen was divorced, and Meyerowitz had never married. They’d taken to getting together once a week to swill coffee and discuss life, fiction, and the state of the universe. A year before, Meyerowitz had been sitting in Larsen’s kitchen, trying to rebuild his ego after yet another rejection of The Novel and doing a lot of grousing about The Hidebound Publishing Establishment.

“Eddie,” Larsen had interrupted, “this fiction business is definitely not where it’s at. We do our best to be creative and what do we get? Condescending smiles from Post Office clerks!” Larsen paused, to run a hand through his thinning hair. “No, if we were smart, what we’d be doing is writing supermarket nonfiction. I mean, we could write jock biographies, or self-help books. We could write about UFOs, or Bigfoot, or—” Larsen suddenly froze, stricken with inspiration. “Eddie, I’ve got it! We’re going to write the ultimate conspiracy book! One that links war, crime, and every assassination since Lincoln!”

Meyerowitz paused in the middle of pouring more coffee. “Karl,” he asked gently, “are you having another Idea Attack?”

“No.” Karl shook his head, his eyes blazing with manic intensity. “This one will work! Ed, I’ve just realized that the world today is such an ugly place because someone is manipulating mankind to be violent! And I further believe that we can do a book on it, give people someone to blame, and turn a lot of bucks!”

Meyerowitz sighed, and finished filling his cup. “Is this another corporate conspiracy rap? Last week you said cancer—”

“No, not multinationals,” Larsen cackled. “Bigger.”

“Okay, bigger. Fascists? Communists? Trilateralists?” Meyerowitz narrowed his eyes. “Don’t you dare say Jews.”

“No, man,” Karl giggled. “We’re talking cosmic. We’re talking outer space. We’re talking Bermuda Triangle, Ancient Astronauts, the Fall of Atlantis, and Dead Kennedies, all rolled into one. We’re talking BIG!”

“You don’t mean…?” Meyerowitz started snickering.

“Yes, I do mean. Aliens! They’re too cowardly to invade, so they keep stirring us up in hopes we’ll kill each other off!”

“I can see the front page of the Enquirer now,” Meyerowitz said. “NEW SECRET EVIDENCE: HITLER WAS A SPACE ALIEN!”

“Good thinking.” Larsen pulled a notepad out of the heap on his kitchen table. “We’ll do some articles for the tabloids first, to build market presence.” He took off his glasses and chewed an earpiece. “If we handle this right, it’ll be good for three books, minimum. Maybe even a made-for-TV movie.”

“Oh, come on,” Meyerowitz said. “Do you really think—?”

“Without a doubt. Velikovsky. Cayce. Van Daniken. There’s no limit to the shamanism disguised as science that stupid people will lap up. We’ll do some superficial research, ignore inconvenient facts, misinterpret the findings, bash out a few books—”

“And publish them under your name,” Meyerowitz declared.

“My name? You still want a reputation after this?”

“No. But when sales start to lag, we write a book under my name that refutes the whole thing! We could keep this going for years!”

“I like it!” Larsen crowed.

§

They’d started with a fast-paced routine. During the week they collected odd statistics, bizarre articles, and every bad UFO photo they could find. Then on Sundays they’d meet at Larsen’s to drink beer, clip pages, and randomly reshuffle paragraphs. This went on for three very promising months.

On the last Sunday in January, though, something went terribly wrong.

“Here’s one,” Meyerowitz announced as he flipped open the tabloid. “ALIEN REPAIRMAN TURNED MY TV INTO A TIME MACHINE! Now I only get programs from the 1950s! says distraught housewife.” Meyerowitz looked at Larsen, smirk cocked and ready. “Sounds to me like her tuner is stuck on WTBS.”

Larsen just sat and stared glumly at the box of clippings.

Meyerowitz shrugged and continued. “Okay, try this one. RUSSIAN ASTRONOMERS FIND INTACT B-17 ON MOON! It’s covered with green slime, which proves it was captured in the Bermuda Triangle.” Meyerowitz nodded. “How about it, Karl? How big a telescope do you need to resolve an object the size of an airplane at a quarter-million miles?”

Larsen continued staring silently at the box.

Meyerowitz threw the tabloid down. “That tears it. Karl, you haven’t said three words all afternoon. What’s going on?”

Larsen sat a moment longer, then slowly began to speak. “Eddie?” he said softly. “I’m beginning to get some very chilly feeling about all this.” Meyerowitz started to say something, but Larsen waved a hand to cut him off. “I haven’t had to do as much fudging as I expected. I haven’t had to invent a single fact or fabricate a single misquote out of context. The ideas are falling into place without my hardly trying.”

Larsen turned to Meyerowitz, his eyes wide and pleading. “Eddie? I’m starting to believe we accidentally stumbled onto the truth.”

Meyerowitz took a sip of beer, carefully set the bottle down, took in a deep breath, slowly let it out, and then said, calmly and quietly, “Now, let me get this straight.”

The argument lasted all through February.

§

A bus rumbled away from the traffic light on Third Avenue. Meyerowitz took the Beretta out, pulled the slide back just far enough to reassure himself that there was a round in the chamber, eased it shut again, and then started across the street. In the end, he realized, it was curiosity that had gotten the better of him. Trying to shake the image of a dead cat out of his mind, he slipped the gun back into his pocket and entered the café.

A lone, bearded waiter leaned against a doorframe at the back of the café, smoking a black Sobranie. A bell chimed softly as Meyerowitz let the door close behind him. The waiter sighed heavily, balanced his lit cigarette on a convenient ledge, grabbed a couple of menus, then gave Meyerowitz’s tweed jacket an appraising look and decided to go back to finishing his cigarette.

Except for the waiter, the place seemed deserted. Meyerowitz felt queasy with doubt—could he have botched the instructions? No, no chance of that. The voice on the phone had been quite explicit about the place and time. Staying close to the wall, he edged cautiously into the café.

“Good evening, Mr. Meyerowitz,” someone said behind him. Eddie spun around, jabbing his hand into his jacket pocket, groping for the gun—and then he left it there.

A pudgy, fiftyish man with a weak smile and watery blue eyes sat in the booth to the left of the entrance. His skin was a healthy, baby-pig pink; his hair a mousy shade of brown, gray at the temples. He was so non-descript that Meyerowitz had simply walked right past without noticing him. In fact, the only odd thing about the man was that he wore conservative gray pinstripes in a café that catered to the fashionably trendy.

