Monday, December 2, 2024

“Come the Waters High” • by Karl Dandenell


The sea is rising faster than the walls.

The young scientist read the report’s summary to the island council without hesitation, though tears gathered in his eyes, and his voice nearly broke on the final paragraph. All I wanted to do was wrap my robes around him and whisper reassurances.

I did not. As High Priestess, I represented the Goddess in all her majesty and grace and must comport myself accordingly. I fervently wished I could express Her anger, though, in that moment, especially at the graybeards who stood behind their colleague. Under their serious miens lay obvious relief they were spared this task.

Cowards, I thought. What took you so long?

Anyone who lived on the coast already suspected the truth. On an island small enough to cross in a week, you’d be hard pressed to find someone without a strong opinion about the sea change.

For each of the last five hurricane seasons, I’d watched as the community’s favorite beaches shrank or washed away completely. Mangrove forests sought by lovers had become inaccessible as the ocean turned paths into streams, then bogs. Brightly plumed shorebirds had flocked to town after crabs invaded their traditional nesting sites, eager to break open eggs full of rich yolk.

Even the monks who dwelt in meditation huts along the great swamp had laid siege to the temple, armed with weather-related complaints. It was difficult to pursue inner peace, they explained, when brackish water seeped through the floorboards at high tide. They intended to live at my temple, their robes stinking of mold and rot, until the Goddess saw fit to intervene.

Thus petitioned, I’d fasted and thrown myself into the five secret prayer dances, listening for wisdom, for guidance. I’d given my entire life to the Goddess, set aside lovers and the possibility of children to better serve my patron, but my efforts yielded only silence.

So I buried my doubts and filled my days with dignity and confidence befitting my station. My nights, however, were plagued by dread and uncertainty. Should I have offered up more sacrifices? Spent every waking hour praising the Goddess?

The council reviewed the academy’s full report. When they publicly supported the findings, I found an odd solace in having my suspicions confirmed.

The council ordered the engineers to make the flood walls wider and higher.

Within two months, the construction scaffolding surpassed even the tallest date palms. But it wasn’t enough. Math doesn’t lie, the engineers reported. We are only delaying the inevitable.

The council considered this. After a mercifully brief debate, they voted to leave the island. Finally, I thought. Who can fight the sea? She was your lover, and while you dove deep into her bosom or danced across her skin with sails unfurled, your hair whipping in the salt spray, ultimately, she carried you into the deep, cold depths, leaving behind only your kin and the stories they told over the night fires.

The shipwrights built twelve vessels, cannibalizing homes, schools, galleries, workshops, even the temple, scavenging precious lumber and even more valuable iron. Almost every able-bodied man, woman, and child worked from dawn until late evening, directed by carpenters, weavers, and smiths. Poets and musicians raised their voices above the construction din, belting out working songs, ancient couplets, and ribald insults to distract the workers from their fatigue and fear.

The elderly took themselves to elevated platforms, where they bore witness and chanted prayers. Their gnarled hands passed specially blessed string from one end of the shipyard to the other. With each pull on the diamond-hitch knots, they released another prayer to the heavens.

I released my virgins and attendants to work the shipyards. For my part, I moved with light steps among the crews, stopping whenever someone needed to vent their anger or grief or simply weep because they had no words. I tried to accept it all, silently praying the Goddess would give me strength to bear the weight of my people’s sorrow.

I knew we couldn’t save everyone. Or everything. It was a useless wish, one unworthy of my station. Instead, I forced myself to walk the shipyards until my feet stumbled and my head swam with sleeplessness.

While the ships took shape, the council asked the people what to bring to their next home. In response, they offered music, stories, recipes, dances, flowers, birds, and songs. At the same time, the scientists gathered practical wisdom: the forging of knives, the making of paper and ink, and the curing of illness.

The brightest teachers, those who kept the histories, drank sacred meditation tea that brought intense focus and banished sleep. With bright eyes, the teachers disgorged a lifetime of memories to the scribes, who laughed as they recorded secrets they thought long forgotten. The scribes distributed those scrolls among the ships, sealing the fragile vellum in clay tubes that became part of the ballast.

We finished the twelfth ship as the first dark clouds covered the horizon. I chose the passengers through a lottery of turtle shell chips, colored markers shaken and thrown into the rising wind. But there were simply too many to leave behind. I did what I could to balance skills and family ties.

And knew I failed.

When the storm clouds closed in, we gathered the last fresh meat and fruit for a final feast in the largest public square. Everything else was packed in casks for the journey.

Between cups of sour palm wine, I gifted each captain a lantern. These ancient and clever devices had guided our forebears here when mountains vomited fire and choking ash covered the skies of our ancestral home for two entire cycles of the moon.

The lights would guide them again.

I gave the captains their charge.

Sail in all directions, I said. Look for traders. When you find them, offer praise and songs and honeycomb. They will lead you to other waters, to higher ground, someplace to call home.

You will live, I whispered to them. Our island may drown, but our children will live.

