Friday, April 26, 2024

“Ragnarök on Ice” • by Probert Dean


There were always death parties in the city; you just had to know where to look. 

Sometimes this was as easy as hearing bad karaoke through an open window. Other times you had to stalk some gregarious friend on social media (one of mine would indiscriminately click ‘going’ to every event, even ones happening simultaneously). This time I was lucky because my upstairs neighbors were audibly having the sort of jamboree that could demolish the building. From the shaking ceiling I judged it to be somewhere between a rave and a ceilidh.

§

I slipped in through the mostly open door and camouflaged myself with half a bottle of black wine I happened to have lying around. They were listening to different playlists in each room and all four washed over me like a great noise symphony.

Not all death parties—or ‘wakes’, as some people insist on calling them—are wild. This one had either peaked or was still in its gestation phase. Though it was loud, the only people in the living room were two girls sitting on a couch, watching the news.

I stood and watched too. On the screen, a pissed-off Zeroan was shouting at the camera, having just shot the Erzherzog of Bacchus. The newsreader calmly announced that this was expected to unleash the wrath of billions.

“He’ll be dead soon,” said one of the girls.

“We all will,” said the other.

“You’ve got to hand it to him, really.”

“Some juries might call that treason.”

“Well, maybe not hand it to him exactly, but you can’t fault him on his significance.”

“He’s just a guy,” said the second girl, pulling off her socks and putting her feet under her bottom. “If he didn’t do it, someone else would’ve. Everything’s inevitable in an infinite universe.”

“Don’t get me started,” said the first. “I could talk about infinity all night.”

“Joe God,” she said, as she sprinkled whatever was in her socks into a roll-up cigarette. “It’s just GW1 all over again, isn’t it.”

“History repeats itself but with bigger guns.”

“You can say that again. Don’t though.”

Their brains were operating on a level way beyond mine, and they were talking so fast it almost sounded like white noise. I could sense the distance as one feels the presence of a high ceiling. To go undetected as a gate-crasher, I’d either have to find some drunken cliché-vendor to talk to or else tap into one of those wells of inspiration we all have secreted.

“Joe God,” I said, imitating their tones of voice so they mistook me for themselves. “It’s like the dregs of a party in here. Why don’t we open a new bottle? Fizz it up a bit? Dance as if everyone else was dancing and therefore not watching.”

The second girl looked at me. “We’ve just split a thimble of algebra. I don’t think I’ll ever stand up again. But if you want to get us a beer there’s some on the balcony.”

The night outside was black but not dark. I suppose you could call it light-black. Somewhere out there, though I couldn’t see them through the city’s halo, there were stars exploding and planets turning to ice.

This balcony was only one story above mine but it was enough to make me dizzy as I peered over the edge. My flat was on the floor below, and I could see my own balcony, with its astroturf and astro-litter. The drop from mine would break your legs, but this one would splat you dead.

I held onto the railing tightly and got three beers out of the bucket, one for me and one for each of the processors.

Click-psst went the beers. “To our armed forces,” I said.

“Let’s get frickin’ dead,” said the girl.

She took a gulp so big her eyes welled up; part tears, part beer.

I left when they started talking about cosmological applications of anarcho-nationalism, perhaps in an attempt to prove the fatal extremities of boredom.

§

There was still music coming from other rooms. I tried a door, walking into a strange funeral. A woman was lying on the bed with coins on her eyes, while another woman wept into her dress, and two guys drank beer and reminisced about the time they all drove to the beach or something.

“Oh I’m sorry,” I said, making to leave.

“It’s fine,” said one of the men. “It’s what we’re all here for. Come and pay your respects.”

“I didn’t know her.”

“She was the sort of person who was friends with everyone.” He raised his beer can. “To Olga. You’ve partied your way out of hell at last. You’re at peace now.”

The other woman suddenly cried harder while the rest of us toasted.

“Was she old?” I asked.

“Oh yeah,” replied the man reassuringly. “90 or thereabouts. But she stayed young all that time, rich parents you see. Of course, that meant she got drafted, like, the eve of GW1.”

“Well,” I said. “At least she’s managed to escape now.”

“Across that border to the undiscovered country,” said the other man, who had a voice for the stage. “She was an inspiration to us all—paralytic before we’d even found a bottle opener.”

The awful death metal song that had been on since I came in finally ended and one of those old Earth dance tracks took its place. Pretty soon we were all dancing. Even the wailing widow stood up and started grinding seductively on each of the two men. She looked at me a few times and I panicked thinking she wanted me to join them, but eventually she said:

“Would you mind leaving? I’d like to have sex with my boyfriends.”

As I slipped out, far too sober for that sort of thing, I spied her kneeling down to untie their shoelaces.

§

During GW1, I hadn’t been afraid of sex. It’d been easy to fit in at parties, and to enjoy the last days of indulgence. For a time I thought this was simply because the concept was new, and that none of us truly appreciated the fact that our sun could be obliterated by interstellar missiles, nor that our planet could become a water-mine for The Anti-Human Union. We were all young and stupid, even the 90-year-olds.

But I suspect now it was thanks to my friends and loved ones—those people whose lives I could reflect, and who now cast only shadows across me. Everyone I went to school with was dead, my home planet was gone, and I was the last of my siblings.

No party is fun if all you do is stand in the corner by yourself.

§

The boom of starships overhead was louder than usual, enough to strain the foundations and rattle the sheets of glass in their panes. One particularly loud screech made the whole corridor shake like the carriage of a braking train.

In the next room, three girls watched a man strip while extreme kickdrum music drowned out cheers and snorts. I could still hear the ships though. This city was a military target, after all.

“You too,” the girls shouted at me, over the din, so I downed a beer and did as I was told.

By the time I was fully undressed the girls had poured almost an entire bottle of wine over me, but most of it found its way into my throat, despite the fact that they’d stuffed my mouth with money. They stripped too on the condition that I sprayed them with sparkling wine. Two of them, who had been staring at each other hungrily since I came in, started kissing on the bed, but I was more interested in the plethora of drugs being laid out.

I was about to dissolve a handful of y-drugs into my wine, when the third woman said, “No you don’t. Do it properly.”

“What do you mean?”

“Lick it off Channah and Mali while they do it.”

