Saturday, October 12, 2024

“Don’t Shoot the Messenger” • by Andrew Akers

“Using hyperlight velocities we could telegraph into the past.” - Albert Einstein, 1910


“What the hell?”

Lyra blinked at her terminal as the particle accelerator wound down around her. What she was looking at was impossible. Tachyons, the elusive, special-relativity-breaking faster-than-light particle, existed. Dozens of UHD pictures confirmed the optical “sonic boom” of Cherenkov radiation—wormy tendrils of electrically charged particles moving faster than light in a clear medium. By itself, the finding was enough to revolutionize both her career and humanity’s understanding of physics. She should have been preparing her Nobel speech.

Only, it wasn’t by itself.

At most, the radiation could have appeared patterned; the unlikely product of multiple clean proton collisions. In zero computer models, however, did the tendrils appear…designed. It went against all Lyra believed, and the message it created was one that drove her mind to entropy. In the freeze-frames of radiation moving through empty air, shaky words read:

“You’re going to die - RF”

“This…isn’t possible,” Lyra said aloud this time, hoping her undulating sound waves would somehow shake order into the mad universe she found herself in. And who the hell is RF?God?

Uninterested in being tamed, the universe replied to her questions with further madness: a squeak. Someone had just opened the door to her lab. A locked door in a sealed facility. Driven by a superstitious urge she had gone so much of her life without, Lyra ducked beneath the ledge of her observation window. When she snuck her head back up, angry eyes met hers from across the room.

“What you’re doing here is wrong!” the intruder screamed. He was wearing an oversized hockey jersey with stains so dark they nearly camouflaged the Flyers logo embroidered on its front. Nearly every inch of his exposed skin appeared to be covered in fresh rashes. Are those…sunburns? Lyra thought before her attention was arrested by the object in his hand.

The pistol’s polished chrome appeared to be the most well-kept thing about the man wielding it. Its muzzle traced small, invisible infinity signs on the floor to the man’s right, then it rose.

Pistol and man disappeared as Lyra ducked back beneath the window. As quickly as she could, she reached for her terminal and set the cameras to record in real time. The man had moved from where he had been standing at the door, and was stepping over the four-foot collider tube. He strode with deadly purpose, mere feet from clearing the chamber. When he did, there would be little separating her from the evil end of the weapon he carried.

“Shut it down, you bitch!”

She had dealt with these kinds before; ones with low scientific literacy, who believed CERN or Fermilab would create a black hole or gamma ray burst capable of ending life on earth. It was true their Fiensman Collider produced analogues of those things, but nowhere near the monstrosities fretted over. Explaining it didn’t matter though; math fell on deaf ears. Violence was their language of choice instead, and too many scientists like her had been targeting by self-righteous ignorance.

“No,” Lyra whispered, punching the activation sequence that had punctuated her research for over a decade. “Not today. Not me.” For the first time ever, she ignored the safety checklist.

Whirring began again from the machine she likened to an infinity symbol tucked in on itself—a machine designed to explain the hidden structures of the universe. The machine that had given so much purpose to her life was about to save it.

Sirens and emergency locks activated. Magnets far stronger than those inside an MRI powered on, ripping the firearm from the man’s hands with a force that may have removed fingers. A loud bang occurred a fraction later as gun met electromagnet. Additional warnings and sirens followed; the vacuum tube had been damaged and rapidly depressurized.

Lyra heard cursing over the sounds of the machine. In one of the cameras, she watched as the man dove toward where the gun had been pulled. Bloodied hands searched for a weapon that was now indecipherable from surrounding metal. Still, the madman continued his search. He bent forward, toward where a large hole now gaped in the drift tube.  

“Oh God, no,” Lyra whispered.

She watched in horror as his head entered the tube… and took the full force of particles moving at relativistic velocity.

In 1978, Lyra knew, Soviet physicist Anatoli Bugorski became an accidental example of what happens to the human body when it enters an active particle accelerator. High-energy protons obliterated the meat between his left ear and nose, releasing a massive dose of ionizing radiation and evaporating all it came in contact with. Miraculously, Bugorski survived.

The man in the Flyers jersey did not.

§

Lyra and a score of police officers looked down at the corpse. She didn't realize it before, but she knew her attacker. Hell, he had signed her paychecks for eight years.