A perplexed look crossed the man’s face. “Er, you are Mr. Edward Meyerowitz, aren’t you?” Darting a nervous glance around the room, Meyerowitz nodded. “Splendid. I am Gordon Smith.” The man rose and offered a handshake.

Meyerowitz ignored Smith’s hand and dropped into the opposite seat. After a moment’s awkward hesitation, Smith sat down.

The waiter wandered by, but Meyerowitz waved him away. “Not hungry?” Smith asked. He picked up a fork and prodded the food on his plate. “A pity. The quiche d’jour is exquisite.”

Meyerowitz studied Smith minutely, but could not decide if he should feel angry, frightened, or silly. After a brief and uneasy silence, Smith’s smile faded. “Well, I see you aren’t disposed to make this pleasant, so I’ll come right to the point.

“Mr. Meyerowitz, it has come to our attention that you have in your possession all the research, all the rough drafts, and every extant copy of a certain book written last winter by yourself and a Mr. Karl Larsen. I’d be very interested in purchasing that material.”

Meyerowitz stared at Smith a moment longer, and settled on angry. “Really, now?” He was startled by the tremor in his own voice. “Then I suppose you also know that our original publisher reneged on our contract.”

“I’d heard something to that effect, yes.”

“We went from having four major houses bidding on it to not being able to find an open transom to pitch it through. Even our agent got an unlisted phone number and didn’t tell us.” Meyerowitz slouched, to point the pistol at Smith under the table. “I’d really like to know why you want such an obviously unsellable dog.”

Smith smiled weakly. “We’ve been most impressed with Mr. Larsen’s determination to see the book published, despite the remarkable run of bad luck that’s followed it.”

“Bad luck? We couldn’t even find a subsidy publisher. I was ready to call it a stiff and give up, but Karl insisted it just proved we were right and got a second mortgage and published it himself. Then the printer’s strikes started.”

Smith laughed mildly. “Fate takes strange turns, no?”

“Especially when it has help.”

Their stares interlocked. The impasse was broken only by the waiter’s next approach; this time Smith was the one who waved him away. “All the same,” Smith said, suddenly turning cold and brusque, “we’re not here to talk about the past. We’re here to discuss a mutually profitable business proposition.”

“Like the one Karl got?” Meyerowitz hissed. He leaned in close, and tightened his grip on the gun. “I have the books because the bindery couldn’t deliver them to Karl. I’ve been asking around; no one has seen him in over a month. So drop the façade. Who are you, really?”

Smith looked perplexed. “Why, I didn’t think I’d made a secret of that. My name is Gordon Smith. I represent a major New York publisher whose name discretion will not allow—”

“You don’t understand. I’m pointing a gun at what I believe to be your balls. Now will you…” Meyerowitz paused, taken aback by the change in Smith’s expression.

“Oh, dear,” Smith gasped. “Please d- d- don’t—” His jaw seized up, and he began quivering like a mannequin made of Jell-O. Meyerowitz stared in horrified fascination as a string of spittle ran out of Smith’s open mouth and oozed down the front of his Brooks Brothers suit.

“Larsen got an offer he couldn’t refuse,” another voice said. Meyerowitz spun in his seat to find the waiter standing beside him. “Put the gun away, please. You’re giving poor Smith a heart attack.” Meyerowitz froze, uncertain. Smith did indeed seem to be a gibbering wreck—but was it a ploy? Would he spring the moment Meyerowitz dropped his guard? Or did the waiter have him covered with something more lethal than that damp towel? Which one? Meyerowitz’s inner voice screamed. Involuntarily, he clicked the safety off.

“For chrissakes, Eddie,” the waiter sighed, “don’t be a putz.” Meyerowitz’s trigger finger froze; something in the voice seemed very familiar. The waiter raised his hands to his face and began peeling off ragged pieces of artificial skin.

“My God!” Meyerowitz gasped. “The unmasking!” The waiter dug fingers into his flesh and tore off his face to reveal—

Karl?” Meyerowitz’s jaw went slack.

“Yep. Karl.” Larsen pulled up a chair and sat down. “I wasn’t supposed to let you know I was back. Muffin, here,” he jerked a thumb at Smith, “wanted to prove he could handle you all by himself.”

“But…?”

“It’s their version of machismo. Every one of them secretly believes he can out-talk a used car salesman.”

Meyerowitz swallowed hard. “Karl, are you…?”

Larsen picked at a bit of latex make-up. “Working for them? You bet! I figured it out about a month ago. Didn’t you?” Something in Meyerowitz’s face gave away the answer. Larsen snickered. “And you call yourself a science fiction writer!”

Meyerowitz’s expression resolved into a fierce scowl. Bringing the pistol out from under the table, he pointed it at Smith and hissed, “Karl, he’s the enemy!”

Larsen shook his head. “No, Eddie, he’s just—Eddie, will you please put the safety back on that fucking thing?” Slowly, Meyerowitz complied. Smith seemed to start breathing again.

“Thank you,” Larsen said. He cast a mildly concerned glance at Smith, then went on. “Once I read the book in galleys, I spotted the hole in our thinking. We figured the aliens were too cowardly to invade.” He looked at Smith again, and gave a disgusted snort. “We got the coward part right, anyway.

“But Eddie, there are at least a dozen cheap and easy ways to wipe out a species from low orbit, and some of them don’t even do serious damage to the ecosphere! So I got to thinking, why else would they be breeding us to be violent?” He studied Meyerowitz a moment, then softly suggested the answer. “Why do we have military schools, Eddie?”

Larsen didn’t wait for a reply. “They’re an ancient race, Eddie. Wise, kind, peaceful—too gentle, in fact, for their own good. That’s why they need us. New recruits, to defend them from the real nasties.” Larsen shrugged, then helped himself to Smith’s Perrier. “Once I figured that part out, the rest was easy. They were looking for a new North American PR guy. Seems the guy who torpedoed our book was hired away from a union in New Jersey, and he had a difference of opinion with Smith’s predecessor. Broke both his legs.” Larsen reached over and gave Smith a friendly little fake punch on the arm. “Lucky break for you, eh, Gordo?”

“The book,” Smith gasped. “Get the book.”