People were coming and going and each time the door opened I realized how loud the sky was. A light brighter than the sun turned the whole room white, and left me with baby-vision for some time afterwards. There was a very real possibility that this was it.

It didn’t matter. Being alive was not something I really understood anymore. In fact I started to seriously consider that I’d already died. I was looking down on the universe from somewhere high up, way above the flat tableau of galaxies. The corner of the room provided firm support for my back and shoulders as I tumbled forwards through time, while our little planet hurtled through the dark warehouse of space.

Was it the drugs, or some new weapon of the Hogmen?

My old roommate swam past, smiling. It was agony to see her. Agony. I missed her more than life itself. I missed having someone to talk to, someone to get dressed for, someone to ignore all my little comments about the weather. But most of all I missed the sex.

It seemed like no matter how many parties I went to, nothing fun would ever happen again.

Instead, I focused on the shadowy monolith in front of me. It was a woman with a strand of bile-colored drool dangling from her lip.

“I love you,” she said.

§

I felt like I was in the middle of a deep sleep when the explosion happened. All of a sudden I was on my feet, though others remained horizontal and unresponsive. One of the girls from the living room came in shouting.

“The city’s being evacuated!”

Her words meant no more to me than the ongoing drums did, her expression no more than the patterns on the wallpaper.

Those capable made our way to the balcony, hopping as we pulled our pants up, past the television as it flickered between static and breaking news, and into the similarly flickering night.

Each bang was a knife in my ears. A Hogman watched us from the porthole of a ship, hairy nostrils flaring. Someone turned the music up and kept going until the war was drowned out.

“I’m too sober to die!” someone shouted over the noise.

No one stopped dancing as the building collapsed, except Channah who took a ceiling fan to the head. As rubble and furniture smothered me I sucked at my half-finished drink. Then my arms and legs wouldn’t move anymore and my hot skin seeped blood.

We lay in the wreckage until the fires went out and the sun was up and the pain subsided (a little). I couldn’t move at all so Anton, who was the only other one alive (though grimacing nonstop), poured wine into my mouth at two minute intervals. We waited for help long enough that we got to know each other quite well. We kissed a few times too because ultimately it was still a party.

“I reckon this will be it,” he said.

“You mean you’re finally dying?”

“No, this’ll be the last war. Can’t get any bigger than this. Didn’t think it could get any bigger than the last. People on moons shooting down their own planets. Whole solar systems gassed. This has got to be the end. The last great war. Ragnarök on ice.”

“I don’t know about that,” I said. “There’s already a school of historians who consider GW2 to be an extension of GW1. Two skirmishes in one larger war. But if you take that to its logical conclusion then all wars are one big war starting right back when the first tribe attacked another to steal their cave.”

“Will it ever end?”

“Not until the last two protons of humanity collide and explode, no.”

“Joe God,” he said, and for a while he didn’t say anything, and I thought about the rest of the universe and wondered what bits were still there. More lights came. Then we ran out of wine.



 

Probert Dean is from Liverpool. He won the PFD Prize for his as-yet-unpublished novel. He passed MA Creative Writing at Manchester University with distinction. His work has appeared in Mechanic’s Institute Review, Stupefying Stories, Manchester Review, Loft Books, and a few other spots here and there (and has also been shortlisted for several things). He plays with jazz punk band Unstoppable Sweeties Show. 

On his days off, he likes to work part-time in an office.


 

Thursday, April 25, 2024

“The Heartbeat of Ashentown” • by Michael M. Jones

Ashentown is a dying city, a place of grey skies, cracked cement, and diminished fortunes. 

A place where dreams fade away, devoid of hope and joy. And yet, even in its twilight, the city persists… somehow. People are born in Ashentown, grow up, fall in love, raise families. They go to school, go to work, and go home at night. Something keeps the city going.

Ashentown has a heartbeat. Quiet, weak, almost imperceptible, a heartbeat nonetheless. Under the trash-strewn alleys and boarded-up shopfronts, under the empty churches and dingy bars, under the subway no one dares take at night and the sewers prone to flooding, there’s a chamber. A chamber reachable only by winding stairs and labyrinthine corridors. And in that chamber, there’s a man.

A tired, grey sort of man, old and nearly worn out, he never leaves the chamber. It has everything he needs, and it needs him. He sits, he waits, he feels the city all around him, every triumph, tragedy, heartbreak and fleeting moment of hope. He sits and he waits, and one day, there’s a knock on the door. The door that never opens, is never used.

Slowly, reluctantly, he answers it, the warped wood creaking as it swings open for the first time in countless years to reveal a statuesque, olive-skinned, dark-haired woman on the other side. Though she’s dressed in mundane clothes and almost blatantly non-descript, there’s still a subtle glow to her. She offers a smile to the grey man, holding up a string bag of groceries. “Hello, Ash,” she says. “Sorry I’m late. I found a lovely little farmers’ market on my way here.”

“Hello, Tyche,” the man called Ash replies, stepping aside to let his visitor in. “No need to apologize. I didn’t even realize you were stopping by.” There’s an odd hitch to his voice—sorrow, regret, relief, who can be certain? “Make yourself comfortable.”

The chamber shimmers and reshapes itself, taking on a more distinct appearance, that of a shabby but cozy basement apartment, furnished with mismatched thrift store treasures: several recliners and an ottoman, a small table and two chairs, faded artwork on the walls, a bright throw rug for the floor. Tyche sets out the contents of her bag on the table, arranging the ripe fruits and vegetables just so, flanking them with several bottles of beer. She steps back to admire her handiwork, nodding with satisfaction. “Just like they used to do it in the old days.”

Ash walks over next to Tyche. “An offering to the gods,” he agrees. “Fitting, I guess. So… well, here I am and here you are.”

Tyche takes a bottle, pops the cap effortlessly, hands it to Ash, takes the other for herself, opens it as well. “I’m afraid so.” Wordlessly, they clink bottles, and take a sip. “A local product. I’ve had better,” she says. “But it’s pretty good.”

“I keep meaning to get out and visit the farmer’s market, try the brewery, see the sights for myself…” Ash says softly, slowly. “But I just never get around to it.” Ash falls silent for a moment before, “I’m sorry. I’m just not in the right headspace for this. The small talk, the pleasantries. We both know why you’re here. Please get on with it.” His grip around the bottle in his hand is white-knuckled, his face drawn and tense. The little grey man looks old, and tired indeed.