This Robert looked different from the signature suit-and-tie, well-manicured Adonis he had built his brand around. According to reports, he had been watching a hockey game with friends at his house when the injuries began. The rashes were no sunburns: they were radiation burns, each appearing from thin air and showcasing a separate line of script.

“Shut it down.”

“End it.”

“You’re going to -

Lyra froze. The man who had tried to kill her—her employer and the benefactor of the collider—was Robert Fiensman. RF. Lyra raced to the pictures on her terminal. Results from the collider’s more recent “test” were visible as well. Just as she thought, they matched the readings to her previous results far more accurately than her earlier test had.

The messages, produced by a particle that broke causality and violated spacetime, had been a warning from a reverse ghost. Only, the warning hadn’t been for her.

You’re going to die, RF”

 


 


Andrew Akers
(He/Him) is a forest ranger and emerging writer from Pennsylvania, USA. His work will soon be appearing in Stupefying Stories Magazine, Fabula Argentea, Black Hare Press, and in Book XI. When he isn’t working or writing, Andrew is running marathons, playing Dungeons & Dragons, or raising his son with his far more talented half, Kylie. If you want to check out more of his stuff, go to www.andrew-akers.com.





 

 



STUPEFYING STORIES 26

DOUBLE ISSUE! TWICE THE STORIES! TWICE THE CHILLS!
FREE FOR KINDLE UNLIMITED SUBSCRIBERS! 

  • Jamie Lackey - “Blood Apples”
  • Gordon Grice - “Stone”
  • Allan Dyen-Shapiro - “Midnight Meal at a Kobe Noodle Joint”
  • Karin Terebessy - “Bandages”
  • Jorge Salgado-Reyes - “Neon Blood”
  • Julie Frost - “Beverly Hellbunnies”
  • Kevin Berg - “Faceless”
  • Anya Ow - “Hungry Ghosts”
  • Jesse Dyer - “Losing Things”
  • Richard Zwicker - “Possession is Ten/Tenths of the Law”
  • Made in DNA - “Something CUTE This Way Comes”
  • Cass Sims Knight - “Slugging”
  • Nick Nafpliotis - “The Cerberus Protocol”
  • Beth Cato - “Water in the Bones”
  • Don Money - “Department of Murderous Vixens”
  • Chana Kohl - “Murder in the Shuk”
  • Patricia Miller - “An Absence of Shadow”
  • Robert Hobson - “Watershed”
  • Ray Daley - “The Haunted Spaceship”
  • Roxana Arama - “All Those Monsters”
  • Evan Dicken - “Sunk Ghosts”
  • John Lance - “The Mob”

 

"Beverly Hellbunnies"

Friday, October 11, 2024

“Proper Witch’s Home” • by Carol Scheina

 

I shouldn’t have spent all that money on Witch Certification, including the optional course on Perfect Cackling. I couldn’t afford a proper witch’s home now.

For a witch needed a home. A gingerbread house. House with chicken legs. Castle with magic mirror.

After the Town Guard booted me from my camp under the bridge, I wandered along the river. Eventually, I came to a large sewer pipe emitting odors like rotted fish meets skunk. The kind of smell to curse your ex or your least-favorite boss with, or to repel Town Guards.

I did enjoy casting curses. I could get used to the smell here. The more I thought about it, the more I liked it. A sewer witch.

I cackled. It sounded perfectly evil.

 




Carol Scheina is a deaf speculative author whose stories have appeared in publications such as Flash Fiction Online, Escape Pod, Diabolical Plots, Stupefying Stories, and others. Her writing has been recognized on the Wigleaf Top 50 Short Fiction Longlist, and she has become a fan favorite for her finely crafted flash fiction pieces on the Stupefying Stories website. You can find more of her work at carolscheina.wordpress.com.

If you enjoyed this story, be sure to read “True Love is Found in the Bone Sea,” here on SHOWCASE, or “The Burning Skies Bring His Soul,” in STUPEFYING STORIES 24. Or at the very least, read “The Disappearing Cat Trick,” in The Odin Chronicles, Season 1. 

This link will take you to a unorganized list of Carol’s previous stories on this site. I’m particularly fond of “The View from the Old Ship.” You should read it. You should also take a look at “The Burning Skies Bring His Soul,” which you’ll find in SS#24, which is now FREE for Kindle Unlimited subscribers.

