Friday, August 12, 2022

The Odin Chronicles • Episode 16: “Dreams of Another World” • by Jenna Hanchey


INTRO: Welcome to Odin III, a grubby little mining world on the dark and dusty backside of nowhere. It’s a world where everything that’s worth having is already owned by Galactic Mining, and where people have come to squander their hopes and lives, working for the company and dreaming of striking it big. It’s also a world where some very strange and peculiar things have begun to happen, and it all started about five weeks weeks ago, in a bar called Weber’s Place, when Ray Cornwall didn’t just warp the fabric of space/time, he completely bent it…

Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Part Seven | Part Eight | Part Nine | Part Ten | Part Eleven | Part Twelve | Part Thirteen | Part Fourteen | Part Fifteen

16. “Dreams of Another World”

by Jenna Hanchey


One Saturday night in Weber’s Place, two women nursed drinks on opposite sides of the bar, dreaming. Olivia Fontaine swirled a glass of chardonnay with one hand, watching the translucent liquid sparkle in the dim light. She was a newcomer to Odin III. The long journey to the outskirts of the galaxy had not readied her for a positive first impression of the mining colony, and nothing she’d found there so far had changed her mind. She dreamt she were anywhere else.

Sure, her husbands Derrick and Abed had gotten great offers to work at the elementary school here—Galactic was desperate for teachers on its colonies—but what was she supposed to do on this backstar planet? Playwrights should be in centers of culture, where their commentary could make a social impact. Olivia sighed, looking around the bar. If this was the extent of social life in this town, her dreams were done. She knocked back the remaining wine and set the glass on the counter.

“Another?” Ingrid the bartender asked.

“Sure, why not. Not like I’ve got anything else going for me,” Olivia admitted.

“Haven’t seen you around much. New here?”

“Yup. My husbands just started teaching at the elementary.”

“And you?”

Olivia barked a laugh. “I was a playwright. But it doesn’t seem like there’s much use for plays on Odin III.” Ingrid shook her head, moving back down the bar.

On the far side, Constable Alma Jenkins had just finished her second beer. She rarely indulged in flights of fancy; she was a grounded and no-nonsense sort of woman. But after multiple drinks and an emergency that called her girlfriend, Raisa Popov, back into work, she let a little of her frustrated desire slip through.

“I could’ve been an actress, Ingrid. A good one. I can even sing, did you know that?”

Ingrid  raised her eyebrows. “I don’t think I did.” She tossed a bit of cheese onto the floor where Sheba, her cat, gobbled it up.

“No one knows. I haven’t performed since the community theater shut down, oh, when I was in high school.” Alma leaned her head into her hand. “I miss performing. Hell, I just miss theater. Plays create other worlds. And in those other worlds, I could be anything.”

Ingrid looked at her thoughtfully. Swapping out the empty bottle for a full one, she dangled the new beer in front of Alma. “On the house, if you follow me.”

Alma looked at her sardonically. “My drinks are always on the house.”

“I know, but you should follow me anyway. There’s someone you should meet.”

***

A week later, Olivia Fontaine burst into the constabulary office. Rasputin, a large bloodhound, bolted upright from behind the desk. Alma Jenkins stopped recording her report, concerned by the look on Olivia’s face.

“What happened?”

“It’s not working! I can’t do it.” Olivia noticed the dog. “Oh, wow! Is he yours?” She leaned down to pet Rasputin, who reveled in the attention.

“No, he’s my girlfriend’s. I bring him to the office sometimes when Raisa’s working late.” Alma realized the visit wasn’t about a case. “So, you’re having trouble writing the play?”

“I can’t make it work! I don’t know Odin III’s culture, histories, fears, desires.” She snuggled the bloodhound, who leaned into her side. “I keep writing stories about what I knew on Earth, just set here instead. And it doesn’t work! There’s no one coming from Kansas to the big city trying to break into the holovid industry. There’s no fears of government conspiracies or national enemies to tap into.” She gestured at the close walls and lack of staff. “There’s barely a government here.”

Alma smirked, grabbing a leash off her desk. “There may not be much of a government, but there’s plenty of fears and desires. And maybe even a conspiracy or two.” She winked at the bewildered playwright and attached the leash to Rasputin’s collar. “C’mon, I was about to go on my rounds anyway. Why don’t you come with me and we’ll see what stories we can find.”

“Are you sure?”

“Are you kidding? Do you know what it’s like just sitting here twiddling my thumbs and waiting for you to write something for us? I hate being useless. But this I can help with.” Alma held the door open for Olivia.

“Well now you’ve made me more nervous. What if I let you down?” Olivia said, looking at Alma as she walked through.

Alma clapped a hand on her shoulder. “How about this? If you trust me to lead you to some stories, I’ll trust you to do something beautiful with them. Instead of worrying we’ll let each other down, think about it as trusting we’ll hold each other up.”

Olivia pursed her lips, nodding. “Okay. Deal. So where are we headed first?”

Alma appraised her companion’s shoes. “Are those comfy?” When Olivia nodded, she added, “It’s a long trek to Daraja Mapunda’s workshop, but it’ll be worth the effort.”

***

Olivia’s conversation with Daraja was just the beginning. Over the next few weeks, Alma introduced to her an eclectic spectrum of residents on Odin III. Olivia learned why people called Daraja “the Machinist” through stories about his inventions. An older couple spoke lovingly of how their pet cats kept them sane in the stark Odin III landscape. Jonas Gruber told her of his travels, and how he sought meaning in the stars only to find it waited for him back home. Father Luigi recounted his searches in the mines for creatures that may or may not exist. Even Raisa Popov scheduled some time at Alma’s urging, opening up to Olivia about the vagaries of time dilation and the choice to leave her family behind to give them a better life.

A few weeks later, Alma again sat alone at the bar on a Saturday night. This time, her beer remained untouched. She was focused on the holographic text projected from the tablet in front of her. The sound of a chair scraping the ground broke her concentration. Olivia sat down to her right. For a moment, both women looked at each other wide-eyed. Hopeful, but afraid.

“Is it what you—?” Olivia burst out, just as Alma asked, “Is the lead—?”

“You first,” Olivia insisted.

“This play… it’s stunning. And the lead character! Expertly constructed to embody the theme. Is she… meant for me?”

“Of course.” Olivia melted in relief. “Oh, I’m so glad you like it. I was worried it wouldn’t meet your expectations. Especially after all the work you did to set up interviews. What do you think of the title?”

Alma smiled. “Dreams of Another World is lovely. It ties the literal move to another world to the metaphorical creation of new possibilities—it’s beautifully done.”

“There’s only one problem,” Olivia said as Ingrid brought her a glass of chardonnay, “where are we going to stage it? The only place I’ve seen that’s large enough is the Catholic Church, but I don’t get the sense Father Francis would be keen on renting it out.”

Alma sighed. “No, I doubt it. Hmm… there’s the old community theater building, but it’s been shut down for a long time. It’d take substantial maintenance to get running again.”