The next morning brought a storm surge that breached the walls. As the tide lifted the ships from their cradles, I stood with the remaining people and the few animals we’d allowed ourselves. When the last ship safely reached open water, I clambered to the top of the nearest wall so I might raise a hand in final blessing to the young priestess who now wore my robes.

It was a small fleet to carry our future, but it was better outfitted than the one that brought us here all those generations ago.

My tears mingled with the rain in gratitude. The Goddess had heard our prayers and given us another chance.

We would not waste it.

____________________

Karl Dandenell is a first-generation Swedish American, graduate of Viable Paradise XVI, and Full Member of the Science Fiction & Fantasy Writers Association. He lives on an island near San Francisco famous for its Victorian architecture with his family and cat overlords. He is fond of strong tea and distilled spirits (mainly whiskey). You can find him online on his blog (www.firewombats.com) or lurking on Bluesky (@karldandenell.bsky.social) and Mastodon (@karldandenell)

P.S. If you liked this one, look for Karl’s story, “Krishna’s Gift,” in Stupefying Stories #24!

Sunday, December 1, 2024

The First Sunday after Thanksgiving


Today’s reading is from the Book of Leviticus, chapter 7, verses 11 through 18. 

11 And this is the law of the sacrifice of peace offerings, which he shall offer unto the LORD.

12 If he offer it for a thanksgiving, then he shall offer with the sacrifice of thanksgiving unleavened cakes mingled with oil, and unleavened wafers anointed with oil, and cakes mingled with oil, of fine flour, fried.

13 Besides the cakes, he shall offer for his offering leavened bread with the sacrifice of thanksgiving of his peace offerings.

14 And of it he shall offer one out of the whole oblation for an heave offering unto the LORD, and it shall be the priest's that sprinkleth the blood of the peace offerings.

15 And the flesh of the sacrifice of his peace offerings for thanksgiving shall be eaten the same day that it is offered; he shall not leave any of it until the morning.

16 But if the sacrifice of his offering be a vow, or a voluntary offering, it shall be eaten the same day that he offereth his sacrifice: and on the morrow also the remainder of it shall be eaten:

17 But the remainder of the flesh of the sacrifice on the third day shall be burnt with fire.

18 And if any of the flesh of the sacrifice of his peace offerings be eaten at all on the third day, it shall not be accepted, neither shall it be imputed unto him that offereth it: it shall be an abomination, and the soul that eateth of it shall bear his iniquity.

Got that? Enough with the leftover turkey already. Clean the fridge, for God’s sake.

And next year, remember to make pancakes. As verse 12 makes clear, the LORD really loves pancakes. Who doesn’t? In fact, why not whip up a batch of pancakes right now?

Saturday, November 30, 2024

Ask Dr. Cyberpunk: with your host, Bruce Bethke • from initial concept to published story


Here’s one of the little secrets of science fiction.  

While we sci-fi writers routinely set our stories in the future, no writer I know—at least, no sane writer—seriously believes they can predict the future. We’re entertainers, not prophets. The entire point of beginning a story with “Once upon a time,” or “A long time ago in a galaxy far, far away,” or “Sometime in the early 23rd Century,” is to insert aesthetic distance. We set our stories in strange times and places, not because we’re trying to foresee the actual events that will occur in those times and places, but because we’re either playing the “What if” game or else using that distance to hold a warped fun-house mirror up to contemporary reality, and to tell our readers a story that works better if it’s not set in the readily recognizable here and now.

Any time a sci-fi writer makes a semi-informed guess about the future, then, and actually gets something right—well, it’s cause for celebration, yes, but it’s also more likely the result of luck than brilliance.

Case in point: in February of 1980, when I wrote the first rough draft of the original “Cyberpunk” short story, it was an exercise in “what if,” not an attempt at serious prognostication. I began with three givens, and a question.

Given:

  • That children learn new languages more easily than do adults
  • That this ability is not restricted to “organic” languages
  • That mastery of a new technology often results in gaining power over others

Question:

What happens when the parents and other adult authority figures of the early 21st century come into conflict with the first generation of children who have grown up truly “speaking computer?”


That, in one tiny nutshell, is the core idea behind the story. Everything else you see in it is merely a matter of working out the permutations on this idea, or else set-dressing, put there simply to establish that this story takes place in the future, but not the distant future. When I wrote “Cyberpunk” in 1980, I figured I was telling a story set about 40 years in the future.

The problem with writing fiction set in the not-too-distant future, of course, is that eventually reality catches up with and then laps your story.

§

Looking at “Cyberpunk” now, from the vantage point of 2024, I can’t help but feel strange. There are a few things in the story I got really right, and I’m proud of those. There are other things in it that I got laughably wrong, and I’m a bit chagrined by those. But the one thing I utterly failed to foresee was how that little story was going to change my life.

In the spring of 1980 I sent the story off to George Scithers at Asimov’s, who sent it back with a rejection saying that while he liked it, Asimov’s readers would never go for a story that ended with the punk kid winning—but if I could come up with a better ending, he’d like to see it again. After thinking it over a bit, while wondering what sort of revised ending might appeal to Lt. Col. George Scithers, US Army (Reserve, Retired), I slapped on a coda in which Mikey gets his comeuppance and gets packed off to a military boarding school. I resubmitted the story to Asimov’s, and this time Scithers held onto it longer, but finally sent it back with a rejection saying he’d shown the story to a real mainframe computer expert, and the whole idea of punk kids running around causing serious trouble with cheap, portable, personal computers the size of notebooks was just too far-fetched to be credible.

