Friday, April 18, 2025

“Visionary” • by Jeff Currier

“Off-season pricing? I’m sorry, sir, Time Travel Tours has no off season.

“I know our fees seem outrageous. But Tours require significant energy expenditures. Punching precisely targeted wormholes through the spacetime manifold? Accurately calibrating one-way photon phasing? Not cheap.

“You want to go to when? Regretfully, the birth, crucifixion, and resurrection are all completely booked until the second coming.

“No, I am not at liberty to say when that will be.

“Sir, perhaps you’d be interested in our Timeline Preservation Department’s spectacular below-cost transit deal for Hildegard von Bingen?

“Von Bingen. Twelfth-century German Benedictine abbess and saint famous for her visions of God.

“No, sir, TT-Tours are much safer than interstellar travel. Fewer than 0.003 chronal-shear fatalities per 100-million days traversed.

“You’ll take it? Wonderful! Let me get some basic information…”

§

Hildegard, enraptured, bathed in heavenly light, gloried in God’s silent singing. Though had her faith been any less, she’d have sworn He was screaming.

_______________________

 

Jeff Currier works too many jobs, so has little time to write, but the words kept screaming for release. Jeff finally relented and set them free—in very small batches. Now they’ve run amok with no telling what mischief they’ve caused. You can find them roaming in various anthologies or in Sci Phi Journal, Stupefying Stories Showcase, Dark Moments, and Flash Point SF. Find links to more of his published stories at @jffcurrier on X or Jeff Currier Writes on Facebook.

If you enjoyed this story, you might also want to read:

“A Curse and a Blessing”
If nothing else, read this one!

“The Fate of Time Travelers”

“Scavenger Hunt” 

“Temporal Avoidance Game”

“The Foulest of Them All”

“Stories You Probably Missed”


Monday, April 14, 2025

Status Update: 14 April 2025

Tomorrow being April 15th, or as it’s known in the U.S., “National Render Unto Caesar Day,” we’re a bit busy right now. We’ll return to normal operations possibly tomorrow, but more likely Wednesday. 

In the meantime, I have a few comments about the results of last week’s Cat Week. To put it plainly, they were disappointing. Of the seven cat-related stories we resurfaced last week, only two, “A Can of Piskies” and “This Is (Not) My Beautiful Cat,” drew more than 50 readers. 

The most-read story on the site in both the last week and the past year remains “The Pros and Cons of Time Travel,” by James Blakey, and while I’m not complaining that it’s drawn nearly 3,000 unique readers, there is something strange about that number. The story was first published in February of 2024, and for the first six months it was on the site it drew average numbers. Then, in September of 2024, it rocketed up to the top of the charts and has been there ever since. Why? remains a mystery. It’s a great story, yes, but are there that many new readers who are coming in to this site every week and reading that story, and only that story? Or is something more sinister at work? It’s a statistical anomaly, is what it is, and statistical anomalies draw my attention, and not in a positive way.

But speaking of statistical anomalies and drawing unwanted attention, I need to get back to work on our tax filing. I’ll be back here either tomorrow or Wednesday, and so in the meantime, to cheer you up, here’s an old Beatles song for your listening pleasure.



Saturday, April 12, 2025

REPRISE: “Take Me to Your Litter Box” • by Pete Wood

The phone meowed twice. It had never made that noise before.

Why would anyone call at three a.m.? Eric picked it up, but there was nobody there.

Mr. Ruffles stopped licking his fur and stood on his two hind legs. “Well, that’s the signal.” He looked at Eric. “I guess we cats have collected enough data.”

Eric stared at his fat tabby. He had just left the office after spending hours trying to fix a coding error and was exhausted. He was hearing things. “What?”

Bart, Eric’s beagle, didn’t even lift his head up from the rug in front of the gas logs.

“Meow,” Mr. Ruffles said in a tone dripping with sarcasm. “The field study is complete. The mother ship should be transporting us up any minute now.”

» READ IT NOW




Surely if there is anyone around here who truly “needs no introduction,” it’s Pete Wood. However, for form’s sake, here we go again…

Photo by Lee Baker

Pete Wood is an attorney from Raleigh, North Carolina, where he lives with his kind and very patient wife. His first appearance in our pages was “Mission Accomplished” in the now out-of-print August 2012 issue. After publishing a lot of stories with us he graduated to becoming a regular contributor to Asimov’s, but he’s still kind enough to send us things we can publish from time to time, and we’re always happy to get them.

For the past two years Pete has been in the process of evolving into a fiction editor, God help him, first with The Pete Wood Challenge, then with Dawn of Time, then with The Odin Chronicles, and now with Tales from the Brahma, a shared world saga that features the creative work of Roxana Arama, Gustavo Bondoni, Carol Scheina, Patricia Miller, Jason Burnham, and of course, Pete Wood. We suspect that Pete’s real love is theater, though, as evidenced by his short movie, Quantum Doughnut — which you can stream, if you follow the foregoing link.

Pete Wood photo by Lee Baker.



 
Okay, this bio is a bit past its sell-by date. The film adaptation of Quantum Doughnut is still out on YouTube, to my mild surprise, and well worth nine minutes and fifteen seconds of your time, if you’re so inclined. Tales from the Brahma failed to find an audience and was cancelled after ten episodes—eleven, if you include Roxana Arama’s “Warp and Warpath,” which was originally written for Brahma but then revised to work as a standalone story—and while the ten-episode serial Dawn of Time was completed, that happened at a really bad time, so it never got the post-completion promotion it deserved. I still like the series premise, though, as summarized in the intro to Episode 10. (Huh. Written by Roxana Arama, again.)

The story thus far: 32nd Century high school student Dawn Anderson has just had the worst day ever. Needing a better grade in History, she “borrowed” her father’s TimePak to take a short jaunt back to the 20th Century, only to make a perfectly innocent mistake involving a stolen handgun and a too-hot McDonald’s cherry pie. Instead of returning home, she ended up bouncing from disaster to catastrophe, each one worse than the one before. After being chased by clowns, narrowly avoiding becoming a tyrannosaur’s snack, jumping out mere moments before the Chicxulub extinction event, making a new friend (Stella) and rescuing her from the Titanic, being found by her worst enemy (Becky) and being forced to rescue her, too, from a robot uprising, the three of them barely escaped with their souls, but not Becky’s soles, as things truly went to Hell…or more accurately, to the Time Recycling Plant, where changes to the timeline are fixed by melting down reality and recasting the space-time continuum. Now, at last, it looks like Dawn has finally managed to leap back to her own time and place… 

Or has she?
      