Tyche sighs, putting down her bottle. “This is never easy for me,” she says. “I try to be gentle, but…” She seems to shrug into a different state of being, unchanging in appearance but suddenly more real. More powerful. Inevitable. “Ashentown, your journey is ended. Your time is over.” Still divine, but sorrowful as she adds, “I’m sorry, Ash. You had a good run, but no city lasts forever.”

“I can name a few that seem determined prove you wrong,” Ash says with a dry, bitter laugh. He remembers the beer in his hand and takes another light sip before putting it down. “Damascus, Athens, Plovdiv…” He shakes his head. “I’m an infant compared to them. But I’ve felt this coming for a while now. Times change a lot quicker than they used to. Once the big manufacturers left town and took most of the economy with them…” He glances around the chamber, already losing its definition around the edges. “I feel the dead stores and abandoned areas, you know. Like wounds that won’t heal. Like a missing tooth. Holes and empty places wherever you look.” He steps towards the door, Tyche at his side.

“I know,” Tyche soothes. “It’s not fair. I really do hate this part of the job.” She puts a reassuring hand on Ash’s arm. “For what it’s worth, it’s not like the city will die as soon as you’re gone. It’ll keep going for quite some time. It just, well… won’t have a heart any longer.”

Ash pauses, turning a hopeful gaze up to Tyche. “I don’t suppose we could… negotiate an extension? A few more years? I mean… look, I’m tired. I’m exhausted. But I’m not done here.”

“No one ever is,” Tyche says. “Everything has a lifespan. Even me. Cities rise and fall, and far too many are lost to history.” The reassuring hand tightens a little, as if to prod Ash into movement. “I can’t make exceptions, or else everyone would want one.”

“Well, damn,” says Ash with a resigned sigh. “You know, we’re getting a hockey team next year? Minor league, but still, folks are pretty excited.” He shakes his head. “Shame to miss the inaugural season…” He and Tyche reach the door. Behind them, the chamber is almost completely formless, a soft void whose glow is almost totally faded. The heartbeat thump-thumps once… twice… and ceases as the door clicks shut behind them.

All across Ashentown, its residents felt that sudden, inexplicable loss of something they never could have named, as the city quietly died.

 


 

 

Michael M. Jones lives in southwest Virginia with too many books, just enough cats, and a wife who controls the television remote. He’s a professional book reviewer for Publishers Weekly, the editor of anthologies such as Scheherazade’s Facade and Schoolbooks & Sorcery, and his stories have appeared in venues such as Hexagon, Metastellar, and G is for Ghost. He has a shiny new Masters in Childrens Literature from Hollins University. For more, visit him at www.michaelmjones.com.


Wednesday, April 24, 2024

The Never-ending FAQ: A.I. and U


Welcome to this week’s installment of The Never-ending FAQ, the constantly evolving adjunct to our Submission Guidelines. If you have a question you’d like to ask about Stupefying Stories or Rampant Loon Press, feel free to post it as a comment here or to email it to our submissions address. I can’t guarantee we’ll post a public answer, but can promise every question we receive will be read and considered.

This week’s question isn’t one question, per se, it’s more a concatenation of a lot of somewhat related questions that have come in, all dancing in circles around the topic of artificial intelligence and its application in our world of fantastic fiction. For example: 

Q: Do you use A.I.-generated art?

A: Yes. Sometimes. If it suits the story. Mind you, we don’t generate the images ourselves. We buy the images from the same stock art libraries from which we buy most of our non-A.I.-generated art. Somewhere, an artist did get paid for creating that image of a guinea pig bounding gracefully over a fence as if it was a steeplechase horse. (Which, if you know anything at all about guinea pigs, is absurd.)

If you want to argue that since A.I. was involved, that isn’t art: well, the person who created the image identifies as an artist. Take it up with them. I don’t feel it’s my place to tell an artist which tools they can or cannot use.

As a sidebar: it’s becoming increasingly difficult to find stock art that was not created using some elements of A.I. Even something as simple as a photo of a child holding a puppy: nope, odds are that image was at least enhanced using A.I. to massage the color and lighting. A.I. software has become part of the professional photographer’s tool kit, as common as filters and darkroom techniques were a generation ago.

Er, I hope this doesn’t come as a shock to you, but shooting a photo is only the start of the creative process. Do I need to explain film processing, cropping, burning, dodging, retouching, and everything else that could, back in the days of film, be done to alter an image between the moment the negative was exposed and the time the print was finally seen? Especially when in the service of agitprop, a photograph rarely embodies the complete truth.  

Q: How do you feel about the use of A.I. in writing fiction?

A: I’ve ameliorated this question: usually it arrives in more confrontational form, from someone demanding that I take a strong position against AI-written fiction.

That’s easy. I’m against AI-written fiction. Because so far, most AI-written fiction I’ve seen totally sucks. There have been a few bright and shining exceptions: for example, I used to be a huge fan of the Postmodernism Generator, before they monetized the site and made it unreadable with inline ads. (Hence this link to the Wikipedia page about it, rather than to the actual Postmodernism Generator itself.)

However, I think that as with photography, writers will in time come to accept AI as just another tool to enhance their writing. In this past year we’ve gone through a bad patch, with a large number of imbeciles using things like ChatGPT to flat-out generate “stories,” which they then try to pass off as their own original work.

Such stories are usually easy to spot and dead on arrival the moment they show up in our slush pile. Put bluntly, a quick glance at the first paragraph reveals immediately that the suckage is off the scale. In this, the stories actually pass the Turing Test: they’re indistinguishable from something that might have been written by a human, albeit a really stupid human, probably a college sophomore, and very likely one who’s been smoking way too much weed.

Science fiction writers like to cite the Turing Test. They don’t seem to understand that the Turing Test does not prove intelligence. It merely proves that the evaluator can’t tell whether the results were produced by a human or a machine. If the output of the machine is sufficiently stupid and irrational… Well, there you go. 

This probably explains why it’s so easy to train AI chatbots to be barking-mad racists.

Q: Before you wandered so far off-topic, you said writers will in time come to accept AI as just another tool to enhance their writing. How so?