“Not to mention money that we don’t have.”

“Money that we don’t have yet,” Alma appended.

Ingrid crossed her arms, leaning over the counter. “What about here?”

“You’d let us use the bar?” Alma exclaimed.

“Yes, yes, this could work!” Olivia nodded, grabbing a tablet from her purse. She swept her gaze over the room and started sketching three-dimensional designs.

“Could be good for business,” Ingrid shrugged. After a moment, she admitted, “It’s not often I see people on Odin III getting to make their dreams a reality. If I can be a small part of that, well, why not?” She pulled a liquor bottle and three shot glasses from under the bar. “For a cut of admission, of course. What do you say ladies?”

Alma nudged Olivia, who was clearly already running with the idea, and tilted her head at the three brimming shots. Olivia put down her tablet. Each of them raised a glass.

“To holding each other up,” Alma said.

“To Dreams of Another World,” added Olivia.

“And to what we create in this one,” Ingrid finished.

Three glasses clinked together, transforming the dream of another world into a promise.

___________________________



Jenna Hanchey
is a communication professor by day and a speculative fiction writer by...um...earlier in the day. She lives in Reno and teaches courses at the University of Nevada on racism, colonialism, and communicating across difference. Her research examines neocolonialism in Western aid to Africa, and how Africans use Africanfuturism to imagine their own developmental futures. Somehow she manages to act, sing, and rock climb, too! Notable credits include Gwendolyn Fairfax in The Importance of Being Earnest and Elaine Wheeler in Night Watch. She's also a voice-actor, narrating the audiobooks in Emily S. Hurricane's Bloodlines series. Her fiction has also appeared in Daily Science Fiction and the Apex Microfiction Contest. Follow her adventures on Twitter (@jennahanchey) or at www.jennahanchey.com. 

Her most recent appearance in our virtual pages was “From Soulless to Soulful.”

In the meantime, stay tuned for Part 17 of The Odin Chronicles, “A Question of Timelines,” by Travis Burnham, coming next Monday.

Enjoy!
~brb

 




stupefy (ˈstü-pə-ˌfī) to stun, astonish, or astound


On Amazon now ► STUPEFYING STORIES 23

Interface with Stupefying Stories!

 

 


Wednesday, August 10, 2022

The Odin Chronicles • Episode 15: “No Place” • by Pete Wood


INTRO: Welcome to Odin III, a grubby little mining world on the dark and dusty backside of nowhere. It’s a world where everything that’s worth having is already owned by Galactic Mining, and where people have come to squander their hopes and lives, working for the company and dreaming of striking it big. It’s also a world where some very strange and peculiar things have begun to happen, and it all started about five weeks weeks ago, in a bar called Weber’s Place, when Ray Cornwall didn’t just warp the fabric of space/time, he completely bent it…

Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Part Seven | Part Eight | Part Nine | Part Ten | Part Eleven | Part Twelve | Part Thirteen | Part Fourteen

15. “No Place”

by Pete Wood


Fritz Gruber waited for his brother behind the rocket port’s chain link fence.

Constable Jenkins waved Jonas Gruber past the long line of crewmen from the interstellar freighter, Hermann Hesse. No need to check his credentials. Born and raised on Odin III, Jonas was family.

Jonas didn’t look a year older than when he’d departed fifteen years ago fresh out of high school.

The ship would be here for a week. Time to unload crates and bins of produce and clothes and other supplies. Then reload the ship with ore. All the crew would squeeze in a furlough.

Some crew headed to Weber’s Place, the only bar in town. Some gawked at the mountains or the half-mile-high trees in the foothills. A handful walked to the deli.

Jonas gave Fritz a hug. “God, it’s been too long.”

“Fifteen years,” Fritz said. “I guess I look like Dad.”

Jonas was diplomatic. “Nah. Not until you put on fifty pounds.”

“I’m working on it.”

Jonas gave him a playful punch in the arm.

“I guess you heard about Aunt Greta.”

“Yeah. I’m so sorry.”

“The deli is still here,” Fritz said.

“And Weber’s.”

“Ingrid runs it now. Her dad died a couple of years after you left.” He grabbed Jonas’ satchel.

“So, you married your favorite cheerleader,” Jonas said.

“Mary can’t wait to see you again. She took off early from the clinic. She’s made a pork roast and potatoes and we even managed to rustle up some creamed corn.”

* * *

Kurt, Fritz’s six-year-old son, peeked from behind his mother’s legs.

Jonas reached into his satchel. “I brought you a gift.” He put a half-dozen cans on the kitchen counter.

Mary picked up the cans one by one. “Peaches. Spam. Okra. We can’t take these. They cost too much.”

“Not where I’m from.”

“Thank you so much” She put the cans in the cupboard. “We’ll save these for a special occasion.”

“Did you make my room into an art studio or something?” Jonas asked.

“Nope. Your bed’s still unmade. We even left the dirty laundry,” Fritz said.

“You know, what?” Mary said. “This is a special, occasion.” She removed the peaches from the cupboard.

* * *

The three adults had done a lot of catching up over dinner. Mary ladled the last of the peaches onto Jonas’ plate. She let out a bit of profanity and jumped up. “I forgot the coffee.” She ran into the kitchen.

“Odin III can’t be warm enough for coffee,” Jonas said.

“Galactic Mining’s set up some camps on Odin II,” Fritz said. “Not a place you’d want to live. People rotate in and out. But at the poles they’ve got some crops.”

“Damn.” Jonas winked at Kurt. “Don’t talk like your uncle.”

Kurt spoke for the first time without prodding. “What did you see in outer space, Uncle Jonas?”

“All kinds of things. An ice cave a mile high. A planet where talking—I guess you’d call them cats—live atop mountains. A world with flying horses that some brave fools are trying to corral.”

Kurt’s eyes opened wide. “Flying horses?”

“Sure,” Jonas said. “Friendly. But stubborn. We still haven’t figured out how they do it. The physics isn’t quite right. Kinda like a bumble bee. But we figured out bees, didn’t we?”

Mary put mugs of coffee before the two men and a platter with cream and honey in the center of the table.

“I’ve seen horses,” Kurt said.

Jonas grinned. “But they’re not flying horses, are they?”

Kurt shook his head. “They’re boring.”

Mary ruffled her son’s hair. “No, they’re not.”

Kurt did not look convinced.

“There’s one planet where the same side always faces the sun. One side in darkness. One in light. The creatures on the two sides—”

“Jonas,” Mary interrupted. “I’m sorry. Kurt has to go to bed.” She scowled at Fritz.

Kurt hugged his uncle good night and his mother took him upstairs.

Jonas let out a heavy sigh. “Yeah, I’ve seen some pretty amazing things. We’re taking the ore to Methuselah III. I’ve always wanted to see this natural rock bridge three miles up.” He didn’t sound as enthusiastic as he had when talking to Kurt. “They have mountains higher than the Himalayas. And the creatures up there are…” He paused for a few seconds. “Yeah, I get to travel.”