Thereafter I sent the story off to the next magazine on my target list, either Analog or Omni, I’m not sure which. The point is, between the summer of 1980 and the summer of 1982, every pro magazine editor then working in SF publishing got a look at this one, and most sent it back with the traditional, “Nice try, kid, real close,” dismissive brush-off. In July of 1982 it landed at Amazing Stories, which had just been purchased by TSR (the makers of Dungeons & Dragons), and the new editor, George Scithers again, loved it, had to have it, and wanted to know where I’d been hiding all these years.

I didn’t tell him the truth until after his check cleared the bank.

Scithers bought the story in July of 1982, and it was published in the November 1983 issue of Amazing Stories, which was actually on the newsstands in September. Back in the days of pulp fiction print publishing, the cover date on a fiction magazine was basically the “sell by” date.

And that, I thought, was the end of it.

There have been times when I was more wrong, but not many.

§

COMING NEXT SATURDAY: This is only the beginning! Join us next week as we follow “Cyberpunk” from published short story to career-crippling novel! Until then, if you have a question you’d like to ask Bruce about anything cyberpunk-related, send it to brucebethke.writer@gmail.com.

Friday, November 29, 2024

BLACK FRIDAY SALE!!!

Because what the heck, everyone else is doing one. TODAY ONLY, these two paragons of modern literature, SHOWCASE #1 and Jimi Plays Dead, are absolutely FREE on Kindle!

SHOWCASE #1, called that because we didn’t realize it was going to be SHOWCASE ONLY, was our experimental attempt to recast Stupefying Stories SHOWCASE as an e-pub chapbook with fewer but much longer stories, and features: 

  • “The River of Time Joins the Sea,” by Probert Dean
  • “The Mandala Doors of Hafshamn Syniad,” by Jeff Suwak
  • “The Carpetbaggers Ball,” by Karl Dandenell
  • “Finding Spring,” by Sipora Coffelt

If nothing else, get this one to read “Finding Spring,” a story that seems particularly poignant to me as I’m writing this in the middle of a snowstorm and an Arctic cold snap. 

JIMI PLAYS DEAD, on the other hand, was our experimental attempt to launch a “hit single” chapbook format, and features two of my own stories: “Jimi Plays Dead,” the Nebula-nominated story of an obsessed rock star who will do anything to sound like Jimi Hendrix, and “Buck Turner and The Spud from Space,” a story that, in my own humble and modest opinion, would make a brilliant film student project or short direct-to-YouTube film.

Or what the heck! Get ‘em both! Today only, they’re FREE!

[ Get SHOWCASE #1 now!] 

[ Get JIMI PLAYS DEAD now!]

Then again, if you already have these two books on your Kindle, you might join me in wondering why we commemorate one of the worst stock market crashes in American history with a nationwide shopping spree, when we should rightfully be gathering in the streets to have bonfires, shoot off fireworks, and burn Jay Gould in effigy…

Thursday, November 28, 2024

Happy Thanksgiving!

While searching the RLP stock art library for an illo to use with today’s post, I came across this one, which I share with you now. I’m not sure exactly why this bit of CGI really creeps me out—maybe it’s the lit-from-the-underside face, or maybe it’s the lifeless doll’s eyes—but when I look at this picture, I hear an eerie female voice, superficially soft and sweet but with a grating demonic undertone, whispering, “Join us. Partake of the everlasting dead turkey’s carcass. Become one with us. There is no escape…”

Or maybe I’m just projecting memories from holiday family dinners past. 

Thinking of Thanksgivings Past, my advice to you is to enjoy this holiday. Enjoy the day with your family and friends. You may loathe Aunt Louella’s infamous casserole now—there are only so many times you can look at that chipped Pyrex dish filled with French-cut green beans drowned in Campbell’s Cream of Something soup and topped with French’s crispy fried onion bits straight from the can—but I can assure you that there will come a time when you miss all these people. Even Uncle Frank, who’s glued to the TV, as if the Bears have a hope in Hell of beating the Lions this year. 

So enjoy this holiday. Especially, enjoy your family, no matter what heroic efforts it may take to do so. Be sure to say something complimentary about little Cousin Susie’s first attempt at homemade-from-scratch biscuits, even if she did accidentally substitute baking soda for baking powder. She will learn. The products of her kitchen will get better. 

And we’ll see you all back here on Sunday, okay? 

Best wishes to you and yours,
Bruce Bethke

Wednesday, November 27, 2024

The Never-ending FAQ • 27 November 2024

It’s been a few weeks since we’ve done one of these, but the weather has taken a sharp turn towards winter, so this seems a good day to stay inside and try to get caught up on correspondence. If you’ve been awaiting my reply to one query or another, seriously, it’s not you, it’s me. I’ve been extremely busy lately with things that must be done before the snow flies—oops, too late—and/or before the end of the 2024 tax year, so all less-than-critically-urgent email has been back-burnered.

