Monday, July 12, 2021

Book Release / Book Sale


Busy day, busy week here at RLP, as we’re ramping up for the release of SCOUT’S FIRST MISSION on July 20th. We’re not ready to take pre-orders yet but should be able to do so very soon.

In the meantime, if you do not already have the previous five books in the Scout series, we’re continuing with our staggered countdown sale. Right now you can pick up Book 3, SCOUT’S DUTY, and Book 4, SCOUT’S LAW, on Kindle for just $0.99 each.


Beginning tomorrow, you’ll be able to get Book 5, SCOUT’S TRAINING, on Kindle for $0.99, and beginning on Friday you’ll be able to pick up HART FOR ADVENTURE, also for $0.99.

In case you’re curious, Books 1 through 4 comprise the first series, and tell the story of how Terran Scout Corps pilot David Rice crash-landed on the lost colony world of Aashla and was thrown from the space age to the age of swords in the blink of an eye. Stranded without hope of rescue, David made a new life on Aashla…

Only to find that galactic civilization was not about to forget him or ignore Aashla, and now he had to take up arms one last time, to fight to protect his adopted home world from the Terran Federation he had once served.

And that, we thought, was the end of it…

HART FOR ADVENTURE is a sort of a side quest: same universe, same Terran Scout Corps, different characters and a completely different adventure. HART FOR ADVENTURE is a standalone book, and a good choice if you’re not sure you want to make the commitment to reading the entire series. 


But
, you could also start with SCOUT’S TRAINING, as that is the direct precursor to SCOUT’S FIRST MISSION and the start of a new series that I wanted to call SCOUT’S HONOR: The Next Generation, but Henry wouldn’t let me.

In any case, here you are: six books for the price of an upscale cup of coffee, and a lot of fun, exciting reading. What are you waiting for? Start reading today!



 

Saturday, July 10, 2021

“Calling the Cloud” • by Roxana Arama


The pandemic over, I took Bella, my girlfriend, to meet Mike, my favorite waiter. He and I used to chat after dinner like there was no tomorrow. I knew he’d missed me.

A new waiter approached our table then veered off, looking distressed.

I patted Bella’s hand. “I’m pretty sure he wasn’t our waiter.”

When he returned with menus and a forced smile, I said, “Where’s Mike?”

“He’s… not with us anymore.”

“No! The pandemic?”

“Good news is he uploaded to the EverCloud.”

“Great! Give me his account number. He’ll love to see me!”

“Bad news is… he told us not to. It was his dying wish.”

¤     ¤     ¤


Roxana Arama is a Romanian-American writer and a member of Codex Writers’ Group. She has an MFA in Creative Writing from Goddard College, her work has been acknowledged in several literary contests and magazines, and she maintains the website Rewriting History: How writers turn history into story, and story into history at www.roxanaarama.com. She lives in Seattle with her family. Follow her on Twitter at @RoxanaArama.

______________________


And now, a few words from the publisher…

Bruce Bethke here. This week The Pete Wood Challenge is bringing you seven new flash fiction stories, all of which key off some slight variation on the phrase, “I’m pretty sure he wasn’t our waiter.” In an ideal world we’d like to see you express your appreciation for these stories by taking a closer look at our other magazines, chapbooks, and original novels, probably starting with STUPEFYING STORIES MAGAZINE—

But if you already have all the books, ebooks, and audio books you could ever possibly use, then I’m going to switch to my old public radio on-air voice and tell you that STUPEFYING STORIES and Rampant Loon Media are supported by the generosity of readers and listeners like you. If you appreciate the kind of programming we’re bringing you, please show it by clicking this link or the button below to make a donation today. All major credit cards are accepted, and all donations go directly towards paying the authors and artists who create the content you’re enjoying on this site.


Interface with Stupefying Stories!
» kudos and complaints to: feedback@rampantloonmedia.com 
 

Friday, July 9, 2021

Talking Shop: Eric's Writing Challenge Update 3

 

Okay, I won't have extensive notes this week. Just a quick update to let everyone know how it's going.

First up, the writing challenge. 

As of today, I've written around 16,200 words. That's a little under 6400 words for the last week. For the math inclined, that's a little over 900 words per day. In reality, I wrote about 4000 of those words last Saturday. So, I gave myself permission to take it easy the rest of week and averaged closer to 400 words per day. 

Now, on to Rinn's Run. At present, here's where it stands:

Total word count: 24,500 words

Total chapters completed: 16

Percentage finished (in theory): 25% give or take.

This week's big takeaway: Sometimes you just get into a groove and the words flow like water.


“Just Like Before” • by Carol Scheina


 
As the bright flash faded from his eyes, James realized they were back in the restaurant. “Like we never left!”

Nikki eyed the waiter refilling their water glasses. “But the accident still happened. The space-time continuum ripped. We changed the past. There’s gotta be consequences. Plus,” she whispered, “I’m pretty sure he wasn’t our waiter.”