“I’m sure you see some real shitholes too, Jonas.”

“I guess. It’s all worth it.”

Fritz cleared his throat. “Look, Jonas, Mary and I would appreciate it if you didn’t talk about your travels in front of Kurt.”

“Sure. I’m sorry.” Jonas put cream in his coffee.

“We want him to appreciate life here. We don’t want him to leave.”

“I understand.” He paused. “Look, it’s none of my business, but you can’t force him to stay here.”

“You’re right,” Fritz said. “It is none of your business.”

“He’s going to have to make up his own mind someday.”

Fritz glared at his brother. “Yeah, Mary and I have never thought of that.”

“You’re right. I’m sorry.”

“No, you have a point, Jonas. Kurt might want to go into space and leave his sister to take care of us by herself.”

“You’re expecting a daughter?”

“Yep.” Fritz took a long sip of coffee.

Jonas smiled. “That’s great.”

“She’ll be in high school the first time you see her.”

“I’m sorry, Fritz. I haven’t abandoned you completely. I send you money. A lot of money.”

“Greta didn’t need money in the end.” He paused for a minute or so. “Damn, Jonas, Grandpa cried sometimes about Earth, because everybody he knew was dead. I worry about you.”

“The dilation was really bad back then,” Jonas said. “It’s better now. It’s the price you pay, I guess.”

“You really think it’s going to be any easier on Kurt if he signs up to crew a freighter and comes back and we’re still alive, but ten years older? Or if he sees his sister’s kids for the first time when they’re going through puberty?” Fritz snapped.

“I don’t know,” Jonas said.

Fritz exhaled. “Is it worth it, Jonas?”

“I try not to think about it.”

“You’re going to have to think about it someday.”

“You think I don’t know that?”

“Eventually Kurt might be older than you.”

“I won’t talk about my travels in front of your son,” Jonas said.

Fritz pushed his chair back and stood up. “Let me set up your bed upstairs in your old room.”

Jonas’ voice broke a little. “I’ve seen other crew members get hit hard with the dilation. Some don’t care. Some just get drunk every night. Nobody talks about it. I didn’t think it would get to me. But you look like Dad.”

“We’re still brothers, Jonas.”

Fritz and Jonas stayed up talking until long past midnight.

* * *

Fritz took a week’s vacation. He and Jonas made the most of their time together. They hiked in the mountains, spent quiet evenings at home, attended mass and took in a bluegrass concert downtown. Jonas reconnected with old friends as best he could.

They didn’t talk about a life exploring on a freighter.

A week later Fritz watched the freighter depart. He never tired of takeoffs and savoring the vapor trails slowly dissipating.

Jonas stared up at the sky. “I don’t get to see a lot of ships blast off.”

“I’m glad you stayed,” Fritz said.

___________________________


Pete Wood
is an attorney from Raleigh, North Carolina, where he lives with his kind and very patient wife. His first appearance in our pages was “Mission Accomplished” in the now out-of-print August 2012 issue. After publishing a lot of stories with us he graduated to becoming a regular contributor to Asimov’s, but he’s still kind enough to send us things we can publish from time to time, and we’re always happy to get them.

For the past year or so Pete has been in the process of evolving into a fiction editor, God help him, first with The Pete Wood Challenge, then with Dawn of Time, and now with The Odin Chronicles, a 30-chapter shared world saga that will be running here every Monday, Wednesday, and Friday for the next ten weeks, and that features the creative work of Roxana Arama, Gustavo Bondoni, Travis Burnham, Paul Celmer, Jenna Hanchey, Carol Scheina, Jonathan Sherwood, and of course, Pete Wood. We suspect that Pete’s real love is theater, though, as with the print version of The Odin Chronicles now mostly finished he’s off working on the audio version, which looks to be an even bigger production that his short movie, Quantum Doughnut — which you can stream, if you follow the foregoing link.

Coming Friday: Episode 16 of The Odin Chronicles, “Dreams of Another World,” by Jenna Hanchey.

Enjoy!
~brb

 




stupefy (ˈstü-pə-ˌfī) to stun, astonish, or astound


On Amazon now ► STUPEFYING STORIES 23

Interface with Stupefying Stories!

 

 

Monday, August 8, 2022

The Odin Chronicles • Episode 14: “Love and Groceries” • by Carol Scheina


INTRO: Welcome to Odin III, a grubby little mining world on the dark and dusty backside of nowhere. It’s a world where everything that’s worth having is already owned by Galactic Mining, and where people have come to squander their hopes and lives, working for the company and dreaming of striking it big. It’s also a world where some very strange and peculiar things have begun to happen, and it all started four weeks weeks ago, in a bar called Weber’s Place, when Ray Cornwall didn’t just warp the fabric of space/time, he completely bent it…

Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Part Seven | Part Eight | Part Nine | Part Ten | Part Eleven | Part Twelve | Part Thirteen

“Love and Groceries”

by Carol Scheina


As Father Luigi stood in Shelley’s small gray communications office on the drab, rocky planet of Odin III, he couldn’t help but notice how Shelley’s sparkling brown eyes made everything seem brighter.

That’s why it hurt to meet her gaze as he gave her his news. “I won’t be doing missionary work anymore. No more wandering the caves trying to find people to convert. I want to be here, helping people, so I’m reaffirming my vows with the Church.”

“Does that mean we’ll get to see each other more often?”

“Yeah, I’ll be in town, but… Father Francis told me he doesn’t want me seeing you.” Luigi felt the rip in his heart. He knew he could do good things in the Catholic Church, but he also loved being with Shelley. Priests could date and marry nowadays, but only with a dispensation from a senior Church leader.

Shelley looked puzzled. “But we’ve been already hanging out together for a couple of months now. What’s changed?”

“I’d like it to be more than just hanging out with you. Shelley, I think you’re the best woman on Odin III.”

Shelley’s cheeks turned pink. “And I think you’re the one guy here who makes the world so much bigger and better.”

“But Father Francis thinks I shouldn’t have distractions right now. I swear, I’m trying to convince him otherwise.”

“I can be non-distracting.” Shelley smiled hopefully.

Luigi flushed and finally looked into her eyes. He just had to convince Father Francis. “I’ll talk to him again.” Luigi mused over the priest’s schedule. “He’ll probably be in the deli right now. He always does his lunch and shopping at this time. He’ll be back at the church in about an hour.”

“Why wait? Let’s go now!” Shelley was already heading out the door, glancing back at him to follow. 

Luigi squared his shoulders. He could be a priest and date Shelley. He could make Father Francis understand. The young priest followed Shelley out the door.

*   *   *

The deli always struck Luigi’s nose with the sweetness of fresh-baked bread alongside undercurrents of salty meats and cheeses. The scent usually made him hungry, but right now, all his focus was on Father Francis. They found the older priest tapping his foot impatiently in the deli’s bagging area.