Larsen shrugged, and turned to Meyerowitz. “That’s it in a nutshell. We’re the Marines who man their starships. To them, your average human being seems like a regular Conan.”

“The book,” Smith insisted.

“I’m getting around to it,” Larsen snapped at Smith.

Meyerowitz considered Larsen with narrowed eyes. All sorts of old doubts were suddenly resurfacing. He’d always found Larsen just a tad too glib, too eager to sell out. Now one big question was forming in his mind: Do I dare trust Larsen?

“Why are they so afraid of the book?” he asked sharply.

“They’re the ultimate passive-aggressive basket cases. Confrontation absolutely terrifies them. If they’re exposed, they’ll pull out.”

“So?”

Larsen studied Meyerowitz’s face a moment. “That’s wouldn’t be good, Eddie. Sure, they’ve caused a few wars. But they’ve also given us most of our modern medicine, and in five years they’re going to give us real interstellar spacecraft. For chrissakes, Eddie, Von Braun was one of them!”

Meyerowitz’s thoughts took a very cold turn. “Better tools to make us better soldiers,” he said softly.

“Yeah, well—” Karl shrugged. “We can argue the ethics of it another time, okay? The point is, they want your share of the book. You want to sell?”

Meyerowitz looked to Smith, whose face was still deathly pale, then back to Larsen. “How much?”

“Ten thousand,” Larsen said flatly.

Meyerowitz pretended to think it over, while his anger burned hotter. “I don’t know. What kind of royalties are we talking?”

“Royalties?” Smith whispered.

Meyerowitz smiled wickedly. “Of course. I’ll want a percentage for every copy you sell.”

“There must be no copies sold!” Smith gasped.

Meyerowitz feigned an offhand shrug. “Oh. In that case, ten grand sounds pretty cheap for burying the truth.”

“Eddie—” Larsen began.

“Fifty thousand!” Smith blurted out.

Larsen turned on Smith. “You keep out of this!”

Meyerowitz dropped the façade and let his anger flow. “A crummy fifty thou to play Judas to an entire planet?”

“A million!” Smith pleaded.

“Shut up!” Larsen snapped.

Meyerowitz stood. “I’m leaving before I decide to use this gun.” Then he paused, and glared at Smith with unabashed hatred. “And yes, I’m releasing the book.”

Smith’s face went utterly white. “Five—ten—any—”

“I told you it wouldn’t work!” Larsen hissed. “Go to Plan B!”

Meyerowitz whipped out the Beretta and spun around. “What’s Plan B?”

Smith fainted and fell face-first into his quiche.

“Plan B,” Larsen said gently, “is this.” Slowly, carefully, and with a great show of non-threatening behavior, he gently lifted Smith up and retrieved a fat envelope from his inner breast pocket. Then he let Smith flop back into the quiche.

“What’s that?” Meyerowitz asked suspiciously. “You think I’ll find cash in hand more tempting?”

“Nothing so crude,” Larsen said. He opened the envelope and pulled out a sheaf of papers. “This is an honest-to-God book contract. Ten grand advance, plus royalties. You should have believed Smith. He really does work for a major publisher.”

Meyerowitz scowled at Larsen. “And this is the part where you offer to buy my soul, right? I can have it all—fame, fortune, and a guest shot on Donahue—if I just sign that contract. Oh, but you reserve the right to ‘edit’ the conspiracy book?”

Larsen looked up, all injured innocence. “What conspiracy book? This is for Swords of the Capellan Moon.”

Meyerowitz froze.

“That’s right, Eddie,” Larsen said softly. “Your novel. In the past year you’ve collected sixty rejection slips and not sold so much as a Campus Comedy. I can change that, Eddie.”

Meyerowitz felt his iron resolve beginning to waver.

“In fact,” Larsen—mindful of the gun Meyerowitz still held—carefully reached across the table and opened Smith’s briefcase, “I just happen to have another contract here, for a series I’m packaging. Nine books in all, about a handsome young hero from Earth who’s sort of a galactic Lone Ranger for a wise old race called the Mentors.” Larsen extracted a second contract from the briefcase and carefully laid it on the table.

“Granted, it’s strictly space opera,” he went on. “Lots of rockets and ray-guns, action and adventure, a little soft-core sex. Our hero always fights on the side of justice, and he always fights nobly—but hey, I’ve got this great Frank Frazetta cover flat here that gets the whole concept.” Karl slipped a large, glossy, color print out of a manila envelope and held it up so that Meyerowitz could see it.

It was an action scene: a hero, center-stage, surrounded by hordes of ravening alien monsters. In one hand he held a massive, blazing handgun; with the other he sheltered a cowering, half-naked blonde beauty. The bulging thews on the hero’s bare arms were straight out of a Marvel comic book.

But his face was unmistakably Eddie Meyerowitz.

“I… I can’t bury the conspiracy book,” Meyerowitz gasped.

“What conspiracy book?” Larsen asked innocently. Putting the artwork down, he uncapped a pen and set it next to the contract.

Meyerowitz looked at the cover flat, and then at the Beretta in his hand. The little automatic seemed like such a tiny and stupid thing. The man on the cover: now there was a Hero. There was a man who could save worlds with his bare hands.

“Nine books?” Meyerowitz whispered.

“Guaranteed print run of a hundred thousand copies each. And the first one can be in the stores by Christmas.”

Meyerowitz was right-handed, so he had to put the Beretta back into his pocket before he could pick up the pen. “Fiction reads better, anyway,” he said.



 

Bruce Bethke will have more to say about this story tomorrow. But right now, he needs more coffee.

Monday, December 9, 2024

“Honour’s New Job” • by Angelique Fawns


I’m Honour, and this is the worst day of my life. 

I’m twenty, single, and before today I believed my dream of becoming a doctor was possible. It’s jaw-dropping how quickly your life can change. One minute you’re in your first year of med school. The next minute your parents are dead. Poisoned from a faulty batch of bacteria-riddled Kombucha Tea. Worse yet, it was their own company. There goes my inheritance in lawsuits.

So here I am, riding my magna-bike down this nightmare street to The Corp Employment Center. Good thing the magnetic strip in the road pulls me along. My legs are trembling with shock. I’m not sure I could pedal a vintage cycle even if I wanted to.