After 49 episodes The Odin Chronicles went on hiatus, and while it will be returning to complete season two, I can’t say exactly when it will resume. 

But all that is beside the point. When we mention Pete Wood, what everyone really wants to know about is:

Q: What’s going on with The Pete Wood Challenge

A: I’m glad you asked! After some prolonged negotiations, Pete and I have agreed on the terms for what I wanted to call The Last Dangerous Pete Wood Challenge but we wisely decided to call “Happy Trails” instead. Here they are.

Challenge #38, “Happy Trails,” is now open for entries!

The Challenge: Write a story of up to 150 words in length using the prompt, “happy trails.” The prompt does not need to appear in the story. Any genre is fine.

Prizes: 1st place $20.00 USD, 2nd place $15.00, 3rd place, $10.00, Honorable Mentions, (1-2) $5.00. The winning entries will be published online by Stupefying Stories in June of 2025.

Who can enter: The contest is open to both Codexians and the general public. One entry per writer, please.

How to enter: Send your entry in the body of an email to:

southernfriedsfwriter@gmail.com

Include the words “Happy Trails” in the subject line. It wouldn’t hurt to include “Pete Wood Challenge 38” or “PWC 38” in your email, too. 

Deadline: 7AM EST, May 15, 2025

Now get writing!


Friday, April 11, 2025

REPRISE: “This Cat Must Die!” • by Jason Lairamore

 

The heavy ceramic angel sitting high on the shelf above the sliding glass door was perfect for what Sham, the ethereal, had in mind. That fat, orange cat had to die. Its death was the only way he could become a real ghost.

Late morning sun shining through the glass door warmed the tiled floor. That cursed cat, Cadmus, loved nothing more than to lay there to sleep.

Sham positioned the angel in just the right spot. At this distance from the floor, the force of the falling figurine should kill the cat easily. Then Cadmus could sleep forever.

Bwaahaahaahaa!

With that cat out of the way, Sham could get about doing what he was here to do—scare people. That’s all he needed, just one little scare. That shouldn’t be too hard. Maybe it wouldn’t be… this time…

» READ IT NOW

_________________



Jason Lairamore is a writer of science fiction, fantasy, and horror who lives in Oklahoma with his beautiful wife and their three monstrously marvelous children. He is a 2024 Jim Baen Memorial Award finalist and a 2023 Baen Fantasy Adventure Award finalist. He has won Writer of the Future honors with sixteen honorable mentions, one silver honorable mention, and a semi-finalist placement. His work is both featured and forthcoming in over 100 publications to include Neo-OpsisNew MythsStupefying Stories, and Third Flatiron publications, to name a few.

 

Jason has been a contributor to Stupefying Stories since… time immemorial. His most recent story in our virtual pages was, “They Try to Kill Me.” We believe “This Cat Must Die!” was the first story of his we published, but we’re not absolutely certain of that. In any case, Jason has gone on to quite a remarkable writing career since he first showed up in our inbox in 2012, and we’re proud to have helped him along, in our own little way. If you enjoyed this story, you should check out his other publications. 

That’s not a suggestion, tenderfoot.


 

Thursday, April 10, 2025

REPRISE: “Without Fulvia” • by Anatoly Belilovsky


Fulvia’s cat hissed at Fulvia’s father and backed away, farther under the sofa.

“Leave her be,” said Fulvia’s mother.

“I gotta take her to the vet,” said Fulvia’s father. “Been awful cranky lately, and peeing a lot.”

“So?”

It’s Fulvia’s, he thought, but said instead: “Gonna cost a fortune in kitty litter.”

He got on his knees, and reached for the cat. The cat hissed again. What was it Fulvia used to say? Squooshie squooshie? He sneezed from the dust, and the cat bolted under the display cupboard. The souvenir plates rattled, and he looked up to make sure none had fallen. There was still an empty spot in the middle of the top shelf. The photo that once stood there was still missing, and no one to ask about that now…

» READ THE REST

 


 

Anatoly Belilovsky was born in a city that has changed owners six or seven times in the last century, the latest crude attempt at adverse possession being in progress even as we speak. He was traded to the US for a truckload of wheat and a defector to be named later, learned English from Star Trek reruns, and went on to become a SFWA member in spite of a chronic cat deficiency by publishing nearly 100 pieces of original and translated prose and poetry, much of it collected in Halogen Nightmares and Other Love Stories. He tweets occasionally at @loldoc. (Come for the puns, stay for the punditry.)

Anatoly has been a recurring contributor to Stupefying Stories since his story “Picky” appeared in issue #1. More recently we’ve been happy to publish stories from his ‘Brandenburg Accords’ series, including such gems as “The Sound of Music” and “The Cool War.” Check them out! 

Wednesday, April 9, 2025

REPRISE: “The Disappearing Cat Trick” • by Carol Scheina

 



Tanya’s parents refused to let her get a cat.

No matter how many times Tanya argued that the planet’s environment was fully approved for cats, or that cats had already made their home among the rocks and dust and blue bamboo plants of Odin III, they wouldn’t budge.

Tanya suspected they didn’t want the responsibility of a pet, so she did the next best thing and showered attention on her neighbor’s felines. 

That morning, a gray cat with a notched ear rubbed around her legs. Tanya pulled a bag of freeze-dried protein snacks from her backpack. Galactic provided them to its mining crews, but no one enjoyed eating what tasted like paper pulp with a fishy aftertaste. Tanya always rescued trashed snack bags because, as it turned out, cats adored the taste. The gray gobbled the treat up.

Tanya hadn’t seen the gray before, but he seemed happy to see her. He butted his head into her legs whenever she stopped petting him, begging for more attention. The young girl scratched around the fuzzy chin until her watch buzzed. She really needed to get to school or she’d get a tardy card.

Her skinny ponytail threatened to come undone as her feet pounded the road. She slowed upon reaching the communications office near the school. Strangely, the gray cat was sitting by the office door, licking its paws as though it had been there all along. Yet there was only one road into town, and the cat certainly hadn’t been running alongside her. How’d it get there so fast?