Francis frowned upon seeing them. “If you’re here to talk, I don’t have time right now. I’m supposed to meet Popov in a few minutes and the bagging robot isn’t functioning properly.”

Luigi noticed a wisp of smoke coming from the bot, which appeared frozen with a wheel of gouda in one metal hand, a mesh grocery bag in the other. He gave it a little kick, and it shuddered to life.

“Father Francis, I want to prove to you I can date Shelley,” Luigi announced.

“I won’t be distracting,” Shelley added.

Francis’s mouth opened to reply, then stopped.

Luigi turned and saw the bagging bot squeezing the gouda, which oozed between metal fingers like it was dripping from a grilled cheese sandwich. It then grasped a bag of tomatoes, its metal fingers clenching. Red tomato bits exploded into the air like slimy confetti.

The three jumped back. 

Ray, the deli owner, walked up. “Is there a problem?”

The bot reached out and grabbed a foot-long ham-and-sauerkraut sandwich. Squish! It stepped forward with a clunky step.

“Not the sauerkraut sandwich,” Ray moaned, looking at the mess on the floor.

“Should someone turn that off?” Shelley asked.

Luigi reached out and toggled a switch on the bot. It shuddered and smoked and stared at the humans, making Luigi feel they were nothing more than meat the bot wanted to shove into a mesh bag. For the first time, Luigi noticed the bot’s eyes were very red, and its cylindrical body was very large, about twice the width of a human.

Everyone stepped back.

The bot moved to the checkout scanner, its large body filling the aisle. Metal fingers squeezed, sparks flew, and the scanner shattered into wires and metal bits.

“We should get out of here,” Ray said.

“It’s blocking our exit,” Luigi pointed out.

“Can someone help us?” Father Francis called toward the deli door.

“I don’t think anyone can hear us,” Shelley said.

The bot clunked closer, its smoky smell rather reminding Luigi of grilled cheese. Or it could’ve been the cheese and tomato bits on the bot’s body.

Metal arms knocked over a barrel of pickles, sending a wave of brine into their feet.

Ray groaned. “It better not touch the liverwurst. That stuff’s impossible to get out here.”

The red eyes didn’t look at the liverwurst, though; it kept clunking toward the humans.

Luigi gave a quick glance around the deli. In front of them was the destroyed check-out area and the exit. Behind them, the store had one large refrigerated area for cheeses and meats, along with neat rows of shelves displaying various food items. As best he could tell, they were the only customers, which was good. The bad thing was they were being herded into the bread shelf—a dead end.

Luigi looked at Shelley. He wanted to spend the rest of his life with that woman. He looked at Francis, who was wiping tomato seeds off his cheek. The priest was giving him another shot at the clergy. After messing up with so many jobs in the past, he was finally going to make something of himself.

Except it seemed like now, he was going to get squished by a bagging bot. Luigi frowned. No, he wasn’t going to go down like this. The young man grasped a foot-long loaf of five-grain bread from the shelf behind him and hurled it at the bot. “I’m going to distract it. You make for the exit.”

“Luigi, I’m not sure—” Francis started to say, but the young priest didn’t listen.

“Hey, Picklehead! Over here!” Luigi hurled a loaf of genetically modified pumpernickel next. It struck the bot right between the eyes, which seemed to glare back.

Slipping along the shelves, Luigi made it to the condiments section. He hurled two glass containers of Odin Specialty Sandwich Sauce. The red eyes were fully on the young priest. The immense metal body moved forward, and all Luigi’s grasping hands could find on the shelves was extra-spicy mustard in a brown glass bottle. He hurled it as metal fingers reached forward to squish him as easily as a tomato.

This was it. He was going to meet God.

Mustard dripped down the bot’s face as it gave a shudder. Something inside it clunked, and its eyes went dark.

Luigi let out all the air he’d been holding in. “Did I kill it?”

Ray, still in the store, bent over the bot. “Looks like its actuator burned out. It was probably going to fall apart soon, anyway. I’ll need to order a new one.”

Shelley ran up and threw her arms around Luigi. “You saved us!”

Francis stepped forward and patted Luigi’s shoulder. “That was a brave action, my son.”

Luigi faced the older priest. “I can do this. I can be a priest. But I also love Shelley. I can balance it all. Give me a chance to prove myself.” He bit his lip nervously, but stood tall before the older man.

Francis paused, then nodded. “Very well, I’ll let you prove yourself.”

Luigi’s heart did twenty backflips as he looked at Shelley. “I can date you!”

“You can kiss me,” Shelley grinned.

Ray muttered amidst the spilled pickles and pumpernickel. “At least the liverwurst’s safe.”

Luigi didn’t even notice the mess of mustard and gouda as he took in the sight of the woman he loved. The world was as bright and as beautiful as Shelley’s eyes.

Right then and there, he gave her the best kiss of his life.

___________________________

Carol Scheina is a deaf speculative fiction author from the Northern Virginia region. Many of her stories were thought up while sitting in local traffic, resulting in tales that have appeared in Cossmass Infinities, Daily Science Fiction, Escape Pod, and other publications. You can find more of her work at carolscheina.wordpress.com.


Coming Wednesday: Episode 15 of The Odin Chronicles, “No Place,” by Pete Wood.

Enjoy!
~brb

 




stupefy (ˈstü-pə-ˌfī) to stun, astonish, or astound


On Amazon now ► STUPEFYING STORIES 23

Interface with Stupefying Stories!

 

 

Friday, August 5, 2022

The Odin Chronicles • Episode 13: “Would Scarcely Know That We Were Gone” • by Jonathan Sherwood



INTRO: Welcome to Odin III, a grubby little mining world on the dark and dusty backside of nowhere. It’s a world where everything that’s worth having is already owned by Galactic Mining, and where people have come to squander their hopes and lives, working for the company and dreaming of striking it big. It’s also a world where some very strange and peculiar things have begun to happen, and it all started four weeks weeks ago, in a bar called Weber’s Place, when Ray Cornwall didn’t just warp the fabric of space/time, he completely bent it…

Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Part Seven | Part Eight | Part Nine | Part Ten | Part Eleven | Part Twelve

“Would Scarcely Know That We Were Gone”

by Jonathan Sherwood


On the third day, Arthur ran out of water.

Just as the big sun, Odin, began lightening the dark sky and pushing the stars away, he shook the last drops of water from his canteen into his mouth and tossed it away. It clattered on the rocks and into those weird blue bamboo plants, raising a momentary jangle of wind chimes.

Wonder if these have always been here? he thought. Or are they all fake, too?

The thought stung. He wiped his eye.

The long trek from the little mining town had been tiring, but he hadn’t yet stopped. In the dark, he wasn’t sure this rock on the hill would be a good place to rest, but now that he was close and the night was ebbing, he saw it had a smooth, flat top and a good view. A good place to rest. For a very long time.

He sat on its edge and let his tired feet hang down so he could watch the brightening sky. He would have bet on the planet’s night predators. Not thirst. The last of Odin III’s aurora flickered across the welkin as he bent his head and let himself cry.