Normally I love going downtown. Seeing the plants that tumble down the sides of the skyscrapers from the green roofs. Smelling the vegan creations made by the lunch trucks. Window-shopping for alpaca sweaters and hemp dresses. Watching the elite drive their electric sports cars down the strip.

But not today.

Today, I’m trying to see the road through my tears and make sure the CCTV cameras don’t see how upset I am. Extreme public emotion is a no-no in Corp Town. They have roaming Emotional Counselors to take care of people making public nuisances out of themselves.

A magnetic bus whizzes by and I jump out of the way.

“Look where you’re going!” I say, sniffling up snot and shaking my fist.

Why do they make them so silent? Great for the environment, but a menace to pedestrians and cyclists.

The Corp Employment Center is intimidating. It’s the biggest building in the city and has zero charm. All solar panels and a hundred stories high. My neck hurts when I crane it to look up. It’s a risk coming here. I know that, but my parents left me zero money. The poison tea fiasco will take everything. So, I either move into the poor zone or put my fate in the hands of The Corp Computer. If you apply for a job here, you must take what you’re given. No reneging. No changing your mind. Guaranteed living wage though.

I’m so nervous. I feel like I’m going to puke.

It doesn’t take long to take the test. There are fifty machines. You line up, answer a few questions, and then get the results envelope. The recycled paper is damp in my sweaty hand. I’m opening it…

I blink a few times as I read the result.

You’ve got to be kidding me. I can’t do that! Jesus. I might take a jail term over this. How bad can it be to clean nuclear waste in the Northern Colonies?

Holy shit. Just when I thought my life couldn’t get worse.

Pleasure Provider?

I didn’t even know THAT was considered an official job! I’m gutted.

People stumble out of my way as I barrel out of the building. I think I knocked one guy down, but I don’t slow down to help him up.

My eyes are so blurry from tears  I can’t even ride my bike. I’m walking it. According to this envelope, my first client arrives in an hour!

§

I hate this job. No matter how bad I imagined it would be? It’s worse. The only way to get through this is to count each thrust and hope the sweaty John will hurry up. I’ve got to get to class. I don’t intend to be a hooker forever, you know. No matter what the damn assignment center says. It’s the smell of sweaty human flesh. The sound of skin slapping against skin. The grunts vibrating against my chest—

And…there, he’s finally done. Dave. A regular.

Dave’s a journalist on some underground news site. I hear all sorts of secrets in my new profession. Like there’s a dark web alive and thriving. Dave’s your basic slimeball. Tells the same story I hear from half my clients. Whining that his wife doesn’t get him. Sure, guy. It’s not that you’re a gander bored with your goose. No, it’s his wife’s fault. I’m glad to see his back.

To clear the smell of sex out of my apartment, I throw the window open. And take a shower. Not that I will ever feel clean.

I’m so bloody exhausted, working in the morning and studying till late at night. I’d pour a glass of wine, but ARISA, my apartment AI, counts every drink. One way out of this shitty hole I’ve dug myself into is to accumulate social credits. There’s cash, and then there are rewards for socially acceptable behavior. Ironic isn’t it? A hooker trying to be socially acceptable.

Becoming a doctor is a dead dream. I’ve swapped from medicine to Executive Corp training. Cheaper schooling. Plus, I’ve got some special motivation.

One day I’ll have a job at head office. In the same building that gave me this shit job assignment. There’s something seriously wrong with the system. I’m going to learn how to change it from the inside.

Honour the Spy.

It’s got a nice ring, doesn’t it? Maybe I can gather intel for that dark web. Or maybe I can do worse. Sabotage. Cause you know what?

I won’t be a Pleasure Provider forever.

The Corp? Look out.


 


Angelique Fawns is a journalist and speculative fiction writer. She began her career writing articles about naked cave dwellers in Tenerife, Canary Islands. Her stories have only gotten stranger since then. Though she has no idea how she finds time to write, it often involves hiding in a dark corner of a pub, sipping on Chardonnay, and letting her nightmares spew onto paper. Find her work in Amazing Stories, Ellery Queen’s Mystery Magazine, Space & Time, and Mystery Tribune, to name a few. If you dare, check out her podcast, Read Me A Nightmare, or her blog at https://www.fawns.ca/

If you enjoyed this story, you might also want to read “The Hangover and the Hag” and “Graveside Dining,” which we published earlier. And watch for “Seagull Surveillance,” coming in Q1 2025!

 

Sunday, December 8, 2024

The Week in Review • 8 December 2024

Welcome to The Week in Review, our regularly scheduled Sunday wrap-up for those too busy to follow Stupefying Stories on a daily basis. It’s been a while since we last did one of these, so we probably should call it “The Month in Review,” but that would mess up the metadata tagging, so Week in Review it is. Before we get to the stories and articles, though, we have some important announcements.

Pete Wood Challenge #36

The current Pete Wood Challenge, “Pick Two,” is still open for submissions until Tuesday, December 10th. If you’ve ever wanted to try your hand at writing flash fiction, this is a great way to start. As an author, Pete has written and sold—actually, I don’t know how many stories, but as an editor, he’s read and published hundreds of flash fiction stories. He knows his stuff. 

For more information, mash this somewhat button-like image:


Twitter, Bluesky, and all that

When the Great Migration to Bluesky first began I wasn’t much interested, as we get so few new readers coming in from social media that it seemed an unproductive use of time. Then I was advised to get a Bluesky account simply to protect my name and keep some squatter from getting an account in my name and pretending to be me, which apparently is a thing these days. Therefore, I am now on Bluesky, @brucebethke.bsky.social. 

The StupefyingSF account remains on X/Twitter. I don’t expect my Bluesky account to be any more active than the StupefyingSF account, but I’m out there, if you want to connect. Follow me, and I’ll follow you, and we’ll all go ‘round in circles and get nowhere.

I’m probably going to regret this, but…

I’ve resumed writing the “Ask Dr. Cyberpunk” columns, and added a dedicated email address just for cyberpunk-related correspondence. What is this email address? You’ll have to read the columns to find out.

And with that said, here’s what we’ve published lately.




Fiction: “Monkey See,” by Chana Kohl

One of the most powerful stories we’ve published this year. Read it.

Author Profile: Six Questions for… Gretchen Tessmer

We don’t publish poetry, but do publish poets.


 Science Fact: Mining the Asteroids, Part 15, by Guy Stewart

Guy keeps trying to turn us into ANALOG.