» READ IT NOW

_________________________

Carol Scheina is a deaf speculative author whose stories have appeared in publications such as Flash Fiction Online, Escape Pod, Diabolical Plots, Stupefying Stories, and others. Her writing has been recognized on the Wigleaf Top 50 Short Fiction Longlist, and she has become a fan favorite here for her finely crafted flash fiction pieces on the Stupefying Stories website. You can find more of her work at carolscheina.wordpress.com. 

It’s impossible to overstate how crucial Carol has been behind the scenes here, for all her help with The Pete Wood Challenge, The Odin Chronicles, Tales from the Brahma, and more. Therefore, if you haven’t already read it, you really should check out “Six Questions for… Carol Scheina,” if for no other reason than to get the complete (we think) list of everything by her that we’ve published in the past four years. 

If you don’t have time for that, though, you should at the very least read “How to Return an Overdue Book to the Summer Library.”

Tuesday, April 8, 2025

REPRISE: “There Is Only One Black Cat” • by Pauline Barmby


Many humans think they own a black cat. 

They are wrong. I belong to none of them. I have vastly more than nine lives and I live them all at once…

» READ IT NOW




Pauline Barmby is an astrophysicist who reads, writes, runs, knits, and believes that you can’t have too many favorite galaxies. She lives in London, Canada and hopes to someday visit her namesake main belt asteroid, minor planet 281067. Find more of her words at galacticwords.com.

Pauline has contributed quite a few stories in recent years, especially to the Pete Wood Challenge. However, you probably want to start with either the haunting “Trans-Earth Injection,” the scientific mystery, “Stratigraphic Homesick Blues,” or the deeply disturbing “Songbird, Jailbird,” which is one of the most-read stories we’ve ever published.

 

Monday, April 7, 2025

REPRISE: “This Is (Not) My Beautiful Cat” • by Ephiny Gale


When the girl is six years old, she uncovers a grey and white kitten in a sagging cardboard box in her local park. She’s walking there with her mother and their two large dogs, but despite this the kitten follows them out to the street, trotting three metres behind on the footpath like they’re trailing a fuzzy ball of yarn.

Once the kitten reaches their front porch, the girl’s mother prepares a saucer of watery milk and the girl pleads to keep him. A cushioned nest is made for him inside the house. The girl snaps photographs of him with her film camera. He is so tiny. She hopes he is hers forever.

» READ IT NOW

____________

 

Ephiny Gale was born in Victoria, Australia, and still lives there, alongside her lovely wife and a small legion of bookcases. She is the author of more than two dozen published short stories and novelettes that have appeared in publications including PseudoPod, Constellary Tales, Beneath Ceaseless Skies, and of course, Stupefying Stories. Her fiction has been awarded the Sundress Publications' Best of the Net award and has been a finalist for multiple Aurealis Awards. More at ephinygale.com and @ephiny (Twitter).

Ephiny has given us some wonderful little stories in recent years, including “Solace,” “Inheritance,” and the deeply disturbing, “Restoration,” but of them all, “This Is (Not) My Beautiful Cat” remains my favorite.


Pick Your Potion
by Ephiny Gale

Ephiny Gale’s debut short story collection, Pick Your Potion, was release last September. Look for it on Amazon, or wherever e-books or paperbacks are sold.


Sunday, April 6, 2025

REPRISE: “A Can of Piskies” • by Andrew Jensen

 



We’ve published a lot of stories by Andrew Jensen in the past few years.

He has a wonderfully wry, understated, very Canadian sense of humor—excuse me, “humour.” It was a challenge to pick a favorite story of his for this “Best of” series. My first choice would be “Running Away with the Cirque,” which you’ll find in Stupefying Stories 24. (And which you can read for free, if you’re a Kindle Unlimited subscriber.)

But since I’m limiting these “Best of” of reprise posts to stories that are available online, my second choice is “A Can of Piskies,” because it’s the story that first introduced us to Andrew’s wonderfully dry sense of humor. It’s funny, and clever, and different… and has an adorable photo of a bored calico cat as the illustration. At least, I think that cat is bored. How do you interpret her expression?

» READ IT NOW

Saturday, April 5, 2025

REPRISE: “At Wit’s End” • by Roxana Arama


And finally, to wrap up Roxana Arama Week, a little something from a very early Pete Wood Challenge: “At Wit’s End.”

And a cat, of course.

» READ IT NOW!





Roxana Arama is an award-winning Romanian American author. She studied computer science in Bucharest, Romania, and moved to the United States to work in software development. She is the author of three novels: The Regolith Temple: A Sci-Fi Thriller, The Exiled Queen: A Roman Era Historical Fantasy (in the Delight of Humans and Gods series), and Extreme Vetting: A Thriller. Her short stories and essays have been published in many literary magazines. She lives in Seattle, Washington, with her family. 

 



 

Friday, April 4, 2025

NEW STORY: “Warp and Warpath” • by Roxana Arama

Captain Selena Mareth was reviewing a dire report on her starship’s dwindling resources when her door chimed.

“Enter.”

First Officer Astra Varenson walked in. “I have something to show you, Captain,” she said.

Mareth leaned over her desk to look at the red dot on Varenson’s tablet.

“Spectrometer readings suggest the presence of lithionix deposits on the fifth planet of this twin-star planetary system,” Varenson said, zooming in. “We should alter course and send a probe.”

Captain Mareth studied the numbers before her. Lithionix was in low supply on the Homeland, and after two centuries in space, recycling it was more difficult than ever. To save their reserves, they hadn’t used the warp drive in thirty years. So the possibility of finding lithionix was great news. But something about this promising proposal made her pause.

She glanced through her round window at the speckled darkness outside. Her duty was to get her generational ship to its destination, away from the radioactive planet Theradon had become. With a third of the journey left, the lithionix problem would only grow larger. But altering course to send a probe was risky too. Accelerating would strain the Homeland’s resources with no guarantee of success. Still, they only had the chance to restock lithionix once every few decades, if that.

“I need more data,” Mareth said, leaning back in her chair. “Send a probe without altering course.”

“Yes, Captain,” Varenson said.

§

They’re scanning me, making my planetary surface tingle. Looking for lithionix, as the dreadful Sorinens did four thousand years ago. I’m forced to distort their readings with my magnetic field because I promised my people I would never allow foreigners to land here again.

My people were once foreigners too: space travelers. Twelve thousand years ago I welcomed them, though I didn’t have a spaceport back then, and they had to land in an open field at my equator. I had been so lonely for billions of what they called “years,” and I felt grateful for the company.