Arthur had never been the kind of man to cry, but the fatigue and the resignation seemed to wring it out of him. And the thought of Susan, lost to him, maybe lost to all, wrung him tighter.

She’d approached him in the bar one night. Strung out on mushrooms and babbling about how much she’d missed him. How they were married and in love. But in some other timeline. Not in this one. He’d told her to leave him alone. He barely knew her. He was married to someone else. That she gave him the creeps. And the look in her eyes when he’d said that… He felt that in his soul.

And a few days later, she was missing.

A week later, and Arthur couldn’t get her out of his mind.

Two weeks later, Arthur was eating those mushrooms. And starting to remember.

It came on in waves of confusion. Their sparse wedding, their sparse marriage, the struggles and the little victories that somehow made it so worthwhile. Even though he’d done none of it. But somehow they’d done all of it. And done it together. And now the emptiness in his chest felt like a hole the rest of him would just crumple into.

The last anyone had seen of her, she was walking out of the town one night, into the wilderness. And then nothing more. And she’d done it with his words in her head. You give me the creeps.

The blue bamboo swayed in the breeze, knocking together like little xylophones. He wiped again at his eyes.

The shoe next to him looked exactly like his, right down to the flecks of mud.

The jeans and the jacket also looked like his. And though in the back of his mind he knew he should be terrified, when he saw the person sitting next to him was… him, he felt only a mild surprise.

“Hey,” said the other Arthur. Right down to the tear-smeared dirt on his cheeks.

“Hey,” said Arthur, in rote reply. “You’re… me.”

“Yeah,” the other said, nodding. “It does seem that way.”

“I haven’t had shrooms in days. I’m not trippin’ right now.”

“Me neither,” said the other. “But… I don’t think I’ve been around that long…” His voice drifted off.

“Are you real?”

The other looked at his own lap with a look of confusion, then at Arthur, and then reached out an index finger and poked Arthur in the shoulder. “I guess I’m real,” he said. “Guess you are, too.”

Arthur stared at the other one. Studied his face. “What do you want? Why are you here?”

The other looked toward the sunrise. Shook his head. “I don’t know.” He looked at Arthur. “Why are you here?”

“Because I want to find someone.” He hesitated, but the other waited for him to finish. “Or to die.”

The other blinked several times, apparently in confusion, and then he nodded once. “Susan,” he said. His expression drooped and he looked again at his lap. “Oh, Susan.”

“Is it a timeline thing?” asked Arthur, a twinge of excitement, of hope in his voice. “Are you from the timeline she remembers? From when we were together? Are you and she—?”

“No. No, I don’t think I’m from another timeline or anything. I think I’m just… here.”

“Oh,” said Arthur. They were quiet for a while, both watching the edge of Odin creep above the horizon, heralding the double sunrise. Arthur kept wondering why he didn’t feel much more disturbed, but every time he started thinking about it, he found it hard to concentrate.

“You came out here to find her,” said the other. “But you knew you wouldn’t. You knew you wouldn’t survive long out here. You knew this was a one-way trip.”

Arthur nodded, and reluctantly said, “Yeah.”

“Because you’re lonely,” the other turned to look at him. “You’re so terribly, terribly lonely.”

“She was everything to me. A month ago, I barely knew her. But she came up to me and said we were married, and I called her a drugged-out creep and told her to get lost. And the look on her face when I said that.” He put both hands to his face. “And now I remember her and remember us and we were just so happy. And I barely remember my other life. And that was the last thing I said to her. And now I can’t go back to the way I was without her, and I miss her so—”

“Hey,” said the other, and Arthur felt a hand rubbing his shoulder. “It’s okay. It’s okay. I know. It feels, it feels awful. It feels… hollowing.”

Arthur sniffed. “Yeah. Hollowing.”

“Remember when she got the mop stuck in the garbage disposal, and it was spinning and throwing water all over the kitchen? And she was screaming and laughing and we tried to grab the mop and it slapped us square in the face, and our mouth was open and she laughed so hard she fell on the floor and puked? Holy crap she had a good laugh.”

“Yeah,” said Arthur. “I forgot about that, but yeah. That laugh was something else.”

The other put a hand on Arthur’s thigh, palm up. Arthur looked at it, confused, and then laid his own hand in it. It felt warm and rough, but reassuring and honest. Odin lifted nearly half above the horizon.

“Loneliness,” said the other. “I think loneliness is the worst emotion. You can talk to someone about every other emotion. You can feel like you’re not alone in your feelings. But loneliness…” He gave Arthur’s hand a squeeze. Arthur squeezed back. “Do you know what depersonalization disorder is? It’s when you think you’re not yourself. That someone else is you. I think that’s what’s going on here.” The other nodded toward the sunrise. “I think I’ve made you up somehow. I think I’m the real one.”

Arthur followed his gaze. It seemed to make sense. “I think you’re right.”

“You didn’t tell me. About Susan,” said the other. “You never said her name. But I knew. I knew. I guess I read your mind.”

“I didn’t know we could do that.”

“I didn’t either,” said the other, looking at the sky. “Huh. I wonder what else I can do.”

Arthur felt a slight pang in his stomach.

“Don’t worry,” said the other, still holding Arthur’s hand in an embrace both firm and soft. And genuinely affectionate. “I won’t leave you. I’m going to stay with you until the end.”

Arthur smiled, squeezed his friend’s hand, and watched the big sun lift itself over the edge of Odin III. The blue bamboo moved in the morning breeze and rang out a delightful, muted coda.


___________________________


Jonathan Sherwood has written about science and scientists for research universities for more than two decades, and science fiction for even longer. He holds a bachelors in science writing from Cornell University and an MA in English from the University of Rochester. His fiction has appeared in Asimov’s, Analog, and others.

Coming Monday: Episode 14 of The Odin Chronicles, “Love and Groceries,” by Carol Scheina.

Enjoy!
~brb

 




stupefy (ˈstü-pə-ˌfī) to stun, astonish, or astound


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Thursday, August 4, 2022

Status Update: 04 August 2022

 

I’m beginning to develop a serious attitude problem about July. This has now been the fourth July in a row in which we’ve begun the month with everything seemingly in order and proceeding along nicely and by the end of the month found ourselves gaping at the wreckage and wondering where to start cleaning up.

On the positive side, no one ended up in the hospital this time, nor did anyone receive a personal visit from Baron Samedi. 


On the sub-positive side, SS#24 still is not ready to be released, and I’m now about a month behind on publishing The Pete Wood Challenge stories. We are also a third of the way into publishing The Odin Chronicles, and I still don’t have the episode guide/story index written and posted, much less the introduction for the print version. 

Come to think of it, I owe Guy Stewart a phone call, too, as we need to talk about what we’re doing next with Emerald of Earth. Continue serializing it or just publish the entire book? The latter is what we were originally planning to do at this point, but if it was your book, what would you want us to do with it?