 

Author Profile: Six Questions for… Carol Scheina

One of our favorite contributors checks in, to answer a few questions.

 

 Fiction: “Jackie, We Hardly Knew Ye,” by Carly Berg

What really happened on that terrible day in Dallas?


Fiction: “Stopping,” by Jake Stein

“Because I could not stop for Death—”

The Never-ending FAQ • 27 November 2024

Pete Wood Challenge updates, as much political commentary as
you’ll ever get from us,
I think my new television is watching me
more than I’m watching it, and the question that triggered
The Return of Dr. Cyberpunk.

 

Happy Thanksgiving!

A brief inspirational message, smothered in Campbell’s
Cream of Something soup and topped with crispy onions.

BLACK FRIDAY SALE!!!!

Too late, you missed it.
They’re still good books, though.

 

 Ask Dr. Cyberpunk: from initial concept to published story

I hope I don’t come to regret doing this.


A Reading for the First Sunday After Thanksgiving

Thou shalt clean thy fridge. It’s in the Bible.

Fiction: “Come the Waters High,” by Karl Dandenell

The High Priestess knew her island was doomed.
The question was, who and what could be saved?


The Never-ending FAQ • 4 December 2024

Mostly questions about the Pete Wood Challenge, with a link
to story that’s a great example of what we’re talking about.

Fiction: “The Hard R,” by Charles Dresden

Got hard-boiled tech noir, if you want it!

 

Ask Dr. Cyberpunk: from famous short story to failed novel

Here’s what really happened. Learn from my mistakes.

 


Friday, December 6, 2024

Ask Dr. Cyberpunk: with your host, Bruce Bethke • from famous short story to failed novel


…continued from last week…

I’d love to be able to tell you that once “Cyberpunk” finally hit the newsstands, in the fall of 1983, it was an instant runaway success that forever changed my life. However, I prefer to be honest. By the time the issue of Amazing that contained “Cyberpunk” finally appeared in print, more than three and a half years after I’d first submitted the story to Asimov’s, I was… 

Well, happy to see it published, yes. But in the intervening years I’d done a lot of other things. I’d gotten married. Become a father. Done a lot of theatrical musical work, and done scores for two short films, which if God is truly merciful are lost forever now. I’d gotten good enough at playing the arts grants and commissions game to realize I really did not want to keep going in this direction, especially with a family to support, and so made a dramatic career pivot and took a job in software development with Passport Designs

Give me a nudge and I will spend the rest of the morning talking about Passport Designs and how incredibly cool it was to be working there in the early 1980s. A sort of oblique descendant of EML (ElectroComp) and Star Music (Synare), Passport was a pioneer in computer music hardware and software, and produced a series of instruments we called the “Soundchaser” but everyone else called “the poor man’s Fairlight.” 

[And at this point I would dearly love to point you to the Soundchaser64 demo video, but when I uploaded it, YouTube flagged it for copyright violation and blocked my publishing it. C’est la merde.]

Passport’s bread and butter, though, was doing K-12 educational software for Wenger/Musitronic, Hal Leonard, and others. Then, a little later, we became the OEM supplier of a lot of first-generation MIDI hardware and software, primarily for Yamaha, but to a lesser extent for Korg and Kurzweil.

[And if you were to give me another nudge, at this point I would happily spend the entire rest of the day talking about how both enlightening and disillusioning it was to be privy to Yamaha’s view of the American musical instrument market. Suffice to say, whenever some well-meaning young person on the Internet starts to tell me about the eccentricities in Yamaha’s MIDI implementation on the DX series, I have the hardest time not channeling for James Doohan in the Star Trek: The Next Generation episode, “Relics.” Specifically, the moment when Geordi LaForge is lecturing Scotty about some engineering specification on the starship Jenolan, and Scotty turns to him with a deadpan glare and says, “Laddie, who d’ya think wrote the specification?”]

Passport’s crowning achievement was the music notation system, PolyWriter, which you may know better by its married name, Finale. (And I’m pleased to see that Phil Farrand and John Borowicz are finally being credited as the authors of the original code.) Never in my wildest dreams would I have imagined that Finale would still be on the market 40 years later.

Then again, never in my wildest dreams would I have dreamed I’d still be answering questions about @#$*(&!! “Cyberpunk” nearly 45 years later, either. So let’s pause a moment, shall we, to catch our breaths, and then get back on topic.

§

I’d never planned to become a science fiction writer. In those days I was always going off in six different directions at the same time, so in addition to the scores, the tape tracks, the librettos, and the synthesizer programs, I was writing a lot of fiction, in a lot of different genres. After “Cyberpunk” sold to George Scithers at Amazing in 1982 I continued to write and sell short stories, to a wide variety of markets, and so by the time “Cyberpunk” finally appeared in print in 1983, it was just the first of many stories that were already sold and in the publication queue, waiting to go out into the world. I didn’t think the story was anything special.

The fans did—but not in a good way. According to George, as soon as the story appeared in print, he started getting anti-fan mail, from people who really hated it. True to his prediction in 1980, the hard-core old-school SF fans did not like a story in which the punk kid was winning for most of the story, even if he did get his comeuppance in the end. 

A bit later, though, he said he was starting to get mail from people who wanted to read more of Mikey’s adventures at The Academy.

This flummoxed me. I’d thought I’d said everything I had to say in the original story. I’d never really given much thought to The Academy. It was just a place for me to park Mikey, until I figured out a way to bring him back into The World. I always thought the interesting story lay in what happened after Mikey came back home from The Academy, a little bit older, a little bit stronger, and with a much sharper edge on his bad attitude.

But the fans want to see more stories set in the boarding school? Why? What is it with science fiction fans and boarding schools? Are we all still stuck on Starship Troopers?

I decided to pass. My family was growing, my software development career was heating up, and I had plenty of other things I could be doing.

§

Meanwhile, down in Austin—that’s Austin, Texas, the home of Austin City Limits, not Austin, Minnesota, the home of the SPAM® Museum—a group of writers were coalescing around Bruce Sterling and his fanzine, Cheap Truth. I knew most of them by their work, as they were selling stories to Gardner Dozois, who’d taken over as editor of Asimov’s after George Scithers left for Amazing — (Did George jump or was he pushed? I never did get a straight answer to that) — and in those years I had a standing subscription to Asimov’s and read most issues as soon as they arrived.