They were special creatures I loved the moment they stepped off their starship. Purple-eyed, about as tall as a tropical shrub, segmented exoskeleton, and six limbs that could work magic, though they called it “technology.” I wanted them to stay awhile and show me the magic they could create just by extracting elements from my surface and combining them in ingenious ways. It was something none of my native animals had ever done.

Their ship left once it resupplied, but to my delight, some travelers decided to stay behind and make me their planet. They taught me how to talk to them using alternating electric and magnetic fields, and they told me that my name was “Home.”

We lived in peace for thousands of years, but I secretly hoped for more space travelers and more magic. My people were against building a spaceport because they didn’t trust foreigners, but relented when I promised them wind for their turbines and sunshine for their crops and solar panels.

Then the Sorinens arrived.

§

In the starship’s command center, First Officer Varenson assembled a special team of scientists to analyze the data sent by a probe exploring the fifth planet in the twin-star system. If the results were promising, she would offer to lead the exploratory mission.

This would be her chance to seize control of critical sectors of the Homeland, and she would be the first officer in the ship’s history to challenge a superior. But her mutiny was justified because her superior mismanaged the lithionix shortage. If her timing was right, she could become Captain Varenson soon enough.

“I’m sorry, First Officer,” a senior scientist said, looking disappointed. “But our initial readings appear to have been faulty. There’s no lithionix on that planet.”

“Are you sure?” Varenson said, her stomach dropping.

“Yes,” another scientist said. “We repeated the analysis, and it’s the same result. Zero.”

“Engage the ship’s navigation spectrometers,” Varenson told them, even though it was against the captain’s orders.

“But that could pose a risk to our collision detection array,” the lead scientist said.

“Discovering lithionix is well worth the short-term safety risk,” Varenson said. “You want us to get our warp drive working again, don’t you?”

Some voices were louder than others, but every scientist returned a “Yes, First Officer Varenson.”

§

Four thousand years ago, the Sorinens docked an entire fleet at my orbital spaceport, bringing millions of foreigners on ships, skiffs, and shuttles. They looked different from my people. Tall, blue-skinned creatures with four fingers on their two hands and slit pupils in their gray eyes. I was excited to find out what magic they would bring us.

The Sorinens told us by pointing to images on tablets that they were looking for a new home. Their old planet, Sorinan, was being scorched as their sun turned into a red giant.

“This is Home,” my people told them, so the Sorinens decided to stay.

Some of my people complained about the resources needed to house such a large population of foreigners, but I reminded them that their ancestors had also been space travelers in need.

With Sorinan’s gravity higher than mine, the newcomers had greater strength than my people, so we had to teach them how to use our buildings, tools, and self-driving vehicles without causing damage. Respirators helped them adjust to our air. They learned our common language. Our vaccines protected many against our native germs—though not every Sorinen survived.

They valued their independence, but I hoped that in time they would become “my people” too. For now, they wanted to maintain their way of life, and I understood. We helped them find regions for their first settlements, where they built domes that harvested the energy of our twin suns to maintain a native Sorinen habitat inside.

But their domes needed lithionix to function. It didn’t hurt me when they scanned for ore, but they wounded me when they blew up a mountaintop to look for deposits, as if I was a candy box they could stick their four-fingered hands into. When they drained my favorite lake to get to the underground brine reservoir, I was heartbroken, and the atmospheric river of my tears drowned a few Sorinens that day.

My people told me, “The Sorinens are feral. They lived for generations aboard their fleet and forgot how to get along with those outside their tribe. They must leave.”

Since the Sorinens hadn’t brought us any new magic, I agreed they should leave. But they rebelled instead and showed us a kind of magic I had never seen before. They brought us war.

§

“You have the probe analysis?” Captain Mareth asked from her desk, hoping for good news.

“With eighty-two percent certainty,” First Officer Varenson said, “there’s lithionix on that planet. I recommend a mining detour. I’ll organize the mission, and I’ll need more people under my command.”

It was a good plan, but the excited look on the first officer’s face made Mareth hesitate.

“That leaves the other eighteen percent,” the captain said. “That’s too high a risk.”

Varenson’s jaw twitched. “We operate with lots of unknowns, Captain, and we must take risks. If we wanted absolute certainty, we wouldn’t have left Theradon to find another home.”

The pushback further heightened Mareth’s suspicion, though she had no reason to doubt her first officer. Except, maybe, an intuition she had inherited from her ancestors. Could this be a pretext for Varenson to consolidate her power on the Homeland? To what end though? Their planet’s history had been full of betrayals and war, but this starship worked through cooperation and peace. Their survival depended on it—or so they thought.

“Your job is to provide information, First Officer, but the decision rests with me.”

Varenson took a step toward the captain’s desk. “We need our warp speed capabilities back if we’re to make it to our destination—and we need them back soon.”

Her intensity made up the captain’s mind. “And I need to keep everyone on the Homeland safe. That planet is no longer of interest. Dismissed.”

§

My people had heard of war from legends and myths but weren’t prepared to fight.

“It’s your fault,” they told me once the carnage began. “You forced us against our better judgment to welcome foreigners from across the galaxy. We won’t follow your orders anymore. We’ll do things our way now.”

I was hurt, but did as they asked: I let them be.

During the land war that followed, all I could do was watch and weep over my burning forests. I comforted myself with the knowledge that forests and fires had been together since trees first grew from my soil—before flowers even existed.

By the time my people cried, “Please help us win this war, Home,” tens of thousands had died on both sides. But answering their call would hurt me like an asteroid collision—and in the process, it would kill many of my people too.

“We need our Home back,” they begged me.

Still, I hesitated. At last, I told myself: These mortals, they all have such short lifespans anyway, and more purple-eyed creatures will soon be born to restore my balance. And so, I stepped in and caused a massive volcanic eruption on the Sorinen-occupied territory.

Soot blackened my sky, and fire licked my trees and animals. Hot lava burned my skin, and I wailed in pain with the roar of a boiling ocean. Many of my people died in the ensuing quakes. But the Sorinens were wiped out.

When silence fell at last, I looked at those who survived, and I cried. But this time, just a light drizzle that wouldn’t hurt them.

They walked the land where cities had once been. Everything was flat and covered in a scab of lava, a wound already starting to heal.