My eagerness to answer email and engage on social media has not been helped any by the events of the past month. We’ll get to that in a moment, but first, the most urgent news as far as Stupefying Stories is concerned is this. Note the change in deadline.

» Pete Wood Challenge #36, “Pick Two,” is now open for entries.

The Challenge: Write a story of up to 150 words in length using at least two of the following prompts. The story cannot be holiday-based and it cannot concern a meal or a gathering of relatives. Any genre is fine.

turkey
parade
football
fir tree
stocking
cranberry

Prizes: 1st place $20.00 USD, 2nd place $15.00, 3rd place, $10.00, Honorable Mention(s), (1-4) $5.00. The winning entries will be published online by Stupefying Stories.

Who can enter: The contest is open to Codexians and the general public. At least two slots will be available to Codexians.

How to enter: Send your entry in the body of an email to:

southernfriedsfwriter@gmail.com

Include the words “Submission Pick Two” in the subject line. It wouldn’t hurt to include “Pete Wood Challenge 36” or “PWC 36” in your email, too. 

Deadline: 7AM EST, December 10th, 2024

Why the change in deadline? I dunno. The first rule of the Pete Wood Challenge is, “Pete Wood makes the rules,” so if you’re wondering about it, ask him. If instead your reaction is, “Oh boy, I get another week to work on my entry!” — that’s the spirit! As soon as you recover from tomorrow’s tryptophan coma, get writing! 

Moving right along, then…

Q: What do you think of the election?

A: Thank God it’s over.

Love or hate the results—and I’ve heard plenty of both, from people who think this is either The End of World As We Know It or some sort of remake of The Return of the King—it’s over. The decision is made. You can Monday-morning quarterback it all you like, and either wallow in despair or dance in the streets with joy as suits your nature, but my attention is on getting 2024 wrapped up and and looking ahead to 2025, so do your wallowing and dancing somewhere else, will you?

If you think this election was a catastrophe and can’t stop obsessing over the horror of it all, talk to your doctor about XANAX®. If you think this election was a blessing from God and are suffering from irrational exuberance, start work now on your 2024 taxes. I guarantee that will take you down a few pegs. 

Seriously, I’m beginning to look forward to hearing from Canadians and Brits. At least they aren’t utterly consumed by all the minutiae of American politics.
 

Q: Are you kidding? We care about you Americans, but we’re consumed by our own terrible political scandals! Like this!

A: Heavens to Murgatroyd. A candidate in Nova Scotia is being investigated and stands accused of trying to bribe voters by giving out coupons good for a free medium coffee from Tim Hortons! Is there no limit to the perfidy and corruption of those dastardly Canadians?
 
(Thanks to Andrew Jensen for sharing this!)

Q: In the wake of the election, are you planning to get rid of your X/Twitter account and move to Bluesky, like everyone else?

A: My initial answer was, “No.” But then I was advised to get an account on Bluesky simply to protect my name, to keep some squatter from getting on Bluesky and pretending to be me. (Apparently that’s a thing, these days.) So I am now, reluctantly, on Bluesky, @brucebethke.bsky.social. 

In the meantime, the StupefyingSF account remains on X/Twitter. I don’t expect my Bluesky account to be any more active than the StupefyingSF account. We get so few new readers coming in from social media, it seems an unproductive use of time.

After dipping my toes in Bluesky—I suppose that would require laying on my back, wouldn’t it?—I can’t say I’ve noticed any improvement in the level of discourse. Everything posted on Bluesky seems to be political. E.g.,

Q: When you eat a hamburger, do you prefer Heinz or Hunts ketchup?

A: Actually, I prefer Del Monte.

Del Monte? You bastard! Don’t you know that Del Monte exploits and abuses the workers on its pineapple farms in Kenya?!?!?!

Yeah. It’s like that.

Q: For someone who strives to keep Stupefying Stories free of politics and to maintain an apolitical public face, how do you explain your relationship with Vox Day?

A:


I don’t. At least, not in public fora. If it really concerns you, and particularly if you’re one of those benighted souls who still seems to think I had something to do with that whole Sad Puppies / Rabid Puppies fiasco, you can write to me and ask, but whether I answer will depend entirely on the attitude with which you approach me.

I’m beginning to think J. D. Salinger had the right idea.

» On a tangentially related topic…

The power supply in my ten-year-old 48" flat-screen TV gave up the ghost recently, and it turned out to be cheaper to buy a new TV than to fix the old one. When I plugged in the new one and switched it on, though, it instantly became obvious that it was not so much a TV as an Internet appliance, as the first thing it did was demand my wi-fi password, after which it spent two hours downloading and installing software patches and updates and repeatedly rebooting itself. In the fullness of time, however, I did eventually get the thing configured—

TV: “You just want to watch the weather forecast on a local broadcast channel? How… quaint. Are you absolutely certain you wouldn’t really rather be watching Dawn of the Revenge of the Return to the Battle for The Planet of The Apes? It’s streaming now on six different premium services, with prices starting at just $2.99 a month with a six-month enrollment…”

When it detected the presence of my Mac on the house network and demanded my user name and password, so that it could connect to the Mac via AirPlay and share files with it, that’s when I started figuring out how to lobotomize and disable the remainder of its various “smart TV” features.