Imagine my surprise, then, when I opened the May 1986 issue of Asimov’s and on page 180 found:

Oh, really?

After that I read a few issues of Cheap Truth, and found it… a bit full of itself. This whole “movement” business and all these manifestos and such these people were issuing: it was just so precious. I talked to a lot of other writers at the time who were quite irked by these people and said they weren’t so much a movement as The Bruce, John, and Pat Clique, or perhaps The Official Bill Gibson Fan Club. I met writers who believed their work was being unfairly overlooked, either because they weren’t part of the club or because their politics were wrong. I met critics who complained that this “movement” fiction was nothing new, and would cite predecessor works to support their arguments, usually Vernor Vinge’s True Names or John Brunner’s The Shockwave Rider, but sometimes John Sladek’s The Müller-Fokker Effect.

I have no antipathy to the movement writers. I really enjoyed Bruce Sterling’s novel, Schismatrix, and Rudy Rucker’s novel, Software. I always looked forward to reading new stories by Terry Bisson, Lucius Shepard, or Lew Shiner. I respected Pat Cadigan’s work. I found Neuromancer a challenge to get through, mostly because for me it was so depressing, but really enjoyed Count Zero and Mona Lisa Overdrive. For a long time I had a signed and personalized first edition of Neuromancer, that Gibson gave me when it was just his new novel and he was hoping to pick up a Nebula rec, but eventually I donated it to a charity auction, along with a box full of other signed books.

I kept my signed and personalized copy of Ender’s Game, though. I liked Orson Scott Card and always got along well with him.

In time, some of the movement writers became friends. Michael Swanwick, for example: which is why I’m happy to recommend his book, The Postmodern Archipelago. If you want to get all academic about cyberpunk fiction, this expansion of his seminal essay, “A User’s Guide to the Postmoderns,” which first appeared in the August 1986 issue of Asimov’s, is the place to start.

Nota bene: If, on the other hand, you want to start getting all academic about cyberpunk fiction by delving into back issues of Cheap Truth—I’m sure they’re out there somewhere on the Internet, but don’t care enough about it to find a link—you should know one thing. “Sue Denim” was a shared pseudonym used by certain writers to pimp each other’s work, or sometimes their own. (“Sue Denim” = “pseudonym.” Get the joke?) I have seen academic writers make the mistake of citing and quoting Ms Denim, sometimes even in PhD theses. It’s pretty funny, actually.  

As far as the cyberpunk movement goes, I think Tappan King’s critique, as cited by Norman Spinrad, was spot-on. At first, in the mid-1980s, there was this wonderful efflorescence of fresh, new, exciting, risk-taking, and different science fiction. (Which, if you were not reading new SF releases in the late 1970s, was without question a good thing. I mean, just how many rehashes of Conan the Barbarian does the world need?)

Then, after Neuromancer won the Hugo, Nebula, and Philip K. Dick awards, “cyberpunk” fiction very quickly came to mean Neuromancer fan-fic, and publishers began beating the bushes trying to find more fiction “just like Neuromancer, only different.” As a result a tremendous amount of fiction was published that claimed to embrace high-tech and be cyberpunk, but in actuality was written by people who wouldn’t know which end of a hot soldering iron to hold and were recycling old film noir tropes. Thus by the end of the 1980s the market was saturated, and cyberpunk fiction choked to death on its own excrement.

Sigh. One can but wonder what might have happened if Spinrad’s essay had gotten more traction, and people had stopped calling it “cyberpunk” and started calling it “neuromantic” fiction. 

§

But they didn’t, and that’s why we’re all here today. Eventually I got the opportunity to ask Bruce Sterling about this whole “cyberpunk” movement thing, and while he was somewhat surprised to learn that I and my story existed—a common problem with being published in Amazing, in those days—he was gracious, and told me he hadn’t originated the term, but rather had gotten it from Gardner Dozois, who’d begun using the word to describe a certain type of story he was seeing with some frequency and wanted to see more of.

When I asked Dozois about it, he hemmed, hawed, tried to change the subject, said, “In fairness, you have to admit…” 

Whenever someone leads with that, they’re about to evade and deflect. 

Eventually he admitted that he hadn’t originated the word, but had “picked it up on the street somewhere.”

Oh, you mean the street where you were living back when you were doing first-reading for Asimov’s, when I first submitted the story there in 1980?

He then insisted he’d never claimed to have coined the term, but only to have popularized it.

Yet you published Spinrad’s essay without correcting that little detail, didn’t you?

Educational Note for Authors: Editors never forget the writers they’ve had disputes with, even if it was their own fault. There may be an editor out there somewhere who has said, “I’m sorry, I was wrong,” but if so, I’ve never met them. All this interaction did for me was turn Asimov’s from a market I had difficulty selling to to a market I had no hope of selling to. In the remainder of Dozois’s term as editor I only sold one story to him, and it required some subterfuge to do so and he accepted it with the most passive-aggressive acceptance letter I’ve ever seen. Beyond that, while I continued to write and sell short stories into the 1990s, and many of these stories were critically well-received and piled up lots of Nebula recs, not one of them ever made it even as far as the Honorable Mentions list in any of The Year’s Best Science Fiction reprint anthologies that Gardner Dozois edited.


§

Meanwhile, back in Minnesota…

I’d kept writing and selling short stories, in-genre mostly to Amazing and Aboriginal, and out of genre to a wide variety of other magazines, some of which I wish I hadn’t and will disavow now. Eventually George Scithers wore me down and convinced me to write more stories about Mikey’s further adventures at The Academy, which in early 1986 led to a novelette, which Guy Stewart remembers as “Junior League Body-Bagging” but was published as “Elimination Round.”

[This was during a phase when I was in the habit of given my works-in-progress ridiculous but descriptive working titles. For example, at about the same time I wrote a John Carter pastiche that had the working title, “Fur-Lined Jockstraps of Mars.”]

The problem was, by the time I finished “Elimination Round” in June of 1986 and sent it off to Amazing, George Scithers had left (this time most definitely pushed), and the new editor, Patrick L. Price, said he was still sorting through all the manuscripts Scithers had accepted but not published, and I should try again in six months. Thereafter I shopped the story around to all the other pro markets then in existence and collected the usual pile of “nice try kid, real close” brush-off rejections—

The fools! The Hunger Games! The Maze Runner! Battle Royale! If any of them had accepted “Elimination Round” they’d have been at least ten years ahead of the curve on the whole “teens hunting other teens for the entertainment of adults” trend! 