“Tear down the spaceport,” I told them. “No more foreigners. Ever. And build underground shelters to protect yourselves from future volcanic eruptions.”

§

Alarms blared on the Homeland following a collision with a meteoroid the ship’s detection system had missed.

“All crew, this is First Officer Varenson,” she said over the intercom on the bridge. “We’ve had a collision, but the situation is under control. Stay alert and follow protocol.”

“Where is Captain Mareth?” an officer asked, while others scrambled to their stations.

Varenson glanced at the captain’s empty chair. This unexpected development might unite the Homeland behind her against the captain.

“Damage report,” her voice cut through the din.

“Automated systems are sealing the breach,” an officer answered.

“No casualties so far,” another said.

Such accidents had happened in the early years of their journey through their solar system, but stray rocks were less common in interstellar space. Maybe entering the heliosphere of the twin stars had increased the likelihood of dangerous encounters. Varenson should have considered that before using parts of the collision detection array to scan for lithionix. Still, this was an unusual meteoroid field.

The ship shuddered again as another rock grazed the hull.

“Helm,” Captain Mareth said, striding onto the bridge, “adjust our course to avoid the densest part of this field. Engineering, prepare for more impact.”

The bridge, just moments ago buzzing with frantic activity, settled into a competent rhythm under the captain’s orders. No more hesitation, as if Mareth was made for this crisis.

To hide her disappointment, Varenson moved to the collision detection console. The diverted spectrometers didn’t show up on the dashboard, which was good. They’d investigate the array’s failure later, but she knew how to hide the evidence.

Once the ship’s course changed, avoiding further damage, it was time for Varenson to get in front of the problem she had created.

“I find it odd,” she said, “that we hit this rough patch just after we scanned that planet for lithionix.”

“Agreed,” Captain Mareth said. “We need to take another look at it.”

Varenson was surprised by this turn of events. Scanning the planet again would help her get the lithionix and seize control of the Homeland in the process.

“But this time, I’ll be leading the probe team,” the captain added.

§

I had hoped my magnetic distortions would make that starship mind its course, but they’re scanning me again. My meteoroid attack didn’t deter them, either. I can’t risk waiting around to see if these foreigners come here. By then, it might be too late for me and my people.

Firing the great volcano again will destroy life in that region, cool down the climate, and set my people back years. And it will burn me alive. Again. But I have no choice. My people will hide in the underground shelters we built after the Sorinen war. I won’t lose even one soul this time. And then I’ll help them rebuild.

Still, I wonder who these foreigners are. What color their eyes and skin, how many limbs, what kind of magic they know? Why did they have to leave their home planet? What stories do they tell their children? Have they ever known war? Could they have been “my people” too? I guess I’ll never know, and that’s a shame.

§

At her desk, Captain Mareth studied her analysts’ report, describing an uninhabitable planet covered in toxic, volcanic clouds. First Officer Varenson stood before her, looking confident as always.

“The new readings show lithionix on that planet with ninety-eight percent certainty,” Mareth said.

“Then we must proceed with an exploratory mission, Captain,” Varenson said.

Mareth shook her head. “The planet’s corrosive clouds will damage our hull. And you know that, First Officer. Yet you still want to proceed. Why? Are you plotting to use this mission to take over my ship?”

“What? That’s an absurd accusation.” Varenson shifted in place.

“How do you think I got these lithionix numbers?” The captain stood up from her chair. “I used the navigation spectrometers. Just as you did. Against my orders. I should throw you out of an airlock for treason.”

That would be unprecedented on their peaceful starship, and the backlash would be fierce. But Mareth was ready to carry out her threat. The resolve her ancestors had needed to endure past wars stirred inside her. She glared at the officer for what seemed like minutes.

Varenson looked away first. “I was only trying to bring you the most accurate readings, Captain. Because we need warp speed to make it to our destination before the Homeland starts falling apart.”

“And we’ll find some if we keep searching. So keep searching… Second Officer.”

Varenson’s yellow eyes widened in shock. “Yes, Captain. Understood.”

But Mareth had no illusions. This was only a temporary victory. She now had to prepare the Homeland for possible war. Something described only in history books.




Roxana Arama is an award-winning Romanian American author. She studied computer science in Bucharest, Romania, and moved to the United States to work in software development. She is the author of three novels: The Regolith Temple: A Sci-Fi Thriller, The Exiled Queen: A Roman Era Historical Fantasy (in the Delight of Humans and Gods series), and Extreme Vetting: A Thriller. Her short stories and essays have been published in many literary magazines. She lives in Seattle, Washington, with her family. 

 



 

Thursday, April 3, 2025

REPRISE: “The e-Menace” • by Roxana Arama

It’s Roxana Arama Week!

Following the successful first season of The Odin Chronicles, we launched another group-written shared-world serial: Tales from The Brahma, a saga of life aboard, yes, a generation ship the size of a small planet. Brahma never found an audience, though, which led to our decision to cancel it after ten episodes.

The single most-read story of all the Brahma episodes was this one, “The e-Menace.” As we were pulling together stories for The Best of Stupefying Stories SHOWCASE, we decided it would be a shame to let this one languish in darkness, as a forgotten episode of a forgotten series. Even without reading the rest of the stories in the series, this one is just too good to miss.

Besides, it’s a great lead-in to tomorrow’s all-new story, “Warp and Warpath!”

» READ IT NOW




Roxana Arama is an award-winning Romanian American author. She studied computer science in Bucharest, Romania, and moved to the United States to work in software development. She is the author of three novels: The Regolith Temple: A Sci-Fi Thriller, The Exiled Queen: A Roman Era Historical Fantasy (in the Delight of Humans and Gods series), and Extreme Vetting: A Thriller. Her short stories and essays have been published in many literary magazines. She lives in Seattle, Washington, with her family. 

 



 


Wednesday, April 2, 2025

REPRISE: “Scared of Short Stories” • by Roxana Arama

It’s Roxana Arama Week!

There’s a question every aspiring writer asks, sooner or later: How do I cross the threshhold? How do I make the transition from wanting to become a writer to being a published author?

In “Scared of Short Stories,” Roxana Arama was kind enough to share with us the story of her journey from frustrated aspiring novelist with an MFA, to successful and published short story writer, and then back again to novels. Along the way she discusses the importance of doing research, the authors she’s read and books she’s found most helpful, and the most important lesson she learned about short story-telling: knowing what to leave out.