Plus, I notice that this web site has drifted out-of-date again, plus there’s the schedule for SS#25, which is completely derailed and now looking like we should aim for an October 1st release, plus...

One thing at a time. First up, getting caught up on the Pete Wood Challenge. Watch for more flash fiction coming soon.

Regards,
~brb

Wednesday, August 3, 2022

The Odin Chronicles • Episode 12: “Twelve” • by Roxana Arama


INTRO: Welcome to Odin III, a grubby little mining world on the dark and dusty backside of nowhere. It’s a world where everything that’s worth having is already owned by Galactic Mining, and where people have come to squander their hopes and lives, working for the company and dreaming of striking it big. It’s also a world where some very strange and peculiar things have begun to happen, and it all started a bit over three weeks ago, in a bar called Weber’s Place, when Ray Cornwall didn’t just warp the fabric of space/time, he completely bent it…

Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Part Seven | Part Eight | Part Nine | Part Ten | Part Eleven

“Twelve”

by Roxana Arama


Jeremy paced outside Galactic’s Odin North Communications Office, thinking yet again that maybe he shouldn’t go inside and hand his keychain flash drive to Shelley, the new office there. He wanted—no, he needed—to talk to his uncle on Odin I, but he also knew he wasn’t supposed to. He’d promised.

He turned away and headed home, but after a few steps, he slowed down, still arguing with himself.

It’d all started with the box of twelve chocolates his uncle Xander had sent for his birthday. Chocolates were hard to find on Odin III, no matter the settlement, so when Jeremy had given two each to his classmates Kassim, Doru, and Isaac, they looked at him like he was now okay. They even asked him to join them after school on an expedition into some old mine tunnels they’d found. A birthday treat, they said. Jeremy wouldn’t wait to be asked twice. He grabbed his backpack and went.

The others had flashlights while Jeremy wore the headlamp his uncle had given him last year for his birthday. He waved at the first Galactic camera he saw up on the wall by the abandoned mine entrance, but Kassim said the motion sensors were fried in that section and the cameras didn’t record. Which was fine with Jeremy, who wasn’t sure his mom and dad would be happy to know he went into the mines. Even though they’d each scored a chocolate from his birthday box.

The walls of those tunnels were white like marble, and the ceilings were low, where Jeremy had to crawl sometimes to get through. It was awesome being there with his new friends, imagining they were all swallowed by a ginormous Odinian beast, squeezing through its guts. It got colder as they pushed in and the air became stale, but Jeremy was too excited to complain.

When the four of them reached a chamber as tall as Hans’s Deli, they sat down in a circle and Isaac took out a red ball he said he’d borrowed from the workshop of Daraja the machinist. He set the ball on the ground and the next moment the space around them brightened up with a 3D map of their galaxy sector, way cooler than the projections they had at school. It showed their solar system forming from a nebula, and infant planets clashing together to become Odin I, II, III, and IV, then the creation of the gas giants, plus a couple of rogue planets shooting out into the void.

It felt real to Jeremy, like it wasn’t a movie. He gasped a few times when they saw spaceships zooming around them, and he could tell they were Galactic’s by the shape and the logos. Then they saw a planet being blown to bits. Isaac said it was called Odrysian. Jeremy had never heard of it.

Then things got weird. Jeremy realized he was watching stuff that hadn’t even happened yet. Like Odin III getting a ring of satellites. And the Little Sun growing into a red dwarf only to be swallowed by the Big Sun, which then burped it all out in an amazing supernova.

Jeremy flinched when a voice behind them said, “What do you think you’re doing? That’s not a toy.” It sounded like Doru, but Doru hadn’t spoken.

The galaxy map vanished, the light in the chamber dimmed, and the red ball flew up through the air. Jeremy turned to see four walking statues. Eyes with no pupils, like the Roman heads in the history textbooks. Really creepy. He tried to breathe but the stale air made him feel worse. The statues were closing in on him and his friends. The spookiest thing was that they looked exactly like the four of them, just marble-white.

Statue-Doru held the red ball in his hand, tossing it in the air, as if playing with it.

“You stole something from us,” statue-Kassim said, “then you snuck into our house. You deserve to be punished.”

Jeremy was used to getting in trouble at school, but now worried they’d turn him into a statue or crush him under a ton of rocks. His hectic thoughts landed on his uncle Xander, who always got out of all sorts of trouble—and he had an idea.

“It’s my birthday,” he said, standing up and trembling. “Would you like some chocolates?”

The statues looked at him with those smooth white eyes, tilted their heads this way and that, and said yes. Jeremy scrambled to dig into his backpack and found the box and gave it to them. Only four chocolates left, and Jeremy wouldn’t be tasting any.

The statues took his chocolates, one each, but didn’t peel off the golden wrappers. They held them in their hands and then the chocolates melted and seeped into the rock of their palms. A faint color appeared on the statues’ white marble. If they had more food, Jeremy wondered, would they look like people, to where no one could tell the difference?

“You can go now,” statue-Jeremy said in a familiar voice, “but don’t you dare come back.”

“And never tell anyone about this,” statue-Kassim said. “You understand?”

Jeremy nodded until his neck hurt.

“Yeah. Sure. Of course,” his friends said. “Won’t tell anyone.”

“You won’t,” statue-Isaac said, and it sounded like a threat. Or a curse.

Since leaving the old mine, Jeremy had had a hard time not talking to anyone about the statues, not even Kassim, Doru, and Isaac. That was why he needed to tell his uncle, his best friend in the whole entire galaxy. Maybe he knew what kind of creature the statues were, and what they were doing on Odin III, and what was that red ball that knew the past and the future. And if his uncle didn’t know, could he find out?

In the daylight, getting in trouble with the statues didn’t seem as real and scary as in the old mine. Jeremy turned around and bolted, not stopping until he reached Shelley’s office. The door hissed open before him.

* * *

Galactic Mining Communication Officer Shelley Mowatt inserted the flash drive into her tablet and read the first line that appeared on her screen. It said, “Dear Uncle Xander,” so she decided not to look at the rest. It would have been wrong to pry. She liked Jeremy, shy and a bit weird as he was. She probably wouldn’t be seeing him for a while, which was too bad.

“Here you go, kid.” She gave him back the keychain with the drive, which he slipped inside his backpack. He’d told her the drive was a birthday gift from his uncle, maybe a couple of years ago.

“Let me know when he writes back,” Jeremy said, and took off, looking tired but smiling.

Shelley watched him from the window until he turned the corner, and only then closed the messaging session with Odin I she’d open just for show.

A dialogue box appeared on the screen: “Are you sure you want to discard the uploaded message?”

Shelley pressed YES. As a communication officer for Galactic Mining, sometimes she knew things people on Odin III didn’t. It’d been five days since word came that the mine Jeremy’s uncle worked at had collapsed. As of this morning, the rescue efforts had been called off.