After a few weeks of living with the thing—and I suspect, of being watched by it, constantly—a few nights ago I decided to test a previously unused function. In particular, I wanted to go out to YouTube and see how this 100-second video looked and sounded on the big screen:

 

Imagine my surprise, then, at finding out that my name is a searchable term on YouTube, and that there are quite a few videos out there that mention me. Aside from the Storypunks podcast, and a few short clips I put out there myself to test various things, none of the rest of them were made with my knowledge or permission.

Wow. People are talking about me and what I’ve written. 

I wonder if any of what they’re saying is true?

Q: As long as we’re talking about cyberpunk, I’m curious. What does cyberpunk mean to you? What in your opinion makes for a good cyberpunk story?

A: I began to write a thoughtful answer to this question, then realized it was turning into a “GET OFF MY LAWN!” screed. I wrote the original story nearly 45 years ago. I wrote the Baen-damaged novel more than 35 years ago. I wrote Headcrash 30 years ago. I’m not sure that what I think cyberpunk means matters anymore. What do you want it to mean?

I ask this question with some trepidation. One of the more peculiar things I’ve seen lately is people wanting to embrace cyberpunk as a lifestyle, and sometimes criticizing me for not being eager to endorse that. This expectation stems, I think, from the original story being written in first person. I’ve noticed that when I write something in first person, fans tend to confuse me with the character whose story I’m telling. I’ve never been a robot, a cat, an alien, or a genetically engineered manatee, either, but I’ve published stories told from their points of view. What makes you think Mikey is any different?

I’ve always said “Cyberpunk” was meant to be a cautionary tale. I think Mike Pondsmith really nailed it with more clarity when he said “Cyberpunk was a warning, not an aspiration.” Nonetheless, if you want to talk about it, we can do so. It’s been a while since I’ve written an Ask Dr. Cyberpunk column. Perhaps it’s time to resume doing those.

If you think it is, let me know.

Let me close this up for now with a few quick thoughts. My first is that, pared down to its absolute core, cyberpunk is fiction about high technology in the service of anomie

The second is hidden in this picture:

Yes, it’s your usual sci-fi shining bright city of the future. But what you can’t see is that somewhere in it, down on the street level, probably in a back alley, there’s a kid with a bad haircut and a can of spray paint, and he’s leaving his mark.



That is cyberpunk.

And anyone who tries to tell you that punk ever had a coherent political philosophy behind it is retconning you.


Saturday, November 23, 2024

“Stopping” • by Jake Stein

 

and yet, one goes on. One must. Even when the legs scream in pain. 

Or is that the howling of the wind? No matter. Push on, faster.

Bald sneakers smack hot pavement as a city flies past, a blur of heat and noise. Running through an intersection, through a red light, I ignore the honking and screech of tires, hearing only the slap-slap of shoes on concrete.

Now a furniture outlet store is coming up. Chairs displayed on the sidewalk. Alluring. Surely it wouldn’t be so terrible to stop and catch my breath, to sit here and finally rest…

But these legs refuse, at first, to wind down. It requires all of my willpower to relax the muscles and ease into a chair on the side of the road. This is foreign. I can’t recall the last time “sitting down” has occurred. It is… uncomfortable.

This was a mistake. One should never stop.

But now, as difficult as it was to sit, it seems infinitely harder to stand.

It must be admitted: a certain level of exhaustion has been reached. I’m stuck in the chair as headlights flash past, bursts of wind ruffling hair. Each car brings the air-crippling whoosh of an airport tarmac.

Suddenly there is a sense that more than just sweat is trickling down my face. The hand which now touches the head comes away smeared red.

“You’re hurt.”

Twisting in the chair, I notice: a woman jogging over. She looks familiar. Was she passed while running? No, more familiar than that.

I rasp: “Please, help me.”

The familiar woman pulls up a seat with a sale sign taped to its spine. “Where were you going in such a hurry?”

“I… I don’t know. I only know that one must keep going. Can’t you help me?” My mouth recognizes these words: Help me. The muscle memory is there. “You don’t understand. I never run out of places to go.”

“It’ll be all right,” she says. Her bangs whip in the wind. Bangs like someone…

Blood trickles over my lips, not tasting like anything. “Just give me a few more blocks…” Then again, maybe I wasn’t going the right way. What if I’ve been running the wrong direction?

So, I peer back down the street, the direction I traveled. And that’s when I see: myself.

Lying in the middle of the previous intersection. In a shiny red pool. And the woman, the same woman, kneeling next to the motionless body—my body—pulls out her phone. The light above her turns green, but the cars don’t go.

The croon of distant sirens.

“Happens to the best of us,” says the dream-version of this woman.

Eyes close, trying to make peace with what has been seen—a corpse, or one soon to be. It’s a lie, I tell myself, you’re still running, running like a battery, like the wind… But even batteries eventually run out of juice, and soon the wind will die down too. “Maybe there’s no way to win.”