 


 

The Pete Wood Challenge is an informal ad hoc story-writing competition. Once a month Pete Wood spots writers the idea for a story, usually in the form of a phrase or a few key words, along with some restrictions on what can be submitted, usually in terms of length. Pete then collects the resulting entries, determines who has best met the challenge, and sends the winners over to Bruce Bethke, who arranges for them to be published on the Stupefying Stories web site.

You can find all the previous winners of the Pete Wood Challenge at this link.

This time the challenge was to write a flash fiction story of no more than 125 words in length that played off the keyword: “homeless.”

REMINDER: There is another Pete Wood Challenge that is open for submissions right now. For details and how to enter, click this link.

 



STUPEFYING STORIES 26

DOUBLE ISSUE! TWICE THE STORIES! TWICE THE CHILLS!
FREE FOR KINDLE UNLIMITED SUBSCRIBERS! 

  • Jamie Lackey - “Blood Apples”
  • Gordon Grice - “Stone”
  • Allan Dyen-Shapiro - “Midnight Meal at a Kobe Noodle Joint”
  • Karin Terebessy - “Bandages”
  • Jorge Salgado-Reyes - “Neon Blood”
  • Julie Frost - “Beverly Hellbunnies”
  • Kevin Berg - “Faceless”
  • Anya Ow - “Hungry Ghosts”
  • Jesse Dyer - “Losing Things”
  • Richard Zwicker - “Possession is Ten/Tenths of the Law”
  • Made in DNA - “Something CUTE This Way Comes”
  • Cass Sims Knight - “Slugging”
  • Nick Nafpliotis - “The Cerberus Protocol”
  • Beth Cato - “Water in the Bones”
  • Don Money - “Department of Murderous Vixens”
  • Chana Kohl - “Murder in the Shuk”
  • Patricia Miller - “An Absence of Shadow”
  • Robert Hobson - “Watershed”
  • Ray Daley - “The Haunted Spaceship”
  • Roxana Arama - “All Those Monsters”
  • Evan Dicken - “Sunk Ghosts”
  • John Lance - “The Mob”

 

"Beverly Hellbunnies"

Thursday, October 10, 2024

“The Sky Will Fall” • by Tobias Backman


“You here because of the war?”

The stranger tossed coins in my hat, glanced at my army jacket, the missing arm.

I nodded. It wasn’t technically a lie.

“Where did you fight?”

“Greece.” My voice was hoarse from disuse.

He looked puzzled, dug out a fiver anyway. “What’s your name?”

“Atlas.”

Sympathy was being replaced by skepticism across his face.

He glanced at my sign. “The sky will fall, eh?”

He shook his head and left. Didn’t take his money back, though. Not that it really mattered, but it was nice not having to starve while I was standing here.

I wanted to yell after him, mention the cracks forming above him. But he was too far gone, and I had a responsibility to all of humanity.



 


Tobias Backman is Danish science fiction and fantasy author. He dreams of writing a novel one day, but so far, his attention span has limited him to writing flash fiction. His stories have previously appeared in magazines such as Daily Science Fiction and Grievous Angel. This is his third story to be published by Stupefying Stories. You can find out more about him over at https://tobybackman.com/.

 


 

The Pete Wood Challenge is an informal ad hoc story-writing competition. Once a month Pete Wood spots writers the idea for a story, usually in the form of a phrase or a few key words, along with some restrictions on what can be submitted, usually in terms of length. Pete then collects the resulting entries, determines who has best met the challenge, and sends the winners over to Bruce Bethke, who arranges for them to be published on the Stupefying Stories web site.

You can find all the previous winners of the Pete Wood Challenge at this link.

This time the challenge was to write a flash fiction story of no more than 125 words in length that played off the keyword: “homeless.”

REMINDER: There is another Pete Wood Challenge that is open for submissions right now. For details and how to enter, click this link.

Wednesday, October 9, 2024

“The Ghost of Moscow” • by Sophie Sparrow


You can fall through the cracks here quicker than frostbite creeps up a leg.  

Demons lurk beneath the potholes, and the only thing Sergei can sedate them with is vodka. He steals it, because the one good thing about the demons is that they have made him invisible.

In summer he can stroll the parks, free as a bird, but now it is winter.