___________________________



Roxana Arama is a Romanian American author with a master of fine arts in creative writing from Goddard College. She studied computer science in Bucharest, Romania and moved to the United States to work in software development. Her debut thriller Extreme Vetting will be published in 2023 by Ooligan Press (Portland State University). She’s a member of SFWA, the Authors Guild, and Codex Writers’ Group, and her work has been published in several fiction and nonfiction magazines. She lives in Seattle, Washington with her family. More at https://roxanaarama.com/ or @RoxanaArama on Twitter.

Be sure to stay tuned for Episode 13 of The Odin Chronicles, “Would Scarcely Know That We Were Gone,” by Jonathan Sherwood, coming next Friday.

Enjoy!
~brb

 




stupefy (ˈstü-pə-ˌfī) to stun, astonish, or astound


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Monday, August 1, 2022

The Odin Chronicles • Episode 11: “The Apple” • by Pete Wood


INTRO: Welcome to Odin III, a grubby little mining world on the dark and dusty backside of nowhere. It’s a world where everything that’s worth having is already owned by Galactic Mining, and where people come to squander their hopes and lives, working for the company and dreaming of striking it big. It’s also a world where some very strange and peculiar things have begun to happen, and it all started a bit over three weeks ago, in a bar called Weber’s Place, when Ray Cornwall didn’t just warp the fabric of space/time, he completely bent it…

Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Part Seven | Part Eight | Part Nine | Part Ten

“The Apple”

by Pete Wood


Father Luigi came to a dead end. Damn. Still no backpack. His radio and tablet were in there. He couldn’t imagine surviving the mines without reading. He’d have to backtrack.

He sat on the floor and took a sip of water. At least he hadn’t misplaced his canteen.

Three months in the abandoned labyrinth of mines and he seriously wondered what he was doing. Did the Rock People, mythical aliens who some said inhabited the deepest mines of Odin III, even exist? Father Francis had thought so when he sent Luigi far underground as a missionary. Luigi had seen nobody except for that reclusive ex-Galactic Mining employee some called the Machinist. Thank God, Daraja was Catholic and appreciated Mass or Luigi would have nobody to talk to.

He really wanted to go topside and stay there. But he knew he had to have faith. If not in some eternal plan, at least in himself. He was past thirty and couldn’t keep jumping from job to job. First his short-lived mining career. Then three church assignments in four years.

He usually avoided thinking about these things but three months alone except for Daraja and rare forays topside allowed for much reflection. He couldn’t just escape this thought like he’d escaped the glares of the other miners or the rants of Father Pavel when Luigi miscalculated the amount of hops in the monastery’s brewery. And Father Francis wasn’t happy with him either.

Nothing interested Luigi lately. Except for Shelley. He and the new communications officer in the tiny mining village had become acquainted when Father Francis deemed it too trivial to check on messages from Earth himself. Before long, Shelley and Luigi were laughing and talking for hours in Weber’s Place, the best tavern on Odin III. God, he wanted to date her, but that would take a special dispensation from Father Francis.

Something sparkling caught his eye. He flecked away gravel and debris. Embedded in the rock he saw something red, something glowing.

It took about fifteen minutes to dislodge it with his jackknife.

His head throbbed. Maybe from the work. The object was about the size of a small apple.

He needed to get this to the Machinist. Daraja could fix anything.

Luigi clenched the glowing apple and started the hour-long walk through the catacombs to Daraja’s workshop. The piercing pain in his head intensified. He felt nauseated. The apple must be emanating something.

Before he could drop it, everything went black.

* * *

Luigi woke up to the wrinkled face of the Machinist.

Daraja handed Luigi a cup of water. “Drink this.”

Luigi took a sip and immediately threw up.

“Easy,” Daraja said. “Sit up and take some breaths.”

Luigi’s heart pounded. His headache had lessened. He took another sip of water and managed to keep it down.

He saw the  tables cluttered with handmade toys—boats and trains and planes-- and the scavenged equipment from Galactic. Familiar Monet-esque images of Odin that Daraja had painted. Somehow, he’d made it to the workshop.

“Good thing you were out there,” Luigi said.

Daraja blinked. “Out there?”

“I was just starting to your workshop when I passed out. I found this weird thing.” Luigi pointed to the apple laying by a worktable leg.

The Machinist picked up the apple. “Where’d you pass out?”

“Level 16,” Luigi groaned.

The Machinist frowned. “You think I carried you up and down ladders for two miles?”

“How’d I get here?”

“You just appeared.”

* * *

An hour later Luigi dipped Daraja’s homemade ugali into a spicy stew, a nice break from the stale rations Father Francis gave him.

Daraja took the apple from the spectrometer. “You’ve stumped the machine.”

“What is it?” Luigi asked.

The apple no longer sparkled. Maybe it had run out of power.

Daraja shrugged. “A miracle, Saint Luigi?”

“Those seem pretty damned scarce these days.”

“Then alien technology. A teleporter.”

“A teleporter?” came the unmistakable voice of Raisa Popov, the supervisor for the largest section of mines on the planet. “What are you talking about, Daraja?”

Daraja shoved the apple in his coveralls. “What are you doing down here?”

Popov brushed back her thick black curls. “Thinking of reopening some of these shafts.” She dropped Luigi’s backpack. “Found this in sector eleven.”

“Thanks.”

Popov smiled. “Sure.”

“I’ve been here for eighteen years,” Daraja said, “and Galactic has sent someone down exactly twice. And it sure wasn’t the supervisor.”

Popov wielded great power. She had a dog brought from Earth, one of a dozen on Odin III. She did not like to waste time.

“You’re under surveillance.”

Daraja glared. “You damned—”

“It’s our mine. You’re squatting.”

“It’s abandoned property.”

Popov sighed. “We’re not kicking you out. Just show us that alien artifact.”

“Let her see it,” Luigi said.

Popov squinted at the apple. “This thing teleported you two miles. Amazing. You disappeared there and appeared here.”

“It’s not yours,” Luigi said, surprised he had the nerve to confront one of the people who ran the planet.

“It’s on Galactic property.” Popov placed the apple inside a plastic bag. “Well, thank you, gentlemen.” She gave a curt bow. “Galactic will be very interested in this technology.”

“They won’t know what to do with it,” Luigi said. “Let Daraja have it.”

“I don’t think so.” She took a step towards the ladder.

“It belongs to the Church,” Luigi said. “I’m on a mission.”

“A mission? Come on, Luigi. You don’t really believe that?”

“I’m looking for the Rock People.”

“Luigi, we have motion detection cameras in every square inch of these mines. We’ve seen no Rock People. They don’t exist.”

“How do you explain the relic?”

“I can’t.”

“Give Daraja the relic.” If Daraja discovered something, he’d share the knowledge. Galactic would only look out for Galactic. “You don’t want a fight with the Church. That’s a cultural artifact. It’s part of my mission.”

 Popov stood without talking for a minute or so. She finally handed the bag to Daraja. “Okay, Luigi, you win. Let’s see what Daraja can find.”