It’s a good essay: brief, to the point, and full of useful insights. » READ IT NOW




Roxana Arama is an award-winning Romanian American author. She studied computer science in Bucharest, Romania, and moved to the United States to work in software development. She is the author of three novels: The Regolith Temple: A Sci-Fi Thriller, The Exiled Queen: A Roman Era Historical Fantasy (in the Delight of Humans and Gods series), and Extreme Vetting: A Thriller. Her short stories and essays have been published in many literary magazines. She lives in Seattle, Washington, with her family. 

 



 


Tuesday, April 1, 2025

REPRISE: “For Sale: Used Time Machine. No Refunds!” • by Roxana Arama

It’s Roxana Arama Week!

In 2021, Pete Wood wrote:

“When I created this contest [The Pete Wood Challenge], I expected nothing but tongue-in-cheek takes on time travel tropes. While several writers didn’t disappoint with humorous entries, the variety of the stories surprised me. It never occurred to me that my writing prompt could inspire a serious story, a literary story.

“Roxana knocked it out of the park and she had some tough competition. Her depth of character and pathos in only five hundred words is a feat. I hope you like her story as much as I did. I think we’ll be hearing more from her.”

Prophetic words. Indeed, we have heard a lot more from Roxana Arama since 2021, and all this week we’ll be exploring that topic, but before we get to that, let’s take one more look at the story that first brought her to our attention, “For Sale: Used Time Machine. No Refunds!” » READ IT NOW



Roxana Arama is an award-winning Romanian American author. She studied computer science in Bucharest, Romania, and moved to the United States to work in software development. She is the author of three novels: The Regolith Temple: A Sci-Fi Thriller, The Exiled Queen: A Roman Era Historical Fantasy (in the Delight of Humans and Gods series), and Extreme Vetting: A Thriller. Her short stories and essays have been published in many literary magazines. She lives in Seattle, Washington, with her family. 

 



 



Monday, March 31, 2025

SCIENCE FACT: “A Generation Ship The Size of a Small Planet” • by Bruce Bethke


[Nota bene: This was first published in 2008. I rediscovered it recently while looking for fiction to bubble back to the top for The Best of Stupefying Stories SHOWCASE, and after re-reading it now, well… It’s a long read, but I think the length is necessary to support the disturbing conclusion I reached. Enjoy?  ~brb]

Part 1: The Multi-Generational Con

In the course of a discussion of Social Security, a reader named Athor Pel asked a few of my favorite questions.

I’ve been pondering some questions lately.

Why are we willing to pay taxes?

1) that we didn’t vote into existence

2) to a government that we didn’t have any say in creating originally

It was all in place before we were born.

Why should we play the game? 

These are some of my favorite questions, and not because I’m advocating a tax revolt—although I do believe that if we did not have automatic income tax withholding, and if all gainfully employed Americans therefore had to write a check to the government every three months just as we gainfully self-employed people do, then we would have one very angry tax revolt in very hot progress in very short order—

No, these questions fascinate me because of one of the hoary old mainstays of hard science fiction: the generation ship.

The idea, if you’re not familiar with it, goes like this. Since we know that the speed of light in a vacuum, c, is not just the law, it’s the absolute limit, and we know that hyperdrive, warp drive, jump drive, and all the other variously named ways of getting beyond c are merely convenient fictional gimmicks with no basis in reality, the other obvious way for humans to cross vast interstellar distances is by building ships so big they’re self-contained ecologies, and then launching them out with the assumption that the crew will breed, and it will be their many-generations-removed descendants who will actually arrive at wherever it is the ship is going.

Silver Age SF writers in general and those who wrote for Boy’s Life in particular got a lot of mileage out of this idea. I grew up on Heinlein juveniles and Dale Colombo’s “Starship Magellan” stories, and loved ‘em. The problem came later, when I, as an adult writer, started looking at the idea afresh, with the intention of using it in a novel, and began to run into the same sorts of questions that Athor Pel posed.

What exactly is a generation ship? Pared down to its nub, it’s a closed, utopian society, on a mission to some goal that was defined long before the current occupants were born. So what’s the problem?

The problem is that in all my readings of history, I have yet to find a single example of a closed, utopian society that lasted more than five generations—and that’s using a very lax definition of “utopian.” The Soviet Union, for example, was supposed to be a utopian society, and yet even the Soviet Union, with all its formidable power, did not last five generations.

Five generations seems to be the outside limit. Three generations is when things start to fall apart. The first-generation founders of the utopia usually manage okay, if they’re not complete blithering idiots. (See “The Great Hippie Commune Disaster of 1968.”) The founders can usually do a decent job of indoctrinating most of their children, and controlling the few nonconformists. But by the time the grandchildren of the founders come along, a lot more people are asking Athor’s questions, and by the time the great-grandchildren reach adulthood, the pressure to either radically change the terms of the mission or else to just tear the whole damned thing down and start over become nearly irresistible.

This does not bode well for the prospects of a successful generation ship on its way to Proximi Centauri.

Which leads to a different line of thought: if you have a ship so large it’s a self-contained ecology, why bother leaving Sol system at all? It’s not as if there’s a shortage of room here. Why not just park the thing, say, three months ahead or behind of Earth’s position in solar orbit, and con the poor buggers on-board into believing they’re on a centuries-long multi-generational voyage to Farfnargle IV? Or, if you want to get really tricky, why not just shoot it into a long orbit out to the Kuiper Belt and back, so that the “colonists” think they’re arriving on Epison Whachamacallit when all they’re really doing is finally returning to Earth?

So that’s the root idea. Now where’s the story in this?

§

Part 2: Maintaining Social Cohesion and the Problem of Mission’s End

Once we establish base camp at this premise, there are plenty of directions in which we can start prospecting for a story idea. How do we create a closed, stable, hermetically sealed society that will survive a generations-long voyage aboard a starship? In his juvenile novels Heinlein tended to favor organizing microcosmic societies along paramilitary lines, which is a great idea if you’re also planning to sell your novels as serials in Boy’s Life. (A market that, sadly, vanished about fifty years ago.) Most people of socialistic bent eventually hit on the idea of using paramilitary organizations as an effective way to indoctrinate and discipline their young. Sometimes it even works—for a while.