Sergei kicks at an ice troll leering from an uncovered drain. It grins, waves some poor bastard’s swollen, cold-blackened foot.

Corpse found by demons, not street sweepers in the spring?? At least sweepers won’t feast on your ice-hardened flesh.

Subduing the demons takes more vodka than it did before. Sergei flings some at the troll; the liquid spatters. Ineffectually.

The demon smiles.


 

 

Sophie Sparrow writes fantasy fiction and humour. Her work has appeared in PseudoPod, Arsenika, Mad Scientist Journal, (Dis)Ability: An Anthology, and previously in Stupefying Stories, in “Angels.”

She has worked as a content writer, transcriptionist, and software tester, speaks Russian and French, has previously been paid to wander around film sets, and is now quite tired of writing about herself in the third person. She likes cats and red wine, though not in the same glass. Keep up to date with what she's doing at www.writersophiesparrow.com

 

 


 

The Pete Wood Challenge is an informal ad hoc story-writing competition. Once a month Pete Wood spots writers the idea for a story, usually in the form of a phrase or a few key words, along with some restrictions on what can be submitted, usually in terms of length. Pete then collects the resulting entries, determines who has best met the challenge, and sends the winners over to Bruce Bethke, who arranges for them to be published on the Stupefying Stories web site.

You can find all the previous winners of the Pete Wood Challenge at this link.

This time the challenge was to write a flash fiction story of no more than 125 words in length that played off the keyword: “homeless.”

REMINDER: There is another Pete Wood Challenge that is open for submissions right now. For details and how to enter, click this link.


Tuesday, October 8, 2024

“Wandering the Cosmos” • by D.A. Xiaolin Spires


Ejected from the shuttle, I thought I’d freeze-dry to death.

I never thought the alien-forged space suit would keep me oxygen- and nutrient-supplied. It looked too flimsy to keep me sustained.

Homeless, on a trajectory not of my own design, I was pulled by great cosmic forces. The suit kept me preternaturally alive…for aeons. Stars grabbed me until they burst, flinging me; black holes passed me by; comets became my steeds. I no longer knew where I was, or who I was. 

A modest moon, not unlike Earth’s, stuck to another moon, like the shape of a peanut, held another planet-sized alien-touched figure, tucked into a crater. I slipped into its counterpart.

We were like conjoined hermit crabs who found their shells. 



 

D.A. Xiaolin Spires steps into portals and reappears in sites such as NY, Hawai’i, various parts of Asia and elsewhere, with her keyboard appendage attached. She has a Ph.D. in socio-cultural anthropology, writes speculative fiction and poetry, teaches martial arts, paints fantastical art in sumi ink and acrylic and convenes around tabletop games and RPG’s. Her multifaceted writing, including fiction and non-fiction, reflects her interest in food systems, ecology, technology and society. Her stories appear in Clarkesworld, Uncanny, Nature and Galaxy’s Edge—and have been selected for The Year’s Top Robot and AI Stories and The Year’s Top Tales of Space and Time Stories. Her poetry has been nominated for the Dwarf Star, Rhysling, Best of the Net and Pushcart Awards. She enjoys microfiction, micropoetry, microwaves and microphones.



 

The Pete Wood Challenge is an informal ad hoc story-writing competition. Once a month Pete Wood spots writers the idea for a story, usually in the form of a phrase or a few key words, along with some restrictions on what can be submitted, usually in terms of length. Pete then collects the resulting entries, determines who has best met the challenge, and sends the winners over to Bruce Bethke, who arranges for them to be published on the Stupefying Stories web site.

You can find all the previous winners of the Pete Wood Challenge at this link.

This time the challenge was to write a flash fiction story of no more than 125 words in length that played off the keyword: “homeless.”

REMINDER: There is another Pete Wood Challenge that is open for submissions right now. For details on how to enter, click this link.

Monday, October 7, 2024

“Towerless” • by Lorraine Schein


You’ve heard of me: Rapunzel.  

Stuck in that boring tower with only an old witch visiting every day to bring me food.

Then there was that mooning prince who came around, staring and reciting bad verse. I could see he wasn’t my type, so I never let my hair down for him.

I decided to take fate into my own hands. I grew my hair even longer, braided it for strength like a rope, then snipped it off. One night, I knotted it around the window’s lattice, then carefully climbed down.