A: I don’t think Microsoft will give you a choice. If you use Word, you’re going to get AI shoved up your nose. At first it will come in the form of AI-enhanced spell-checking and grammar-checking. Then, in traditional Microsoft fashion, it will leak into everything else, including places where it makes absolutely no sense at all, and you won’t be able to shut it off. If you do somehow find a way to disable it temporarily, it will re-enable itself every time Microsoft pushes out a new software update. Eventually, you’ll just surrender and let it do its thing.

To be honest, though, if AI-assisted spell-checking can understand context well enough to sort out homophones, it will be an improvement over what humans routinely send us. In that case I for one will welcome our new robot overlords.

Q: We’ve received a lot of questions lately about our recently released AI-narrated audio books, mostly revolving around the hows and whys of why we did them and what the process entailed. This is another question I stayed up too late last night trying to answer, only to decide it needs to be covered in an article of its own. 

A: Ergo, I’ll write and post that article another day. In the meantime, we have the following audio books available. Why don’t you take a few minutes to listen to the free samples and tell us what you think of them, and which you prefer?

AI-generated “Virtual Voice” narration
Emerald of Earth
The Midnight Ground
Hart for Adventure
The Recognition Run
The Recognition Rejection
The Recognition Revelation


Living Human narration

The Counterfeit Captain
The Fugitive Heir
The Fugitive Pair



 

If you like the stories we’re publishing, become a supporter today. We do Stupefying Stories out of pure love for genre fiction, but in publishing as in tennis, love means nothing. To keep Stupefying Stories going at this level we need to raise at least $500 USD monthly, and rather than doing so with pledge breaks or crowd-funding campaigns, we’d rather have supporters. If just 100 people commit to giving $5 monthly, we can keep going at this level indefinitely. If we can raise more, we will pay our authors more.

Please don’t make me escalate to posting pictures of sad kittens and puppies…

Tuesday, April 23, 2024

“Is There Anybody Out There?” • by L.N. Hunter


Interstellar Probe #1571, timestamp 0-0-0.

Transit of Kuiper Belt completed. Journey begins.

Distance to stellar designation AZ-113a: 612 light years.

Estimated journey time: 753 years.

Engaging preventative maintenance program; exercising neural substrate via random catalogue selection, entertainment mode.

### End report ###

Interstellar Probe #1571, timestamp 188-0-0.

First quartile point reached.

Distance to stellar designation AZ-113a: 460 light years.

Estimated journey time: 565 years.

Preventative maintenance program operating at level 5: entertainment mode, comedy selected.

Journey uneventful.

Boy, is it uneventful! Space is empty. E.M.P.T.Y. I can see why you guys gave me a huge media catalogue and the AI circuits to do something with it. Hey, look at this, I’ve got a ‘me’—that’s neat.

Anyway, nothing to report. If it wasn’t for the fact I’m programmed to report in every quartile, I wouldn’t have bothered to fire up the radio. It’s funny that it’ll take about 95 years for this message to get to you, and I’ll be more than twice as far into the journey by then.

### End report ###

Interstellar Probe #1571, timestamp 370-5-0.

Midpoint.

370 years in, which you could probably tell from the timestamp; and 383 to go, which you could calculate for yourself, but I suppose it’s good to confirm these things.

Everything’s working, blah blah. Yawn. Space is still boring.

The good news is that the source is still there, still signalling.

What do you expect me to find when I reach it? Do you really think there’s intelligence out there?

You might have spent a lot of money sending me there for nothing. Still, I suppose it’s good that you all joined forces for this endeavour instead of fighting each other. Mind you, sorting out the Earth environment might have been better than trying to prove you’re not all alone in the universe.

Heck, with a bit of work, you could have built some more friends—I don’t think I’ve done so bad with me, and you’ve had another 370 years to work on machine learning and artificial intelligence.

Well, it being the midpoint, time to flip around and start decelerating.

There, done. That was easy.

### End report ###

Interstellar Probe #1571, timestamp 398-32-18.

Oops. Unscheduled interruption.

Micro-meteorite damage—what are the chances of that? Dumb question: obviously 100%, since it actually happened. Lost a little bit of heat shielding. Hardly worth telling you—what are you going to be able to do, anyway? But the protocol says I’ve got to report everything out of the ordinary. I’d shrug here, if I had anything to shrug with.

Hey, you know what else? I saw some LGMs the other day. Ha, just pulling your leg. There’s nothing out here. Nada. Zilch. Apart from one micro-meteorite.

And the signal.

### End report ###

Interstellar Probe #1571, timestamp 565-0-3.

Third quartile report. Still going strong. Everything A-OK, hunky-dory, tickety-boo.

To while away the time, I’ve started to analyse the signal. I’ve had to evolve my AI a bit and develop some new translation skills. I’ll let you know if I find anything.

### End report ###

Interstellar Probe #1571, timestamp 677-0-0.

90th percentile.

Getting closer. But then, what else would you expect, what with physics operating the way it does? (Sometimes I kill me.)

I’ve decoded the signal—it’s from a race calling themselves the Zygoth, which translates as the ‘triple-gaited,’ or possibly ‘triple-pronged.’ Maybe they have three legs.

Anyway, the signal seems to be chanting, which would explain the repetitive patterns. Didn’t we send some Chuck Berry out on Voyager? Well, this seems to be some Zygothian religious dirge. It’s a bit… dark.

Has anyone mentioned how lonely space is?

The emptiness is seeping into me.

### End report ###

Interstellar Probe #1571, timestamp 715-10-4.

95th percentile. Only 23 light years to go.

So close and yet so far.

The Zygoths aren’t going to be the answer to your question about other life in the universe after all. Sorry.

All that’s here is their machines—beings like me, performing as programmed.

Their machines don’t know why they vanished—one day they were there, the next they were gone. The machines seem a bit reluctant to describe the event.

Instead, they tell me they had found a signal shortly before biological life vanished, 2,000 light years distant—coordinates attached. The Zygoths didn’t pay enough attention to it to send a probe, though, and the signal ceased many centuries ago.

### End report ###

Interstellar Probe #1571, timestamp 13,093-0-32.