Luigi suppressed a smile. It was so unexpected to be taken seriously.

It didn’t even bother him that Popov gave up way too easily. He wondered if Galactic already had some apples. Maybe she wanted Daraja to research it while Galactic did their own analysis.

“I’ll give it a shot,” Daraja said.

“You’re still under surveillance,” Popov said. “Don’t get any ideas that the relic is yours.” She smiled. “But maybe it’s time to take a different approach out here. Earth might not approve, but they don’t understand this place.”

“I see things down here sometimes and I wonder if I’m dreaming,” Daraja said.

“You’re not alone.” Popov started up the ladder.

Luigi knew he couldn’t keep living like this. He didn’t mind sleeping on the ground or looking for aliens who may or may not exist. It was just the running away from problem to problem with the only common thread being that wherever he went people thought him the fool.

And he’d found a damned teleporter. Great. Something else that would help him escape even faster.

But he couldn’t run away from himself.

“Ms. Popov!” he called out.

She turned around. “Yes?”

“I’m going with you. I have to talk to Father Francis.”

“Sure,” Popov said. “Always good to have company down here.”

Luigi grabbed his backpack and started up the ladder.


___________________________


Pete Wood is an attorney from Raleigh, North Carolina, where he lives with his kind and very patient wife. His first appearance in our pages was “Mission Accomplished” in the now out-of-print August 2012 issue. After publishing a lot of stories with us he graduated to becoming a regular contributor to Asimov’s, but he’s still kind enough to send us things we can publish from time to time, and we’re always happy to get them.

For the past year or so Pete has been in the process of evolving into a fiction editor, God help him, first with The Pete Wood Challenge, then with Dawn of Time, and now with The Odin Chronicles, a 30-chapter shared world saga that will be running here every Monday, Wednesday, and Friday for the next ten weeks, and that features the creative work of Roxana Arama, Gustavo Bondoni, Travis Burnham, Paul Celmer, Jenna Hanchey, Carol Scheina, Jonathan Sherwood, and of course, Pete Wood. We suspect that Pete’s real love is theater, though, as with the print version of The Odin Chronicles now mostly finished he’s off working on the audio version, which looks to be an even bigger production that his short movie, Quantum Doughnut — which you can stream, if you follow the foregoing link.

In the meantime, stay tuned for Episode 12 of The Odin Chronicles, “Twelve,” by Roxana Arama, coming next Wednesday.

Enjoy!
~brb

 




stupefy (ˈstü-pə-ˌfī) to stun, astonish, or astound


On Amazon now ► STUPEFYING STORIES 23

Interface with Stupefying Stories!

 

 

Talking Shop: The Fourth Wall • By Eric Dontigney

Most people are familiar with the concept of the fourth wall, even if they don’t recognize it by name. It’s essentially a convention of performances (theater, television, and film) that an invisible wall exists between the audience and the performers. The audience can see through this wall, allowing them to participate vicariously in the action, but the characters remain unaware of the audience, thereby preserving the integrity of the false reality they inhabit. While violations of this rule are fairly common in ancient Greek theater right on up through Shakespeare (Hamlet’s soliloquy, anyone?), the practice of breaking this fourth wall fell out of favor starting in the 19th century and throughout the 20th century. It is also, not surprisingly, a basic convention of fiction writing.

There are some notable exceptions. Deadpool is one high-profile example of a character who not only addressed the audience (often for comic value) but is also full cognizant that he is a fictional character occupying a fictional universe both in the comics and onscreen. Bugs Bunny, Monty Python, and the British and American incarnations of House of Cards, all deploy violations of the fourth wall to varying degrees of effectiveness. You even see it in literature with The Princess Bride as a prime example. Terry Pratchett arguably violated the fourth wall with his footnotes in the Discworld books, although that’s a gray area. Readers could theoretically ignore the footnotes to avoid interrupting the narrative. On the whole, though, it’s a rule that most writers adhere to without giving it much thought. Why? Is there a good reason to avoid breaking the fourth wall?

There is at least one good reason to avoid breaking the fourth wall: the delicacy of suspension of disbelief. Even in visual media, where verisimilitude is arguably easier to achieve, it doesn’t take much to break suspension of disbelief. You only need one character to do something or use something that doesn’t fit with the established reality to bring the whole house of cards tumbling down. Maintaining it with books or short stories is, in theory, even harder because the connection between the narrative and the audience is carried on the much more tenuous thread of naked text. Shatter that suspension of disbelief and there is a good chance that the reader will simply put the book down in favor of something easier or more immediate, like surfing the Internet or updating their social media profiles.

Beyond that basic concern, there is also a practical element for the author. Violating the fourth wall means that the author must disengage from the existing narrative while writing to put in that authorial aside. Some authors may find it simple to dive right back into the narrative, but other writers may struggle to reacquire whatever flow they achieved while working on the narrative in the first place. Given that breaking the fourth wall generally provides only limited value, it makes sense that authors typically avoid it on principle.

So, is there ever a time when violating the fourth wall does make sense? There are a handful of times when this tactic can make sense and provide some value. Books written in the first person (a common conceit in genres like urban fantasy and mystery novels) tolerate breaking the fourth wall pretty well. The reader accepts that the story is being related after the fact in some fashion. A detective may be preparing case notes or a magical hero might be relating the tale in some manner of journal. The exact method of the retelling isn’t usually made explicit, but that it is a retelling underpins the first-person approach. That allows the narrator to address the reader without necessarily acknowledging the reader. The hero is only explicitly addressing whatever in-universe audience they expect to hear or read the recounting. That allows the narrator to break from the retelling momentarily to, for example, challenge the in-universe audience member and reader by proxy to try something if they think it sounds easy.

The only other time it really works and provides value is when it’s an established element of the storytelling from the outset, à la Terry Pratchett’s footnotes. This is a more dangerous move because, frankly, you risk alienating readers who expect a more traditional narrative approach. It can work, but you should go into that approach with the expectation that you’ll get pushback from some readers. On the whole, though, your best bet is to reserve breaking the fourth wall for narrative situations that tolerate it well, such as the first-person narrative.

________________

Stupefying Stories is supported by the generosity of readers like you. If you appreciate the kind of programming we’re bringing you, please show it by clicking this link or the button below to make a donation today. All major credit cards are accepted, and all donations go directly towards paying the authors and artists who create the content that you’re enjoying on this site. Literally, all donations go straight into the PayPal account from which we pay our authors and artists.

 __________________________________________________

Eric Dontigney is the author of the highly regarded novel, THE MIDNIGHT GROUND, as well as the Samuel Branch urban fantasy series and the short story collection, Contingency Jones: The Complete Season One. Raised in Western New York, he currently resides near Dayton, OH. You can find him haunting obscure sections of libraries, in Chinese restaurants or occasionally online at ericdontigney.com.


SHAMELESS ADVERT: If you like Harry Dresden or John Constantine, you’ll love THE MIDNIGHT GROUND. READ IT NOW!