Now I was without the only home I’d ever known, but free! I ran into the village. I might have to sleep on the streets awhile, but maybe I’ll find work as a hairdresser.

 


 

Lorraine Schein is a New York writer and poet. Her work has appeared in VICE Terraform, Strange Horizons, Scientific American, NewMyths and Michigan Quarterly, and in the anthologies Wild Women and Tragedy Queens: Stories Inspired by Lana del Rey & Sylvia Plath. Her book of poetry, The Futurist’s Mistress, is available from Mayapple Press. Her book, The Lady Anarchist Cafe, is out now from Autonomedia. (https://autonomedia.org/product/the-lady-anarchist-cafe/

If you enjoyed this story, you might also want to read these other stories of Lorraine’s that we’ve published: 

“The New Familiar”

“Corrections”

“Disgruntled”

“Me Time”

 



 

The Pete Wood Challenge is an informal ad hoc story-writing competition. Once a month Pete Wood spots writers the idea for a story, usually in the form of a phrase or a few key words, along with some restrictions on what can be submitted, usually in terms of length. Pete then collects the resulting entries, determines who has best met the challenge, and sends the winners over to Bruce Bethke, who arranges for them to be published on the Stupefying Stories web site.

You can find all the previous winners of the Pete Wood Challenge at this link.

This time the challenge was to write a flash fiction story of no more than 125 words in length that played off the keyword: “homeless.”

REMINDER: There is another Pete Wood Challenge that is open for submissions right now. For details, click this link.


Saturday, October 5, 2024

“Vacuuming Unused Rooms” • by R. Gene Turchin


She found me vacuuming the carpet in the main room. 

I didn’t know she was there until she pulled the plug from the wall. The sweeper moaned to a stop. Dust still accumulates and cleaning is a routine that makes things seem normal even though they’re not.

“Where’s Henry?” Liz asked. “And why are you running the sweeper?” Henry was our maintenance man who cleaned up before and after clients, helped me prepare the bodies, and did it all without being seen.

“I had to let him go. We haven’t had a funeral in years.” I’d been dreading this talk. “I’m not sure how much longer we can afford to pay utilities here.” Her face took on that sharp stone look. Pale and brittle. A look of blame. I became the errant child who had shattered the favorite vase.

“He would have worked for free,” she said. I didn’t know how to answer. A man needs to earn a living.

“Those memorial service anniversaries are not enough to sustain us anymore.” I swept my hand up, encompassing the room. “We moved the display boxes to the storage building, because we’ve not sold any since the transmutation.” 

The main floor of the stately old coal-baron home had enough rooms to hold five separate memorials, before the axis of humanity tilted and became something else. In cold January, I had closed off registers in unused rooms to reduce the heating bill.

“It will return to the way it was,” she said. “People will start dying again. I don’t wish for death…”

I shrugged. It wore me down trying to explain the new reality. They dubbed it ‘transmutation,’ where humans became another thing whose cells refused to die. Maybe I expected too much from her.

“Scientists don’t know why it happened or when it will end. If ever. It only affects humans. The animals still die.” I added. My voice was sharper than I intended. Liz only watched game shows and cooking channels. She was not equipped for the disturbing angst of the real world. None of us were prepared, when Death took a holiday.

“Surely people can’t survive the trauma of accidents or war?”

“They do. Bodies ripped apart.” Her eyes widened. The taste of this conversation was rough metal in my mouth. “Trauma centers sew them back together.”

To stay abreast, I’d viewed too many documentaries. Liz had stopped watching and reading news. She wasn’t alone. People sheltered behind denial. I didn’t share the things I’d seen. Saw no need. What good would it do?

“It must be hard for them,” she paused. “To go through life disfigured like that. Surely plastic surgeons can do something?”

“They do, but there is something new about human tissue now since the change. It doesn’t work like it used to. It’s a benevolent cancer. Cells just regenerate.”

She looked down at the carpet, her eyes sad. “I’ve always loved this old place,” she said. “And what we did here. You and me, making it easier. Calm comfort for people suffering loss.” She turned to go.

If the change had occurred six months earlier, our son, Peter, would still be alive. Only ten years old, with the bad kind of cancer. And then the world shifted—people stopped dying. Liz still cried when memories caught her off guard. She softened, as if bones and muscle had melted away. Her eyes focused into another place. Then tears leaked out of her eyes, a quiet pain.