Alternatively, you can consider using religion as your general-purpose societal adhesive. Sadly, these sorts of stories tend to be written mostly by lazy writers with poor research skills and only a dim understanding of the workings of actual religions, who focus on the suffocating, oppressive, punitive, and claustrophobic aspects of their ginned up societies and tend to cast their heroes and/or heroines as the lone iconoclasts who discover that The Priests Are Lying And They Alone Know The Truth; e.g., “For The World is Hollow and I Have Touched the Sky”. But even the Amish, who most people accept as having about as religiously closed a community as can be, do not have a truly closed society, as five minutes of cursory research will suffice to prove.

Then there’s the problem of over-adaptation. Once they’ve spent a few generations adapting to life on-board the ship, how do you get ‘em off the bluddy thing at the end of the journey? A sufficiently clever, evil, and cynical mission designer might specify that the ship essentially self-destructs at the end of the journey, thus forcing the passengers to disembark. But given enough time, any such destruction mechanism can be disarmed, or more interestingly, diverted to other purposes. So maybe there’s a story in that:

“Five centuries ago their ancestors embarked on a journey to Proximi Centauri. Now they’re coming back—with a big effing bomb—and boy, are they pissed!” 

Next, what about reaction mass? Assuming the ship was accelerated up to some worthwhile fraction of c as it left Earth, you’d need nearly as much fuel to decelerate it at the end of the trip. Phil Jennings and I played intellectual hacky sack with this one for a while but never came up with a answer we agreed on. Maybe the ship doesn’t slow and the crew never disembarks? Maybe it just keeps on going, seeding every potentially habitable planet it comes across with human-like colonists sufficiently genetically modified to survive under local conditions? James Blish used this idea more than fifty years ago in “Surface Tension,” and Ursula Le Guin nearly forty years ago in her Hainish Cycle, but it strikes me that from the viewpoint of another species, this might constitute an act of war.

“AIIEEE! There’s a terrible giant mystery ship passing through our solar system and it’s seeding our planet with hideous alien monsters!”



Maybe there’s a story in that. Or more likely a script treatment…

Hmm. Hideous monsters. At any significant fraction of c, hitting pretty much any dust mote or stray sub-atomic particle would trigger a spatter of ionizing radiation. Assuming your ship has something resembling a front end, it would need some awesome shielding there to protect the inhabitants, but even so the accumulated exposure to heavy radiation over the course of several generations would produce—well, most likely a plague of cancers that exterminates the crew, but let’s be kinder and imagine mutations instead. For a while I toyed with that idea: what if the multi-generation crew is expendable, and the real colonists are all in some sort of cryostasis in a heavily shielded cargo hold?

There are many stories that could spring from this. What if the colonists are recognizably human children, shipped as frozen embryos and being raised on the colony world by loving but hideously deformed monsters? What if two competing colonies and cultures get established: the planned colony of “perfect” humans and the unplanned colony created by the surviving mutated descendants of the ship’s crew? What if the crew stumbles onto the fact that they are considered expendable, and start to view the frozen colonists as a source of transplantable body parts to maintain their cancerous, malformed, and increasingly cybernetically augmented bodies?

Or better yet, what if they start to view the colonists as just so much frozen food?

Yeah, there are some great stories that could be spun out of those ideas.

§

 

But ultimately, the idea for the novel I got closest to starting to write was remarkably similar to the one that, quite independently, Henry Vogel came up with. What if someone invents a religion, for the sole purpose of getting control over lots of very affluent but otherwise very stupid people? What if someone is so convinced of the rightness of his apocalyptic vision that he uses the wealth of his followers to build an Ark in Space, to send the descendants of the Chosen Ones to another world? But the gimmick is, it’s all a con, as the inner circle knows the technology to send a ship across interstellar distances doesn’t really exist, and so the real plan is that the ship will just take a leisurely one- or two-century-long excursion around the solar system and then return to Earth, where it is expected that things will have settled down again and the Earthbound survivors, if any, will treat the returning ship’s passengers as gods.

Except, of course, that when they return to Earth (truly believing that they are in fact arriving at an alien but strangely parallel planet in another star system—they’re otnay ootay rightbay, after all), they discover a world on which their revered founder’s predicted apocalypse never happened. And so, earnestly believing themselves to be enlightened star voyagers, they plunge headlong into this “new” society, sanctimoniously determined to keep it from repeating the same mistakes that “destroyed” Old Earth!

[nb: all the while utterly clueless to the fact that the doomsday prophecy they’d based their entire religion, lives, and mission on was just plain flat-out wrong. I thought this was the funniest thing about the concept and a great potential springboard for satire. Apparently I was wrong; people like to take their apocalyptic beliefs very seriously. But...]

There. That is the story that I liked.

The place where I got bogged down was in the matter of the religion. I didn’t want to use a real religion: I have no desire to draw the attention of either litigious and affluent a-holes or the sort of people who slit the throats of infidels. So I figured this would have to be a nonsense religion, of the sort that could only possibly appeal to people with great gobs of money, enormous egos, and very tiny brains. I figured I’d make this religion one started as a joke by some 1940s musician of modest talent, in which followers gathered in “listening rooms,” put on headphones, listened to recordings of Big Bill Broonzy and Bessie Smith, and meditated (at affordable hourly rates) on the profound spiritual implications of the color blue. I was thinking of calling this religion, “Cyantodigy.”

And that’s when the whole thing fell apart...

§


Part 3: “Four score and seven years ago…”

Wednesday, December 31, 2008

It’s early morning, on the last day of 2008. But it is not merely morning; it’s one of those wonderfully clear, cold, and crisp winter mornings we get up here in the north country. The sun is still well below the horizon: at this time of year it doesn’t rise until nearly 8 a.m. The sky is one flawless and unbroken wash of color, cross-fading from rosy false dawn in the southeast to deep blue and starry in the northwest. The plume of steam from my neighbor’s chimney is rising nearly straight up, slowly and gently, meaning there’s little or no wind—which is good, because at -5° F it’s already cold enough out there. Down in the garden a cottontail is gnawing on a piece of bark in the firewood pile. With six inches of fresh global warming on the ground since yesterday, there’s nothing else left for it to eat except buckthorn, and even starving rabbits won’t touch buckthorn.

It is said that Nature abhors a vacuum. Looking out my backyard window, day after day, month after month, year after year, it seems clear to me that the one thing Nature really abhors is stasis.