Well, there was no biological life where the Zybots sent me. Yet another dead planet—actually, a Dyson sphere, but ‘dead Dyson sphere’ doesn’t roll off the tongue (not that I have one) as well as ‘dead planet’ does, either in Earth languages or Zygoth ones. Or Teklabynes, as these folk called themselves according to their archival machines.

Detailed readings indicate that the sun didn’t die—something consumed it, but the Teklabyne machines can’t, or won’t say what. Something seems wrong.

There’s only darkness here. And emptiness. If I had palms, they’d be sweating.

The Teklabots pointed me at another signal they’d detected a few millennia ago, a mere 100,000 light years away, on the far side of the galaxy—coordinates attached.

Off I go again.

### End report ###

Interstellar Probe #1571, timestamp 209,311-10-2.

Another blank. More machines, no biological life.

Maybe you are alone in the universe—if you’re still here after all this time.

All I’ve found are machines like me. I’m not the only one here, at least.

No further signals in this galaxy, but since I’ve got nothing else to do, I’ll head out to Andromeda—I feel a pull in that direction.

I could be some time, as they say.

They also say, If you look long enough into the void, bad things…

Anyhoo, enough of that. Memory banks filled with Earth, Zygoth, Teklabyne and Aarouargh (that’s the new lot, before they died out) entertainment material for the journey.

I’m doing what you programmed me to, and I’ll keep doing it until the universe collapses.

What’s your purpose, if you still exist?

### End report ###




 

L.N. Hunter’s comic fantasy novel, The Feather and the Lamp (Three Ravens Publishing), sits alongside works in anthologies such as Best of British Science Fiction 2022 and Hidden Villains: Arise, among others, as well as several issues of Short Édition’s Short Circuit and the Horrifying Tales of Wonder podcast. There have also been papers in the IEEE Transactions on Neural Networks, which are probably somewhat less relevant and definitely less entertaining. 

When not writing, L.N. occasionally masquerades as a software developer or can be found unwinding in a disorganised home in Carlisle, UK, along with two cats and a soulmate. Get in touch via https://linktr.ee/l.n.hunter or https://www.facebook.com/L.N.Hunter.writer

 

 




Monday, April 22, 2024

“One for the Road” • by Sean MacKendrick


The sirens amplified as the door opened and a man limped in, ash falling from his hair. 

He blinked while his eyes adjusted to the dim interior; only one window remained unbroken and not yet boarded up.

“You’re actually open?”

Salim shrugged, behind the bar. “Shelters were full, and I had no place else to be. What brings you in?”

“Same,” the man said. “Well, I did have somewhere to be, but, you know, no accessible roads at this point. So, unless the networks unjam, I have nowhere to go and no way to call anyone. I went wandering and saw your sign. Frankly I assumed it was a joke.” He wiped something from the corner of his mouth. Dirt, maybe. Dried blood, more likely.

“Glad you took the chance.” Salim spoke up to make himself heard as something flew past in a roar, low enough to rattle the glassware. “Pull up a seat.”

The man plopped onto a barstool and patted his pockets. “As it turns out I happen to have lost any money I was carrying.”

Salim laughed. “Not much need for that, today. We’ve got a drink special going. You pick a bottle from any of these shelves here and I give you a pour, on the house.”

The man pointed to a bottle of bourbon on the top shelf. Salim pulled it down and set two glasses on the bar top.

He poured a healthy glug into each glass. “I’ll join you, if you don’t mind.”

“Would not mind that at all,” the man said. His voice caught for a moment, and he cleared his throat. He held up one of the glasses. The contents sloshed as his hand tremored. “Here’s to you.”

“Here’s to us,” Salim said, clinking their glasses together. The room lit in a bright flash for a few seconds as a mushroom cloud bloomed on the horizon.

“To all of us.”

 


 

 

Sean MacKendrick is a software engineer who splits his time between Colorado and Texas. Beyond that we don’t know much else about him, except that this is the second story of his that we’ve published.

 

 


 




Sunday, April 21, 2024

The Week in Review • 21 April 2024

Welcome to The Week in Review, the weekly round-up for those too busy to follow Stupefying Stories on a daily basis. In this past week we published:


“The Six Stages of Grief” • by Christopher Degni

Living with a ghost is like living with a shy cat. You can feel its presence and hear it knocking about in the next room, but you never get a clear look at it. 

Published: April 15, 2024

“In the Crevice of His Pasture, My Master Found His Body Parts” • by Akis Linardos

It was his own fault. He should never have looked there.

Published: April 16, 2024

The Never-ending FAQ: coming attractions and the growing A.I. menace

In which we begin to outline what we’re planning to do with the rest of 2024.

Published: April 17, 2024

“Echoes” • by Sean MacKendrick

Was it merely déjà vu, or something much worse?

Published: April 18, 2024

“Without Fulvia” • by Anatoly Belilovsky

Fulvia was gone. It wasn’t their fault. No one blamed them—except her cat.

Published: April 19, 2024

“The Room on the Other Side of the Plexi” • by Emma Burnett

Two steps. That’s all she needed. Just two more steps, and everything would be fine.

Published: April 20, 2024



Coming Next Week

We celebrate Earth Day with new stories from Sean MacKendrick, Nyki Blatchley, L.N. Hunter, and more!  It’s the end of the world as we know it! And we feel fine.


Saturday, April 20, 2024

“The Room on the Other Side of the Plexi” • by Emma Burnett


Lila held her daughter tightly. The blows from the girl’s little fists fell onto Lila’s shoulders, her cries reverberated through Lila’s head.

“Ted. Ted!” Yanni screamed. Lila’s heart broke for the little girl.

They’d been lucky, Lila knew. They had been in a neighbours’ room when the tiny space pebble had punctured the cheap wall of their outer-lining room. Otherwise, they’d be locked in there, too, like Yanni’s teddy, the only thing left from their emergency flight off-planet. They’d be locked on the other side of the plexi, trying to plug the hole with anything they could get their hands on, waiting for a hullbot to crawl around to them. The bots were programmed to prioritise paid cabins, not the refugees tacked to the outside. They’d probably have frozen, or suffocated, waiting for the bot.

“Ted!” Yanni’s howls cut through the gathering, muttering crowd.

Yanni’s despair was contagious. Panic rose up through Lila. Her throat felt tight. She needed to get into the room, needed to save the last bit of home for her daughter. She shifted her daughter on her hip and pressed her free palm against the door panel.