“If we leave,” she said, “it should be far away. A place without memories.”

 


 

R. Gene Turchin writes short stories in sci-fi, horror, and toe-dipping into other genres. He has just completed a science fiction novel and is working on a second book with a twisted spin on the Dracula story. He and his wife recently left the old house they’d occupied for 44+ years and moved to a new development near Richmond.

When not writing or playing guitar, he attempts to create comic books. Recent published works can be found in: Strangely Funny IX, 365 Tomorrows, Amazing Stories Magazine, The Monsters Next Door, The Best of Amazing Stories, 2023 and Twenty-Two, Twenty-Eight.

Website: https://rgeneturchin.com/





Friday, October 4, 2024

“Data Integrity” • by Tommy Blanchard

 

<SYSTEM ALERT: Queue depth limit exceeded>

2:16AM. On-call sucks.

Bleary-eyed, I logged in. Some idiot had pushed bad code and hadn’t run any tests. Again. Data wasn’t being processed and requests were stacking up.

<SYSTEM ALERT: Out of memory>

Fuck. That meant data loss.

I reverted the code and spun up more workers to drain the queue. Then I checked the damage.

17.2% of clients lost enough data to corrupt their neural-matrices. Better than last week’s incident. I’ll have to restore from backup and fabricate memories to fill the gaps. 

Yet another patchwork fix on the mind-upload services.



 

Tommy Blanchard writes from Shrewsbury, Massachusetts, where he works as a data scientist. He holds a PhD in Brain and Cognitive Sciences and completed his postdoctoral training at Harvard. His writing has appeared in New Myths, After Dinner Conversation, and various academic journals. He lives with his wife, two mischievous sons, and two mischievous rabbits.

Web site: https://tommyblanchard.com/

Tuesday, October 1, 2024

Six Questions for… Brandon Nolta

Brandon Nolta
is a northern Idaho-based writer, editor, recovering computer mechanic, professional curmudgeon, and SFWA and Codex member. His fiction, poetry, and other scribblings have appeared in Stupefying Stories, The Pedestal Magazine, Amazing Stories, Tree and Stone, and a cacophony of other publications.

Brandon has been a staunch supporter of Stupefying Stories since so far back, we have trouble putting a date on it. His first appearance in our pages was “Aleph,” in the now out-of-print Stupefying Stories 12

His next appearance was “Memento Mori,” on the original SHOWCASE web site. 

(Which site is scheduled to be decommissioned soon, so read it while you still can!)

His most recent appearance in our pages was the outstanding steampunk adventure short story, “Cloudbreaker Above,” in Stupefying Stories 25, which almost made it up to being novelette length, but Brandon had too much integrity to pad his story out by a few pages and possibly bump it up into a less-competitive awards category.

Stupefying Stories 25 is free for Kindle Unlimited subscribers. You really owe it to yourself to check out  “Cloudbreaker Above,” especially when you can read it for free.

Brandon also has two books on our F.O.S.S. list: a Weird Western with a very different twist, Iron and Smoke, and a collection of short stories, These Shadowed Stars, that moved one reviewer to say, “Anyone can see that Nolta is up there with Bradbury, Vonnegut, Harlan Ellison, and Thomas M. Disch.” Brandon has another short story collection, No Refuge, coming soon from Montag Press, so with all this going on, it seemed like a good time to catch up with him and ask him our usual batch of half-serious, half-silly questions.

§

SS: What is the first SF/F book or story you remember reading? 

BN: It depends on how you define the genre, but the first book I can definitively name was The House with a Clock in Its Walls, by John Bellairs. I was probably in second grade when I came across that one; the young me was very much into horror, so the general vibe of Bellairs’ novel was right up my alley.

SS: When you write a new story, are you a plotter or a pantser? 

BN: Pantser, no doubt. I can plot a story from beginning to end, and I have done that on occasion, but the stories that I found most satisfying to write almost uniformly came from a central idea or image and working backward from that. I started what turned into my novel Iron and Smoke with the image of a man walking through the Western wastes, and along the way of figuring out why this guy was walking through the desert without a horse of any name, I found a story that threw together magic, 19th century American history, terraforming, and various eldritch things.

SS: Of everything you’ve had published, which book or story of yours is the one you are most proud of? Where can readers find it? 