“Maybe there is, just not for us,” she says, smiling, sad.

“Have you stopped too?”

“No, but…”

“You won’t stop.” For her benefit, for the benefit of the mirage of a person once known, I force a grin.

Now getting close, the sirens. I refuse to look back at my body again, sprawled on the baking cement…

“I hope you’re aware that I did love you,” the woman says. Or is that the wind’s voice?

Sitting in old, comfortable company, bleeding and watching the flashbulbs of passing cars, I ask the question: “Will I ever sit with you again, my dearest?”

“You know that’s not how it works.”

But I can barely hear her. I find myself utterly focused on a crack in the sidewalk infested with black ants. The bugs never stop moving. Little lines of them, twisting everywhere, unstopping.

Inspiring.

I tell the dream-woman, “You’ve got what it takes. You can stay in it, you can win.”

She laughs—actually laughs. The only person who ever made me feel complete, if briefly. “I can’t find a pulse. Stay with me.”

This is hilarious. “You think I’d ever leave you?” But even as the words are said, I realize what has already been done. Slowly my body sinks deeper into the chair on the sidewalk, deflating. A twisting trail of ants marches up a worn shoe, a stiff leg, as the wind dies.

The wind, and someone else.

§    §    §


Jake Stein lives in Portland, OR, where he concocts strange tales on his laptop and spends too much time at Powells Books. You can find him fumbling around twitter @jakewritesagain or on Bluesky @jakeiswriting.bsky.social

Friday, November 22, 2024

“Jackie, We Hardly Knew Ye” • by Carly Berg



Jackie oughtn’t watch.  

Yet she waited, heart in wild rhythm, for The Kennedy Conspiracy Theories to begin. Anniversaries of the incident were hard, the ten years intervening barely helped. She would finally watch. Jackie set aside the stack of papers from her latest volunteer committee. She made her way across the plush aquamarine carpet and pushed the intercom button.

“I’ll have lunch now. In my sitting room…The usual Friday diet plate will be fine. What’s on Ari’s calender?... In Paris until Monday. Okay, then. Consuela? Bring a pitcher of daiquiris, too.”

Jackie opened the drapes. The cold steel and concrete of Fifth Avenue below looked nothing like Dallas in March. That unpleasantness belongs to a different time and place. It doesn’t matter anymore. She lit a cigarette with the big ceramic table lighter, inhaling deeply.

When the maid left, Jackie turned the television’s volume knob up. Words and images veered in and out of her focus. The Warren Commission. Lee Harvey Oswald. The KGB. Castro… Did someone else show up as well, with an agenda of his own? Everything afterwards was a blur. She only remembered her silly hat...

[...read the rest of the story...]

¤     ¤     ¤

Carly Berg is a dark cloud hovering above sunny Houston. Her flash stories appear in dozens of publications. She welcomes visitors to her site: carlyberg.com.

Tuesday, November 19, 2024

Six Questions for… Carol Scheina


Carol Scheina is a deaf speculative author whose stories have appeared in publications such as Flash Fiction Online, Escape Pod, Diabolical Plots, Stupefying Stories, and others. Her writing has been recognized on the Wigleaf Top 50 Short Fiction Longlist, and she has become a fan favorite here for her finely crafted flash fiction pieces on the Stupefying Stories website. You can find more of her work at carolscheina.wordpress.com.

What we haven’t mentioned much is how crucial Carol has been behind the scenes here, for all her help with The Pete Wood Challenge, The Odin Chronicles, and Tales from the Brahma. Therefore, this seemed like a good time to catch up with Carol and ask her our usual batch of half-serious, half-silly questions, and point you towards some of her stories on our site.

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SS: What is the first SF/F book or story you remember reading?

CS: My parents let me read whatever was on their bookshelves, and when I was five, my eyes gazed at books by Ian Fleming and James Clavell… King Rat sounded like such an interesting title, but all the long words clumped together in a tiny rat-sized font, so I put that one back. (Now that I know the subject matter of that book, I’m rather glad I didn’t read it at age five!)

I discovered a book that was easy to read for my young eyes and had lovely illustrations to boot: The Tin Woodman of Oz. It was an old paperback book with a musty smell behind its bright yellow cover. In those pages, I followed the adventures of the Tin Woodman over and over.

Eventually, my parents took me to the library so I could give the old Tin Woodman book a rest before I read it to pieces. On the library bookshelves, I found other books in the Oz series, and as I grew older, I jumped into stories by Madeline L’Engle and Robin McKinley. There were always new magical worlds to visit.

I’ve never stopped reading fantasy, and I’ve been known to return to those old books that captured my young imagination. On my bookshelf now rests my parent’s copy of The Tin Woodman, and the musty pages still bring a smile to my face.

SS: When you write a new story, are you a plotter or a pantser?

CS: I generally consider myself a panster. I like to start out every story with a plan, and I handwrite outlines and ideas in a notebook. I even scribble out rough first drafts so when I sit down in front of a computer, I can start typing right away.