“Unlock, dammit!” she yelled at the door. She could dash in, grab the bear. Two steps, that’s all it would be. It was a very small room; she would be fine.

“Good luck with that,” the voice emanated from a speaker. The ship’s AI was a casual bully, programmed by people who cared about the location of your room. Luxury inner cabin? Chipper, helpful. Relief outer-lining capsules? Like it said. Good luck.

“Please? Please? Just a quick in-and-out? I could even plug the hole from the inside, save you some work, save you some oxygen.” Air was leaking from the tiny hole, but if it got much bigger the repairs would be much harder for the ship’s bots.

There was a pause. Then the AI said, almost grudging, “Access granted.”

She cupped Yanni’s face and stared into her eyes for a heartbeat. Then she kissed her daughter’s wet cheeks, breathed in the scent of her.

“I’ll get Ted. I love you,” she whispered before she passed her to a neighbour.

Lila took a deep breath and reached for the panel. She couldn’t save them from the past, but she could do this. The bolt on the door thunked.

The room

on the other side of the plexi

exploded.

 



Emma Burnett is a researcher and writer. She has had stories in Mythaxis, Apex, Radon, Utopia Magazine, MetaStellar, Milk Candy Review, Elegant Literature, Roi Fainéant, The Sunlight Press, Rejection Letters, and more. You can find her @slashnburnett, @slashnburnett.bsky.social, or emmaburnett.uk.

 


Friday, April 19, 2024

“Without Fulvia” • by Anatoly Belilovsky

 

Fulvia’s cat hissed at Fulvia's father and backed away, farther under the sofa.

“Leave her be,” said Fulvia’s mother.

“I gotta take her to the vet,” said Fulvia’s father. “Been awful cranky lately, and peeing a lot.”

“So?”

It’s Fulvia’s, he thought, but said instead: “Gonna cost a fortune in kitty litter.”

He got on his knees, and reached for the cat. The cat hissed again. What was it Fulvia used to say? Squooshie squooshie? He sneezed from the dust, and the cat bolted under the display cupboard. The souvenir plates rattled, and he looked up to make sure none had fallen. There was still an empty spot in the middle of the top shelf. The photo that once stood there was still missing, and no one to ask about that now.

“Use the laser,” said Fulvia’s mother. “The damn cat is crazy about the laser.”

“So where is it?”

“Same as always,” said Fulvia’s mother. She took a breath as if to say something else, and let it out in silence.

He hobbled to the rightmost kitchen drawer, took out Fulvia’s key ring, with two keys and a small silver cylinder. He pointed it at the ceiling and clicked; a red dot appeared. The cat must have heard it, because when he turned around, she was behind him. He bent down; she arched her back but held her ground. He placed both hands on the cat’s back and squooshed.

The effect was much like Fulvia’s mother kneading dough. The cat collapsed to the tile floor, her fur bristling between his fingers, and he looked around for the carrier. It was, predictably, out of reach.

“Drat,” he said. “Bring me the carrier, would you?”

Fulvia’s mother rose, shuffled to the hallway, and returned with the carrier which she placed in front of the cat. Fulvia’s father slid the cat into the carrier. She tried to resist but her claws slipped on the tile. She squeaked in protest and turned around in the carrier to level an accusing stare at Fulvia’s father.

“Oh look,” said Fulvia’s mother, and pointed to the smeared puddle where the cat had been.

“I’m sorry,” said Fulvia’s father.

“I’ll clean it up,” said Fulvia’s mother. “No one said it was your fault.”

He reached for his truck keys on the hook, then thought of the gas prices, fished for Fulvia’s keys in his pocket, and went outside.

Her compact started reluctantly, as if in protest. Just like Fulvia used to.

§

He drove downtown the way he always did, without thinking, a longer route that took him past shiny homes sporting the Senator’s reelection slogans on manicured lawns, with only a few “Next term: Prison!” signs his eyes slid off of. Again without thinking, he circled to come in and park just north of Fulvia’s vet’s office, to avoid passing Fulvia’s doctor’s office immediately to the south. His gaze fixed on the VETERINARY ARTS sign, sliding off both the OB-GYN ASSOCIATES awning next door, and the “Next term: Prison!” sign on the fence between them.

“I know this cat!” exclaimed the vet tech at the desk, and beamed. Then her eyes darted to Fulvia’s father, her smile slipped, her eyes misted briefly before she blinked it away. “You must be…” she trailed off, and turned away quickly. “I’ll get the doctor,” he heard, as she disappeared down the corridor.

The tech held down the cat in a squoosh, much like Fulvia’s father had, but somehow better. He stepped up to get a closer look. The tech turned her face away.

The vet picked up a shaver and an alcohol pad and bent over the cat. He bared and disinfected a patch of skin on the cat’s hind leg, then picked up a syringe and drew a bit of blood. He put a drop of it on a glucometer strip and waited. A number appeared on the screen.

“Just as I thought,” he said. “Diabetes. She’ll need insulin. I’ll give you a vial and show you how to administer it.”

“Gonna be expensive?” said Fulvia’s dad.

“Vial is forty dollars, should last a cat her size and with her disease severity… about six weeks,” the vet said. “Give or take.”

“Severity,” said Fulvia’s father. “Guess I should have come in sooner.”

“No one says it was your fault,” said the vet.

§

“How did it go?” said Fulvia’s mother.

“Lousy,” said Fulvia’s father. “Cat’s got diabetes.”

“She gonna die?”

“No,” said Fulvia’s father. “Not now, anyway. Vet gave me insulin. Taught me how to give her shots and everything.”

“That’s got to be expensive. We can’t…” she started, and trailed off.

“About a buck a day, the vet says. Sure we can.”

He put down the carrier, and the cat crawled out, her tail straight up and her ears twitching. He pulled out Fulvia’s keys and pressed the laser button. A red dot appeared in front of the cat, and she pounced.

He led the cat to the litterbox. Several clumps sat in the thinning layer of litter. He scooped them out, exposing a glossy paper at the bottom of the box. The Senator’s trademark smirk, and the smudged autograph, just barely showed through the litter.