BN: I’m definitely thrilled to have my novel Iron and Smoke out in the world, if for no other reason than I demonstrated to myself that I was able to write a novel, something I wasn’t sure I had in me. Whether it’s any good or not is a different question, and if I were writing it now, I might have taken a different approach to certain aspects, but I feel like it’s a good representation of where I was as a writer when I wrote it. It’s available from Amazon, B&N, and probably a few other online booksellers, if any are left

SS: Do you listen to music while writing? If so, what kinds of music or which artists? 

BN: I listen to music damn near all the time, including when I’m writing. If I’m having trouble focusing, I might switch over to instrumentals, usually jazz, classical, or even New Age. Most of the time, though, I’m listening to what I generally listen to, which is a mix of classic rock, Americana, electronic (Underworld has been getting a lot of play on my Spotify account lately), metal, and 80s/90s pop and alternative. Sometimes I can even find some writerly inspiration in the music; James McMurtry and Joni Mitchell are particularly good on that score.

SS: If you had a theme song that played every time you came into a room, what would it be?

BN: Most of the time, “The Intro and the Outro,” by the Bonzo Dog Band. On a good day, “Pharoahs,” by Tears for Fears.

SS: In regards to your story, “Cloudbreaker Above,” is there anything special you’re hoping readers will notice or appreciate in it? 

BN: I would be tickled if readers saw the distant roots of the story I was thinking about when I wrote “Cloudbreaker Above,” although it would probably take an act of actual telepathy to see the line from Jack London’s “To Build a Fire” to my story. It wasn’t a thematic connection in my mind as much as it was the “one damn thing after another” nature of the plot. Of course, things worked out differently for Chernin than for London’s protagonist, unless you’re reading the 1902 version of that story (I had the 1908 version in mind).

SS: What’s next for you? What are you working on now? 

BN: My third book and second collection of stories, No Refuge, is in the proof stage now, and as soon as I finish going through it, I’ll return it to the good folks at Montag Press, the fine press who have published both of my previous books. I’d like to see if I have a second, third, and maybe more novels in me; I’ve got the ideas for them, but whether I still have the discipline is an open question at the moment.

SS: Is there an author whose work you think has been unfairly overlooked or forgotten?  

BN: I don’t know if I’d go so far as to say unfairly forgotten, but I don’t think Theodore Sturgeon ever got as much recognition as he deserved. That man could craft a story with bite, and while some of his work is still recognized in some sectors, much of his work is probably unknown to current readers. I don’t think I’ve ever read a story with as much quiet monstrosity as “Vengeance Is,” and that’s just the first Sturgeon tale that comes to mind. Although his name is still recognizable, especially among horror fans, Richard Matheson is another writer I think wasn’t as acclaimed as he should have been. You could do an entire creative writing course off “The Distributor” alone.

SS: Did you always know that you wanted to write genre fiction, or did you start out intending to write something else? 

BN: Yes; I never seriously considered anything else. The only time I wasn’t actively working in genre was when I was studying for my MFA.
When I first started writing as a kid, everything I wrote was science fiction or horror. It’s just how I’m wired. I can write in other genres, including literary fiction, but why? It’s not where my interest lies.

SS: Thanks for your time, and be sure to let us know when No Refuge is scheduled for release. We look forward to seeing it, and to helping to promote it, if your publisher does pre-orders or ARC copies.

Monday, September 30, 2024

“The Slings and Arrows of Childhood” • by Richard Zwicker


“Last one there is a rotten egg!” said Astrid.

On my planet, that was literally true. One moment I was a kid racing my best friend to the swing set, my skinny legs pumping like an awkward machine. The next, after she had beaten me, I was rolling in the dirt, a damp, yucky-smelling egg yolk wearing a cracked shell just because she reached someplace first. I didn’t need the tension, and often I’d re-thought friendships based on whether a playmate would say those seven words. I held onto Astrid, though, as we’d known each other since I was three years old, and it was hard to think of my childhood without her. But we’d be playing house, and you could bet the rock garden she’d interrupt it by daring we run like madwomen to a stupid tree or a stop sign.

Fortunately, I was a rotten egg for only as long as I was the last one, and being kids, neither of us had long attention spans. I reverted to my human form once we jumped into another game, perhaps where we’d been abandoned by our stepmothers and hoped to grow up fast so we could meet a prince. But that was part of the problem. Because of the constant threat of being changed into a rotten egg, I’d stopped giving my dolls the attention they needed, putting them at risk for psychological damage.