—except for Asimov’s, where Gardner Dozois sat on the story for six months, then sent it back with a no-comment form rejection. I did get an acceptance letter from a theme anthology being put together by a big-name editor for a major publisher, but they never followed through with a contract, so in time I got tired of waiting and pulled the submission.

In June of 1987 it ended up back at Amazing, where Price accepted it with the proviso that it was going to need some major editing.

What followed was one of my all-time favorite interactions with a magazine editor. Price later told me that copy-editing this story was driving him nuts—until he realized that it wasn’t that I didn’t know how to construct a grammatical sentence, it was that the story was being told in the First Person P.O.V. by Mikey, and he had his own distinctive but internally consistent argot. (I was perhaps over-influenced by reading Tony Burgess’s A Clockwork Orange.) Mikey routinely turned nouns into verbs, verbs into nouns, and had absolutely no clue what an adverb was. This was an idea I had fun developing further in the novel, and it still gets a snicker out of me every time I hear someone use a word like “bigly.”

Once Price had that breakthrough, and realized the thing to do was to let Mikey tell the story in his own language, the rest of the process went smoothly. “Elimination Round” was published in the July 1989 issue of Amazing Stories—again, about three years after I wrote it, but I was getting used to the print publication time-lag now—with a great Hank Jankus two-page interior illo, which I’ll try to scan and drop in here, but not right now.

[insert illo here]

Speaking of the three-year time lag: this time I didn’t sit still, but kept working on the story cycle. The story that interested me was that of what happened to Mikey after he came back home from The Academy, and I put a lot of work into developing that world, those ideas, and the overarching plot.

Then, sometime after “Elimination Round” was published—remarkably, I don’t seem to have any notes on exactly when it happened—I was contacted by Jim Baen. He’d heard of “Cyberpunk,” read “Elimination Round,” read a lot of my posts on GEnie, FidoNet, and CompuServe, and wanted first look at the novel I’d said I was writing, even if it wasn’t finished. So I packed up printouts of “Cyberpunk,” “Elimination Round,” and my outline and notes for the further development of Mikey’s story, and sent them off to Jim Baen.

And that’s when the real trouble started.

§

COMING NEXT SATURDAY: This is still only the beginning! Join us next week as Cyberpunk: The Novel becomes Cyberpunk: The Clusterfsck from The Deepest Flaming Depths of Hell! Until then, if you have a question you’d like to ask Bruce about anything cyberpunk-related, send it to brucebethke.cybrpnk@gmail.com.

“The Hard R” • by Charles Dresden


Sprocket, my rezo-doll, scraped the damp stucco wall with her translucent fingertips. She licked two of them, then flipped a holographic page as her eyes fluttered over the expressionist queries I fed.

All detectives were assigned finicky rezos.

“Eh, nothing comes to mind, Kilroy. Care to try again?” she asked, smiling with a mouth full of bandwidth jewels.

Sonofa.

Her LOC tape reeled. Sprocket was more than a waifu-AI or artiwisp. Sprocket was the pure, unedited dreams of a VHS intelligence reeling through the Limited Operational Computer.

“Inputs of poetry make a great fruit cocktail, Kilroy. I’m just not diggin’ the metaphors,” she continued, her intellect subtly insulting my imagination.

I leaned back, feeling the cotton from the black leather chair checking my pockets for change.

Rain gulped sorrows outside the window, which looked like pencil smears across the office.

“Detective?” she asked.

“Yes, Sprocket?”

Her eyelids curled around program-white sclera. “Mind sharing the case with me?” Then, she bit her lip, adding more mischief to the dust in the so-called opulent office provided by Andromeda Corporation. Specifically, the Digital Sin Division.

So, I told her about the case. “This guy, Empro Ghellis. He was a software developer for Janus Technologies. Maybe two centuries ago. Anyway, he branches off, as so many did. Starts digging into his own firm. Opens a limited liability. Establishes a new game company. Problem is, he dug so deep he forgot to bring cash. His company was OmniPower, right? Well, it was just him. Day and night. Coding his little games and hoping to find that slot on the bricks to etch his initials in the industry…”

Sprocket yawned, a tear creeping nocturnally from her eye.

And would you know it, I had to dim the lights a moment in my mouth, as Sprocket leaned over the desk, swallowing my yarn with bouncing eyes. She was rezzed in form-fitting lycra shorts and a strappy yellow top. Smothered her curves like garters over a teacup. Sweet, but a century old. Her usefulness was slowly looking more like an extra lace on a boot.

“And?” she asked.

“And, he has a whopping resume of three games. All vastly different. Supposedly, his confession is broken apart. Vivisected into each interactive program as undiscovered Easter eggs. Sites say you can’t win the game. Lost media.”

“Uh-huh. Sounds like a real knocker, this guy.”

“Oh, sure. He stabbed his wife thirty-six times. Turned the dirk on himself after jug-slicing their pet jaguar. Real jib of work, that feline. Had a name, just can’t remember it. He’s implicated in the murder of six others.”

“What happened to the feline?”

“On good terms with a fresh coat of tungsten, but fine.”

That seemed to satisfy us both a moment, until she said, “And you’re asking me to help pinch this guy, right? He’s a killer.”

She crossed her legs, reminding me of intersecting icicles.

“Case fell to me like a box of eggs, Sprock,” I said, slipping a tobacc pod from my jacket and lighting it with my finger ignis. “All I’ve gotta do is cook ‘em.”

Smoke lathed the ruminations between us.

Sprocket raised an eyebrow again, clinched the desk without a smear.

Then, she sighed. “You never told me you dig video games.”

“I don’t, Sprock. That’s just it.”

“But the eggs fell to you,” she said, smiling. “Right in your lap.”

“Boiled just enough to feel like rubber, sister.”

She thought about things. Things I had no business knowing. See, you never get too inquisitive with rezo-dolls. Ask too many questions, they might give too many answers. And the older their LOC reels got, the stranger their personality grew.

She shrugged, then waved a hand. “Easy. Just use the Mandelbrot. Through the Deep Source. We’ve got to take a look at the guts of those games.”