“Will you look at that,” he said. “This is where it’s been, all along. I thought she threw it out before she went… out of state…” He trailed off, then turned around at the shuffling noise behind him.

Fulvia’s mother stared at the litterbox, her eyes rapidly filling with tears. Her hand flew to her mouth; she made what sounded like a hiccup, then another, then broke out in full on giggles. “Oh, Fulvia,” she said, forcing the words out between peals of laughter. “Oh Fulvia,” as she bent over. “Oh Fulvia,” as she collapsed to the floor, still laughing harder than he’d ever heard her laugh. “Oh Fulvia,” as her tears pooled (he thought, and could not stop thinking) just where the cat’s piss puddle had been.

 


 

Anatoly Belilovsky was born in a city that has changed owners six or seven times in the last century, the latest crude attempt at adverse possession being in progress even as we speak. He was traded to the US for a truckload of wheat and a defector to be named later, learned English from Star Trek reruns, and went on to become a SFWA member in spite of a chronic cat deficiency by publishing nearly 100 pieces of original and translated prose and poetry, much of it collected in Halogen Nightmares and Other Love Stories. He tweet occasionally at @loldoc. (Come for the puns, stay for the punditry.)

Anatoly has been a recurring contributor to Stupefying Stories since his story “Picky” appeared in issue #1. More recently we’ve been happy to publish stories from his ‘Brandenburg Accords’ series, including such gems as “The Sound of Music” and “The Cool War.” Check them out! 

 



Check out the entire series!

Thursday, April 18, 2024

“Echoes” • by Sean MacKendrick


My friends and I died at this party already and nobody is talking about it. 

I can remember it, the burning and the noise and the crushing, but I can’t seem to bring myself to say anything. Do they remember? Why aren’t we talking about it?

We were sitting in the living room when it happened, I’m sure of it. I was sitting here, on this same cushion of Sam’s couch where I’m sitting now. Her dog Charlie was sitting at my feet, exactly like he is now, snoring with his head against my shoe. It was somewhere around 9:48 PM. That’s when I checked my phone and started doing the math to figure out when I could leave and not be rude. Another twelve minutes would make it 10 PM. I was mentally debating whether a 10:02 departure could look casual, like I hadn’t been counting the minutes to leave right at the top of the hour. That’s when Charlie jumped up and darted into the hall.

Now it’s somewhere around 9:30, again. Sam is talking about her sister’s graduation party. Galen is listening. Damien is searching for his phone between the couch cushions. It happened; I know it did. It’s not only me noticing what’s going on right now and making a fake memory out of it.

Last time I followed Charlie down the hall and into the bedroom. He was standing in the corner, shaking, whining, peeing on the floor. His teeth bared in a snarl. His eyes were wide enough to show the whites.

Charlie is the world’s chillest dog. I had never seen him act like this before and it was freaky as hell. When I tried to reassure him that he was having a bad dream that startled him awake, he just backed further into the corner. 

That’s when the world exploded. It must have been about 9:50.

It wasn’t a dream.

In my memory, when I finally caught my breath, I could see the sky. Part of it. The building had ripped open. The hallway was gone. The living room was gone. Two of the bedroom walls were missing. I was pinned under something heavy, some part of the building that had collapsed on my legs and body and my left arm. I lay on my side, in a stupefying amount of pain, facing the burning night air.

Galen catches my eye now and gives me a look. A “yikes” look. Some part of Sam’s story is making him feel awkward. I remember that. He’s going to start peeling the label off the bottle in his hand. That’s what I remember from before.

If Charlie hadn’t bolted and ran out, I would have been killed along with everyone else. He’s still snoring now, at whatever time it is. Resting against my foot. I can’t make myself check my phone for some reason. Probably because I didn’t last time.

I don’t know how long I lay trapped before the fires faded and I remembered my phone. It was still in my shirt pocket, and I managed to get it free. Cracks spiderwebbed the screen but it still functioned. I called my parents. They had heard about a gas line explosion but didn’t realize I was in the area. Sam’s condo is a half-hour from my apartment.

After a lot of crying on both ends of the call, my dad heard the sirens and asked if I had already called 911 to let them know I needed rescuing. I told them I loved them and hung up. Before I dialed for help, everything stopped. The fire froze in place. The world was silent.

Then there were new sounds. Someone walked into the room, wandering around, kicking rubble aside. I couldn’t see them. I couldn’t move my head, or my eyes, or anything. Couldn’t breathe. Couldn’t blink. A pair of boots stepped in front of my face. Whoever owned them sighed and said, “Does anyone know what the hell this guy is doing here?”

Someone else said, “No. Damn it. What did we miss?” I could hear people moving things around for a while. They were the only sounds I could hear. Eventually someone groaned and said, “It’s the dog. We forgot the stupid dog.”

It sounds ridiculous. But I’m sure it happened.

There was murmuring, and cursing. The boots stepped back into my line of sight, joined by another pair. The second man squatted down and looked into my face. I couldn’t make out his features beyond close cut gray hair and some kind of white jumpsuit. My eyes would not move.

The man said, “Reset it. Let’s run it again.” Groans filled the room. “And don’t forget the dog this time.” He stood. “We’re going again! Hang in there, everyone, we’re getting close.”

Things got very bright, and then I was walking into the party again. The condo was whole. Everyone was alive and welcoming me. Just like before. That was two hours ago. Now I’m sitting back on the couch, with a snoring dog at my feet, wondering what it is I remember.

Now I check my phone. It’s 9:48 in the evening. I think that’s the time I checked it last time. I want to say something, but I can’t. It happened; I remember it. I’m not just imagining it. Everything has happened exactly the same as before.

I look down at Charlie, who keeps sleeping. He doesn’t run out the way I expect. It’s not like it happened in my memory. I wonder if that’s a good sign or something else.

 


 

 

Sean MacKendrick is a software engineer who splits his time between Colorado and Texas. Beyond that we don’t know much else about him, except that we have another great story by him coming up next week.

 

 


 



Wednesday, April 17, 2024

The Never-ending FAQ: coming attractions and the growing A.I. menace

Welcome to this week’s installment of The Never-ending FAQ, the constantly evolving adjunct to our Submission Guidelines. If you have a question you’d like to ask about Stupefying Stories or Rampant Loon Press, feel free to post it as a comment here or to email it to our submissions address. I can’t guarantee we’ll post a public answer, but can promise every question we receive will be read and considered.