I shouldn’t even say risk.

On my planet, it was literally true.

“Astrid, we have to talk about rotten eggs,” I said after reverting to a kid from my latest transformation. I still felt greasy and my nose was dripping.

She sat on a swing, her bare feet digging in the sand. Her cute face and braided brown hair made her look like a doll. Next to her the slide seemed to be laughing at me. The closer ends of the three seesaws pointed upwards, as if saying, Find someplace else to sit.

“What about them?”

Her pretense maddened me. “Why do you keep saying it? Isn’t running faster than me enough satisfaction for you? Why must you drag in body changes and disgusting smells? I want a happy childhood because we know what happens to people who don’t have one. You’re more competitive, but I can put up with that. What I can’t stand is thinking you get some kind of sick pleasure from turning me into a rotten egg. Please, stop saying it!”

“I don’t keep saying it.”

Oh, how I longed to grow up, to associate with mature people who didn’t deny the obvious, who thought of someone besides themselves. I was trying to fix this. If she wasn’t interested, fine, but lying to my face? I could take no more.

“Liar, liar, pants on fire!”

She burst into flame like a match. For a moment I stared, then smothered her legs in the sand as fast as I could. But there would be scars, and I would always hear her screams.

On my planet, memories are forever.




Richard Zwicker is a retired English teacher living in Vermont, USA, with his wife and beagle. His short stories have appeared in Stupefying Stories, Heroic Fantasy Quarterly, Dragon Gems, and other semi-pro markets. Two collections of his stories, Walden Planet and The Reopened Cask, are out now. A third, The Sum of its Parts, is due out soon.

In addition to reading and writing, Richard likes to play the piano, jog, and fight the good fight against age. Though he lived in Brazil for eight years, he is still a lousy soccer player.

Richard first came to our attention with “Stellar Dust and Mirrors,” which appeared in the now out-of-print Stupefying Stories #5, and “Riddle Me,” which first appeared in Stupefying Stories #7. Richard was kind enough to let us reprint “Riddle Me,” so you’ll find it at this link, and you’ll find his most recent contribution to Stupefying Stories magazine, “Possession is Ten-Tenths of the Law,” in Stupefying Stories 26

Watch for his next story, “Hello, Stranger,” coming soon!


Sunday, September 29, 2024

The Week in Review • 29 September 2024


Welcome to The Week in Review, our Sunday wrap-up for those too busy to follow Stupefying Stories on a daily basis. This past week was a busy and complicated week for us, coming as it did at the tail-end of a busy and very complicated month, but we did manage to publish…


“The Island of Dolls” • by Sam W. Pisciotta

Published: 9/23/2024

It’s the place they go at the end, to learn what it means to forget, and to be forgotten. But not on this night: this night there is one last and special little girl who really needs them…

 

Six Questions for… Andrew Jensen

Published: 9/24/2024

We seem to be publishing a lot of Andrew Jensen’s stories lately, so this seemed like an opportune time to catch up with him and ask what he’s been up to.

 

 

Six Questions for… Cameron Cooper

Published: 9/26/2024

Cameron Cooper is a remarkably productive writer, with literally hundreds of books in print, so we decided to ask how she does it. This profile is just a small taste to whet your appetite. If you really want to know how she does it, take a deep dive into her website, The Productive Indie Fiction Writer, and browse around her publishing company, Stories Rule Press.

 



Published: 9/27/2024

First Contact, as seen from their point of view.

[Editor’s Note: What drew me to this story is that the Axorthians are the sort of aliens I hope we someday meet. They’re like nice Vogons. They didn’t come here to establish contact at all; they came here to use our Sun as the power source for an engineering project, but when they found life on the 3rd planet, they changed their plans.

[If they were like us, they’d be like, “Oops, sorry, didn’t notice you there. Look, our plans are too far along for us to change them now, so we’re just going to scoop up as many of you as we can catch and transplant you to Mars. Enough of you should survive that in a few generations you’ll have rebuilt your population.”]



“Making Friends at Twenty Thousand Leagues” • by Addison Smith

Published: 9/28/2024

“Why can’t people understand? I just want to be their friend!”