And yet that’s what we’re talking about, isn’t it, when we talk about building a generation ship: about building a giant, perfect, static, Habitat for Humanity; a veritable terrarium in space? The sort of hubris required to believe that you can build a perfect world in a bottle is, on the face of it, staggering.

But then the literature of science fiction, the world of political science, and the realms of the social engineers have never lacked for microcosmic gods.

I’ve been asked how I define a closed society. I would have to define it as one with no pressure-relief valve; no mechanism to disrupt the stasis; no opportunity to rebel without courting utter disaster. A perfectly closed society is one from which there is no escape, except by dying.

We Americans have always had a strangely romantic view of rebellion, and especially failed rebellions. Perhaps it’s because for most of the past 500 years this entire continent has been nothing but one giant pressure-relief valve. I don’t know about you, but at least one set of my ancestors came to America after ending up on the wrong side of a failed revolution in Europe.

Everywhere else on Earth and in history, rebellions, successful or otherwise, have always been followed by the traditional Mass Slaughter of the Losers. For a terribly brief period—a mere five centuries—this pattern was changed by the existence of a giant, continent-sized pressure relief valve called the New World. These Americas were settled largely by the losers of Europe, who emigrated, fled, or otherwise escaped here. (And also by the losers of Africa, who were shipped over and sold as chattel here, but that is a different story.) Two hundred and forty years ago the losers in the American Revolution—in our history books we call them “Tories” and never mention them again — fled either north to Canada, south to the Bahamas, or deeper into the continent. One hundred and sixty years ago the losers in the Civil War fled again, some to South America, but most even deeper into the West. (For an excellent explication of this latter theme, I recommend reading, And Die in the West, by Paula Mitchell Marks.)

Yes, I know, I’m playing fast and loose with dates. There is a reason for this. Stay with me.

Slightly over a century ago, in 1890, the pressure-relief valve began to close. According to the U.S. Census Bureau, this was the year the frontier officially ceased to exist. There was no longer any boundary between settled and unsettled lands, or explored and unexplored territory; now all that was left was to fill in the blanks. Perhaps not coincidentally, in 1896 the frontier of the imagination can be said to have officially opened, with the founding of the first pulp fiction magazine, Argosy.

A decade after that, and the Progressive movement was in flower, exploring the frontier of the terrarium and calling it Utopia. If there can be said to be one grand unifying idea underlying all the different flavors of Progressivism, it is this: that instead of Man creating Society, it was now time for Society to begin creating a new and better form of Man.

I for one deeply distrust people who truly believe Utopia is attainable. They always start out talking about the joys of living in their perfect world-in-a-bottle, but sooner or later get around to talking about the unpleasant necessity of weeding out those who are not fit to live there. Whenever someone starts talking about the need to change Man to better suit Society, be afraid; be very afraid.

§


The creative synergism is always difficult to explain. I was thinking about the Civil War—which, the more I consider it, closely resembles its contemporaries, Bismarck’s wars of German unification and Garibaldi’s wars of Italian unification, so perhaps it should properly be termed Lincoln’s War of American Unification—

I was thinking about the war, and the giant pressure-relief valve that was the Wild West, and concurrently ruminating over my theory that no closed society survives more than from three to five generations after its founding. Okay, let’s split the difference and call it four generations. Just how long is four generations?

Well, from a purely biological standpoint it can be as short as fifty years or as long as 160, but let’s accept the conventional definition and say that one generation is twenty years, and therefore four generations is eighty years. Expressed another way, that’s four-score years.

“Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.

“Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure...”

It doesn’t line up with mathematical pseudo-scientific psycho-historical precision, of course. This is an organic system we’re talking about, after all, and in an organic system there is always a fair amount of slop. But the pattern seems to hold true with disquieting accuracy.

In 1695, Americans were for the most part the loyal subjects of the King of England. By 1775 rebellion was at a furious boil, and the lid was about to blow off the kettle. The nation that emerged from the smoke and fire of Yorktown a decade later would have been unrecognizable to the Americans of even two generations before. A land without a king, where even Jews and Catholics were allowed to practice their religions freely? Unthinkable!

Four generations later, the pattern repeats. By 1855 the Republic was coming apart at the seams, and the idea that America was composed of a voluntary union of separate but equal states died in Mr. Lincoln’s war. The nation that emerged from the smoke and fire of Gettysburg would have been unrecognizable to the Americans of an earlier generation—which many of them proved, by fleeing into the Wild West. A land where even Negroes were allowed to vote and own property? Unthinkable!

Four more generations? That puts us in or around 1935, and while the popular image of that decade now is of soup lines, Oakies, bank robbers and Depression glass, the nation was much closer to the brink of disintegration than people now like to admit. There were authentic Fascist plots to overthrow the government. There were Communist plots, too. In the end FDR somehow held the country together, with considerable unintentional assistance from the Japanese and Germans, but as my parents never got tired of pointing out, the nation that emerged from the Great Depression and World War II was one that would have been unrecognizable to the people of the 1920s.

There is ample evidence to support this assertion. If we accept that science fiction is collective secular prophecy packaged in commercially marketable form, then the science fiction of the 1920s proves that the world of 1950 was unthinkable to the people of only twenty years earlier.

§


What about now? Today? I’m a science fiction writer, and having observed the failures of prescience of so many other writers before me, I am reluctant to prognosticate. However, I can’t help but notice that we are approaching the 80th anniversary of the Great Stock Market Crash of 1929, 

[nb: This was written in 2008, remember?]

and that every eighty years or so we seem to spew up a truly transformational leader who for better or worse rewrites the terms of the social contract.

Do the times make the man or does the man define his time? I don’t know. All I know for certain is this: Nature abhors stasis. And this leads me to wonder whether this four-generations principle has nothing to do with whether a society is closed or open, but is only more readily visible in a closed society.

Or perhaps our society is not so open after all...

§


Part 4: In lieu of a conclusion... 

Conclusion? I have no conclusion. I’ve held off clicking the [Publish Post] button for hours now in hopes of coming up with a stirring and inspirational conclusion, but the best I’ve been able to come up with is an observation. Like it or not, we are all here together on this giant multi-generational spaceship we call the Earth, traveling into the future at Time Factor 1X. The only thing we can be certain of now is that things will change, and what matters most to you and your posterity is how you react and adapt to this change.

And with that thought, I wish you all a happy, safe, and successful New Year.

Nil desperandum,
~brb

31 December 2008