In the process of typing, I’ll get ideas on how to make the story better, and I veer more into pantser territory. The ending will change, or I’ll figure out a really neat twist that I want to incorporate. But I can’t get to that point without a plan to get me started in the first place.

SS: What is your favorite beverage to drink while writing?

CS: I’m a tea drinker, and every morning, I brew a pot. Then I may brew another pot in the afternoon. Not surprisingly, I always need to work near a bathroom. Still, there’s something wonderfully relaxing about writing with a steaming cup of tea with sugar and milk nearby.

SS: How do you balance writing vs having a life?

CS: I have young kids, and I love watching them grow and discover their passions. Because my kids take top priority, I look for the moments in-between their adventures, and that’s where I find my writing time. Maybe it’s in the time spent waiting for my child to race at the swim team meet, or in the hour-long drive to an activity. It may be five minutes here, 30 minutes there. I always have a little notebook and pen with me so I can scribble story notes and ideas no matter where I am. Then there’s that glorious hour between 9 p.m. and midnight, when I can be found typing the story up.

SS: What feels like your best natural length for a story?

CS: I’m very partial to flash fiction, which is funny because my earliest attempts at writing fiction were novels. I started my fiction journey with National November Writing Month, progressed to short stories, then to flash. At first, it was my lack of time that drew me to writing shorter, but I quickly realized that shorter isn’t faster or easier! My first attempt at flash ended up being 5,000 words long.

I kept trying my hand at flash, though, as it was one of my goals to be published in Daily Science Fiction. Once I met that goal, I found that I really enjoyed the challenge of writing flash fiction and kept at it. It now feels like my most comfortable story length. 

I also feel like it’s made me a better writer. It’s taught me to look at word choices closely, whether side plots are actually beneficial, and how to identify the heart of the story, among other things.

SS: Is there an author whose work you think has been unfairly overlooked or forgotten? 

CS: I feel like the authors of short stories need more exposure, and I’m not just saying that as a short story author myself. There are speculative writers experimenting with stories and genres in ways you don’t see with novel-length stories, and I’m continually finding myself blown away by the talent out there.

One of the first flash fiction rock stars I followed was Melissa Mead, who was a frequent contributor to Daily Science Fiction and has also been published here at Stupefying Stories. She twisted fairy tales and tackled sci-fi concepts with wit and imagination. I’d read her stories and think, “Dang, I want to write like her.” Melissa passed away in 2022, but her stories still live on to entertain us. I highly recommend going to the Daily Science Fiction website and searching for Melissa Mead. There’s a treasure trove of her tales there!

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Speaking of a treasure trove, in preparing this profile for publication we decided to put together a short list of Carol’s stories on this site, and were genuinely surprised by just how many there are. Rather than a short list, then, here’s every (we think) story by Carol Scheina we’ve published in the past three years.

If you read nothing else by Carol, read this:

“Exploring Strange New Worlds with a Hearing Loss”

Our favorite fiction by Carol

“How to Return an Overdue Book to the Summer Library”

“The View from the Old Ship”

“True Love is Found in the Bone Sea” 

“Of Myths, Legends, and Parenthood” 

“The Disappearing Cat Trick”

“Monthly Magic Subscription Box”

“Inheritance”

Pete Wood Challenge Stories

“Would You Like Fries With That?”

“Long-Distance Relationship”

“The Family Business”

“Just Like Before”

“The Secret to a Happy Marriage”  

“Clowning Around”

“Secondhand Hugs Still Have All the Warmth”

“The Difficulty of Disembarking”

“To Boldly Go”

“For Sale: Used Time Machine. No Refunds!”

“The Santa Heist”

“Don’t Ignore Your Television’s Captioning”

“A Conversation Held at the Annual Meeting of the National Association of Butler Assassins”

“Proper Witch’s Home”

Tales from The Brahma Stories

“A Palette of Home”

“Just Like Mama Made”

The Odin Chronicles Stories

“Delayed Messages”

“Love and Groceries”

“The One Who Walks Out”

“The Disappearing Cat Trick”

“An Infestation in the Mines”

“A Time to Wait”

“The Same Bratwurst Every Day”



 

The Pete Wood Challenge is an informal ad hoc story-writing competition. Once a month Pete Wood spots writers the idea for a story, usually in the form of a phrase or a few key words, along with some restrictions on what can be submitted, usually in terms of length. Pete then collects the resulting entries, determines who has best met the challenge, and sends the winners over to Bruce Bethke, who arranges for them to be published on the Stupefying Stories web site.

You can find all the previous winners of the Pete Wood Challenge at this link.

REMINDER: There is another Pete Wood Challenge that is open for submissions right now. For details and how to enter, click this link.

 

Monday, November 18, 2024

MINING THE ASTEROIDS Part 15: IS NASA Doing It???

Initially, I started this series because of the 2021 World Science Fiction Convention, DisCON which I WOULD have been attending in person if I felt safe enough to do so in person AND it hadn’t been changed to the week before the Christmas Holidays…HOWEVER, as time passed, I knew that this was a subject I was going to explore because it interests me…


In a recent video https://www.youtube.com/watch?v=JvCSZHfjmZ4, NASA ASU Professor and Asteroid Scientist, Lindy Elkins-Tanton, gives a pretty firm and unambiguous answer: “No NASA is not mining asteroids…” BUT… “What NASA is doing is fundamental science, research missions that go out to the asteroids and try and understand more about them and they will help any eventual future efforts to mine the asteroids. We ARE going to go visit an asteroid we think is made largely of metal.”