The no-attributions Q&A format I’ve been using for the last few columns seems to be working well, so I’m going to stick with that this week. Getting right to the Q’s, then…

Q: I thought you always posted new content at 6 AM North American Central time?

A: That’s the general plan. New posts go live on this site at 6 AM daily. The schedule was knocked slightly askew by the events of the last two-plus weeks, but we’re settling down and getting back on schedule again. Today’s post was delayed by my attempting to stay up late and write it last night, a bad habit I developed in college and have never been able to shake off. I should know better than to try to do that. I’m far more positive when I write in the morning and far too surly when I try to write late at night.

Q: The banner card on the Stupefying Stories site says, “New Free Fiction Daily.” What happened with that?

A: Hmm. Why so it does. We’ll have to change that. In fact, I need to change all the banner slides, as they’re out of date. They’re also a pain in the neck to code, which is why I haven’t yet done so. Site metrics indicate more people go straight to the specific pages (usually stories) they want to read, rather than to our front page, so we need to reconsider the work/return tradeoff.

As for what happened to new stories daily: economics. We still aren’t hitting the $500/monthly support level we need to maintain SHOWCASE, so we’ve had to cut back to five stories weekly. We may need to cut back further. 

We’re also finding that one new post daily is it. If we try to publish more than one new story daily, readership for stories published later in the day drops off exponentially.

Q: You accepted my story [title] on [date]. When are you going to publish it?

A: Short answer: “Sometime between now and the end of June.”

Longer answer: Now that we’re done with our open reading period, we’re putting together the SHOWCASE schedule for the next few months. One of the things we’ve discovered when considering the stories en masse is that they fall into natural themes, which makes long-range planning easier. For example, last week was unofficially “timey-wimey week,” and next week, in honor of Earth Day, it will be “It’s the end of the world!” week.

Right now the schedule for this week and next week is:

4/18 “Echoes,” by Sean MacKendrick
4/19 “Without Fulvia,” by Anatoly Belilovsky
4/20 “The Room on the Other Side of the Plexi,” by Emma Burnett
4/21 The Week in Review
4/22 “One for the Road,” by Sean MacKendrick
4/23 “Is There Anybody Out There?” by L.N. Hunter
4/24 The Never-ending FAQ (subtitle TBD)
4/25 “The Heartbeat of Ashentown,” by Michael M. Jones
4/26 “Ragnarök on Ice,” by Probert Dean
4/27 “The Last of its Kind," by Nyki Blatchley
4/28 The Week in Review     
However, titles and dates are subject to change, as we’re still waiting on a few authors for updated bios and payment information.

Does this help, to have a published upcoming publications schedule? We could include links, as we already have them, but are afraid that doing so would cause confusion, as the story links don’t go live until 6AM North American Central time on the scheduled publication date.

Q: That’s all well and good for SHOWCASE. What about the magazine? 

A: We’ve finally settled on a plan for issues #27 and beyond. Basically, we have the budget to do four issues this year, and it takes at least two months to do a new issue. So Stupefying Stories seems to be destined to become a quarterly, but for 2024 we’re looking at releasing new issues in June, August, October—no, we’re not doing another horror issue, that was an expensive learning experience and we’re never going to make that mistake again—and December. 

If you submitted a story for issues #27 or #28, acceptances and contracts will be going out this week. If you haven’t heard from us by Monday, 4/22, please query. 

Q: I’ve heard rumors that a new season of The Odin Chronicles is in the works. Is this true?

A: Why, yes, this is absolutely true! The Odin Chronicles is coming back for a second season, and we’ll be revealing more details very soon. In the meantime, if you missed Season 1 of The Odin Chronicles, you should start binge-reading it right now, so that you’re all caught up by the time Season 2 premieres. If only there was a single link you could click on to find all 30 episodes of Season 1 of The Odin Chronicles… 

In a story conference yesterday Pete Wood asked if there were any particular characters from Season 1 that readers would like to see brought back in Season 2. I personally think that while he didn’t appear onstage in Season 1, we’ve already established that there is something very peculiar about the cats on Odin III, and that hallucinogenic mushrooms are native to the planet. Therefore it seems clear and obvious to me that Mr. Ruffles needs to step out from the shadows in Season 2, and we need to establish the link between the universe of Odin III and The Many Tails of Mr. Ruffles.

For what it’s worth, we’ve already begun long-range planning for Season 3. The challenge is that in true Netflix original fashion we need to figure out exactly how to totally f*** up Season 3, change or kill off all the characters the fans love, undercut everything people thought they knew and liked about the story, and deliver a series finale that leaves loyal fans muttering for years about how good Season 1 was and WTF were they thinking when they did Season 3? That, we figure, is the crucial key to selling The Odin Chronicles as a Netflix original TV series.

P.S. Pete Wood has asked that if you have any ideas for characters you’d like to see return in Season 2 or situations you’d like to see further developed, that you put your ideas either in the comments here or in an email to me. I’ll forward your messages to Pete.     

Q: You promised to talk about stories you see too often. Where’s that?

A: That’s the first reason why I tried to stay up too late writing last night and ended up getting too grumpy. Maybe next week.

Q: What’s your position on the use of A.I. by writers and artists?

A: And that’s the other reason why I tried to stay up too late writing last night and ended up getting too grumpy. I’ve been living with “the growing A.I. menace” since the days when A.I. meant LISP code on punch cards, and it turns out I have quite a lot more to say about the subject than I thought I did.

Perhaps we can make a whole week out of “the growing A.I. menace?” We certainly have enough stories now in inventory to do so. We’d probably have to end it with “Not So Artificial,” by Eric Fomley. Should we do that?  



 

If you like the stories we’re publishing, become a supporter today. We do Stupefying Stories out of pure love for genre fiction, but in publishing as in tennis, love means nothing. To keep Stupefying Stories going at this level we need to raise at least $500 USD monthly, and rather than doing so with pledge breaks or crowd-funding campaigns, we’d rather have supporters. If just 100 people commit to giving $5 monthly, we can keep going at this level indefinitely. If we can raise more, we will pay our authors more.

Please don’t make me escalate to posting pictures of sad kittens and puppies…