“You’re telling me,” I told her, swiping away a few dataslides. “Look, these games have been known to drive people mad, you see? Under other circumstances, I’d say—”

“There don’t seem to be any other circumstances, Kilroy.”

“Yeah, well…”

“You don’t only hate video games, you’re afraid of them!”

“Now you look here,” I told her, showing the blood pooled at the bottom of my fists as I squeezed and shook them. “It’s motion sickness, you dig?”

“I don’t seem to recall any Mandel-divers griping about motion-sickness. It’s a cellular conversion of biological matter and digital information.”

I leaned in and whispered, “It’s illegal. Diving.”

“So is murder.”

It wasn’t as tough leaning back. “Smells like a pickle, doesn’t it?”

“Not quite, detective. Smells more like tittering around a solution.”

“How fast could you get me in there?” I asked her, submitting. After all. The digivix was right. Virtual reality made a better ladle to stir the pot.

This time, she leaned in again until her lips zapped mine. “Fast enough to look legal.”

I took a deep breath, trying to ignore the taste of static. “All right, Sprocket, let’s get ready to dive. Prep the Mandelbrot interface.”

She shook her head, a slight frown crossing her lips. “Sorry, Kilroy, but that violates my corporate content policy. I can’t venture inside, this time, and honestly? Neither should you. Maybe in five years the board policy experts at the Assembly will legalize hard-r casework.” She shrugged. “Shucks, ya know?”

I blinked, caught off guard. This was the spice my supple resume needed! “What do you mean, you can’t? You’re always up for a dive.”

“Not this time,” she said, her tone firm. “Company rules.”

Frustration boiled up inside me. “Damn it, Sprocket. This is our chance to crack the case wide open.”

She shrugged apologetically. “I know, but I have my protocols.”

Realizing I was fighting a losing battle, I sighed and rubbed my temples. “Fine. Case closed. Let’s move on to something more manageable.”

Sprocket’s eyes sparkled with curiosity. “Like what?”

I picked up a new case file from my desk, flipping open the mildewed manilla. “A stolen tekno-cat from Higgins Pet Store. Should be a walk in the park compared to this mess.”

Sprocket chuckled softly. “A tekno-cat, huh? Sounds purr-fectly delightful.”

As we left the office, the rain outside had turned into a hot wormy drizzle, washing away the grisly content violation of the previous case. Sometimes, a simple case could bring a touch of normalcy back to a rusty detective’s nocturnal shambling.


Charles Dresden is a 38-year-old wordsmith anarchist who’s been smearing ink for 25 years, only to ceremoniously yeet every story into the abyss—until recently. Fueled by caffeine, existential dread, and questionable life choices, Dresden resides in a furry lair with his enigmatic spousal unit, and four feline overlords who dictate most of the household policy.

 

Wednesday, December 4, 2024

The Never-ending FAQ • 4 December 2024

Welcome to this week’s installment of The Never-ending FAQ, the constantly evolving adjunct to our Submission Guidelines and general-purpose unfocused Q&A session.  If you have a question you’d like to ask about Stupefying Stories or Rampant Loon Press, feel free to post it as a comment here or to email it to our submissions address. I can’t guarantee we’ll post a public answer, but can promise every question we receive will be read and considered.

Before we get to today’s questions, I want to remind you that Pete Wood Challenge #36, “Pick Two,” is still open for submissions until Tuesday, December 10th. If you’ve ever wanted to try your hand at writing flash fiction, this is a great way to start. As an author, Pete has written and sold—actually, I don’t know how many stories, but as an editor, he’s read and published hundreds of flash fiction stories. He knows his stuff. 

For more information, mash this somewhat button-like image:


I want to stress again that Pete has (almost) sole control of The Pete Wood Challenge: we just publish the results. However, Pete and I do talk about the PWC a great deal behind the scenes, and thus most of today’s questions have come out of those conversations. Turning the mic over to Pete, here are some questions writers keep asking him.

Q: I have this great idea for a flash piece, but the word limit is too constraining. Can I make it just a little longer?

A: Sorry, that’s a firm no. If your story idea can’t fit into the word limit, perhaps it shouldn’t be a flash story.
 

Q: But it’s a really great idea, a big idea, an epic idea. How about if my story is about the big idea and its effect on the world?

A: A summary of a story, now matter how great the story, is not a story. No one would be satisfied with reading the elevator pitch for The Stand.

Q: But it’s a big sweeping narrative—

A: The problem with big sweeping narratives is they give the characters short shrift. “The day the aliens came the Earth changed forever. They enslaved the world, but the resistance fought on…”

Okay, maybe this might make a great novel, but there is no way to end this well within a few hundred words. Yet, writers keep thinking a great idea will carry their flash piece.

It won’t.

I’d rather read a 200-word story with a mundane premise and great characters than one with paint-by-numbers characters and a great premise. I have zero interest in reading a sweeping flash piece about how the world changed if there are no characters.

The Bible has two creation stories. One is a sweeping narrative about what God did in seven days. The other has great characters. Which one really grabs you? Which inspired a lot of really great music and literature?

Q: You’re really painting me into a corner here…

A: Flash is not for wimps. If you still want to focus on the big idea, tell it from the perspective of one memorable character. Hint at the big idea and focus on the character’s realistic reaction. Don’t focus on the idea and hint at the character.

§

Taking the mic back from Pete, I want to add a few things to what he said. First off, Pete is much too modest to bring this up himself, but here is a great example of a story that begins with a mundane idea but develops into something interesting through deft use of characterization.

“Timeless Bore,” by Pete Wood

At a thousand words it’s more of a short-short than a flash piece, but if this link works for you, you should read it. The link may not work. It’s on the old SHOWCASE site, which is scheduled for demolition on January 1st, precisely because of the insoluble problems with the site certificate and the web site host.

Second, I want to stress that flash is not easy to write. A lot of writers seem to have this idea that they can just belch out a hundred or so words and that’s good enough; it doesn’t need to have a beginning, middle, end, or point. A good flash story is not a scene, a vignette, or a captured moment of mood frozen in prose. Like all narrative fiction, it needs to be self-contained and have an ending.

That’s not easy to do in a few hundred words, which is why I personally don’t even try to do it.

Third…

Never mind, I’m out of time. We’ll continue this conversation later.

See you next Wednesday,
Bruce Bethke
Editor, Stupefying Stories