So, the answer Dr. Elkins-Tanton gives is clear and unambiguous.

“Or,” (as my granddaughter and grandson are fond of saying), “IS it???”

The NASA mission to Psyche, the metal asteroid they’re targeting, is set to launch on October 10, 2023 for the Psyche orbiter to launch and get to the asteroid by August 2029. But is that realistic? Anyone reading this KNOWS how NASA sets it sights, budgets bloom, Congress gets antsy with repeated requests for “more funding” and eventually a good idea gets buried – especially since we no longer have anyone breathing down our neck.

“Or,” (as my granddaughter and grandson are fond of saying), “do we???”

China’s efforts at asteroid mining, while typically wrapped in layers of secrecy about specific facts and technology, this article from SKN News in September of 2020: (St. Kitts and Nevis, east of the island of Hispaniola (Haiti and the Dominican Republic) ran nothing but this headline: “China to send first-ever ‘asteroid mining robot’ into space this November” (https://sknnews.com/world-news/china-to-send-first-ever-asteroid-mining-robot-into-space-this-november-42276979/)

That’s it. Nothing else. No story, no nothing.

But digging around deeper, I found this: “The SuperView Neo 1-01 & 02 satellites were designed and manufactured by the China Association for Science and Technology (CAST) for China Siwei Survey and Mapping Technology Co. Ltd. (China Siwei), a leading company providing geospatial information services in China…Neo constellation will include at least 28 satellites of 3 series. The first one is called SuperView Neo-1 and it aims to provide 20 to 30 cm optical images. SuperView Neo-2 will produce synthetic-aperture radar (SAR) images with 50 cm resolution in spotlight mode, whereas SuperView Neo-3 will acquire large swath-width optical images with resolution higher than 1 meter. On this mission, two satellites of the first series (SuperView Neo-1) were launched. These satellites have a mass of 540 kg each, with resolution down to 0.3 meters.” (https://everydayastronaut.com/superview-neo-1-01-02-long-march-2c/)

In an article dated September 2020, India News (https://www.mining-technology.com/news/origin-space-launch-mining-robot-space/) reported: “As part of this mission, Origin Space will use a small satellite called NEO-1, weighing nearly 30kg…NEO-1 will be launched as a secondary payload by a China-made Long March series rocket. The launch of NEO-1 will mark the ‘first steps’ taken towards testing capabilities as part of efforts to detect and extract space resources. India Today quoted Origin Space co-founder Yu Tianhong as stating: ‘The goal is to verify and demonstrate multiple functions such as spacecraft orbital manoeuvre, simulated small celestial body capture, intelligent spacecraft identification and control.’ The long-term objective of the space company is to develop rare-earth metals and mineral resources from near-Earth asteroids.”

So…China launched NEO-1 and NEO-2: “The NEO-01, developed by Nanjing-based Origin Space Technology Co, which claims to be the first Chinese company dedicated to exploring and utilizing space resources, was launched on a Long March 6 rocket for space debris removal and asteroids mining experiments in deep space in April 2021…the robot prototype completed an experiment of using a large net to capture space debris and the relative technique verification in key steps, which is the first commercial company in the world to complete such an experiment.” (https://www.globaltimes.cn/page/202211/1279404.shtml)

So the race has begun – not between the defunct Soviet Union; nor the ineffective regime currently in the Kremlin, mired down in a war that was supposed to last weeks, but has stretched into eighteen months of slogging push and shove with absolutely nothing to show for it as it rapidly descends into a punchline for a joke...

First soldier: “Russia is second most powerful military nation…”
Second soldier: “Da, in Ukraine.”

but between the US and China; and right now, it seems that China might have more enthusiasm than we do… “Or,” (as my granddaughter and grandson are fond of saying), “do they???”

New Source: https://www.youtube.com/watch?v=JvCSZHfjmZ4
Fundamental Resource: (A general Wikipedia post detailing what the authors currently know about asteroid mining: https://en.wikipedia.org/wiki/Asteroid_mining)
Noted Resources: https://en.wikipedia.org/wiki/List_of_asteroid_close_approaches_to_Earthhttps://www.pharostribune.com/news/local_news/article_7fcd3ea5-3c14-533f-a8d5-9bf629922f34.htmlhttps://www.fool.com/investing/2022/04/29/like-asteroid-mining-be-careful-what-you-wish-for/https://www.nps.gov/wrbr/learn/historyculture/theroadtothefirstflight.htmhttps://hackaday.com/2019/03/27/extraterrestrial-excavation-digging-holes-on-other-worlds/https://www.planetary.org/space-missions/every-small-worlds-mission
Image: https://ichef.bbci.co.uk/news/976/cpsprodpb/A2D5/production/_114558614_hls-eva-apr2020.jpg