“Looks like the same guy from before.”

Nikki craned her head. “Does the food look or smell different?”

James leaned back in his chair. “Look around, everything’s fine.”

That’s when he spotted the velociraptor in a bowler hat entering the restaurant. Something had changed.

 ¤     ¤     ¤

 


Carol Scheina is a deaf speculative fiction author whose short stories have appeared in Escape Pod, Daily Science Fiction, The Arcanist, and other publications. You can find more of her work at carolscheina.wordpress.com.

______________________


And now, a few words from the publisher…

Bruce Bethke here. This week The Pete Wood Challenge is bringing you seven new flash fiction stories, all of which key off some slight variation on the phrase, “I’m pretty sure he wasn’t our waiter.” In an ideal world we’d like to see you express your appreciation for these stories by taking a closer look at our other magazines, chapbooks, and original novels, probably starting with STUPEFYING STORIES MAGAZINE—

But if you already have all the books, ebooks, and audio books you could ever possibly use, then I’m going to switch to my old public radio on-air voice and tell you that STUPEFYING STORIES and Rampant Loon Media are supported by the generosity of readers and listeners like you. If you appreciate the kind of programming we’re bringing you, please show it by clicking this link or the button below to make a donation today. All major credit cards are accepted, and all donations go directly towards paying the authors and artists who create the content you’re enjoying on this site.


Interface with Stupefying Stories!
» kudos and complaints to: feedback@rampantloonmedia.com 
 

 

“When Thieves Give You Lemons” • by Duke Kimball


“Ale?”

“No.” Glog the Conqueror spat on the floor. Nobody in the bustling tavern seemed to mind. “Talk.”

Flindel the Rat bared yellow teeth, producing the talisman from a billowing sleeve. A small, golden sphere he set on his plate. “Belonged to Morfan the wizard.”

“Power?”

“Invisibility.”

A hand tapped Glog’s shoulder. “It’s good ale.”

“No.” He glowered at Flindel. “How much?”

“Weight in gold.” He eyed the big man greedily. “Yours.”

“The best ale—”

Both men turned. “NO!” they shouted at the sniveling barkeep, returning to negotiations. Over… a lemon.

“I’m pretty sure,” Flindel seethed, “he wasn’t our waiter.”

Glog, axe already drawn, began the chase.

¤     ¤     ¤

 


Duke Kimball is a literary boat captain who doesn’t currently own a boat. His work has appeared in places like Mysterion, Star*Line, and Strange Horizons. He lives in Lansing, Michigan, with his wife Michelle and a dog named after a cheese factory.

______________________


And now, a few words from the publisher…

Bruce Bethke here. This week The Pete Wood Challenge is bringing you seven new flash fiction stories, all of which key off some slight variation on the phrase, “I’m pretty sure he wasn’t our waiter.” In an ideal world we’d like to see you express your appreciation for these stories by taking a closer look at our other magazines, chapbooks, and original novels, probably starting with STUPEFYING STORIES MAGAZINE—

But if you already have all the books, ebooks, and audio books you could ever possibly use, then I’m going to switch to my old public radio on-air voice and tell you that STUPEFYING STORIES and Rampant Loon Media are supported by the generosity of readers and listeners like you. If you appreciate the kind of programming we’re bringing you, please show it by clicking this link or the button below to make a donation today. All major credit cards are accepted, and all donations go directly towards paying the authors and artists who create the content you’re enjoying on this site.


Interface with Stupefying Stories!

» kudos and complaints to: feedback@rampantloonmedia.com

Thursday, July 8, 2021

“Where do you find story ideas?”

This is one of those questions that non-writers ask constantly, and I never have a good answer for it. Ideas for stories are laying around everywhere. How can you not see them? I can barely take a walk or do almost anything else without tripping over at least a half-dozen. The problem isn’t coming up with ideas for stories. It’s finding the time to develop them into something worth trying to publish.

For example, this morning, as I was eating breakfast, I was flipping through the ad flyer for a local hardware store, as we’re going to be starting a kitchen remodeling project tomorrow morning and I was wondering if they might have any tools that might make the job easier.

Then I turned the page and saw this ad:

Immediately, whatever the cognitive short-circuit is that people call “creativity” sparked, and I began to wonder: who is Rip Hammer?

No, make that, who was Rip Hammer? Obviously, some 1950s B-movie actor who is nearly forgotten now. Subject of the tragic documentary, The Rise and Fall of Rip Hammer: what was his story? Where did he come from? What movies did he star in? What went wrong?

The cognitive short-circuit arced again. Rip, I decided, was a ruggedly handsome guy from the Midwest who had some acting chops, a good-sounding voice, and a decently muscular build for the day. Maybe he’d spent his teenage summers working as a lifeguard on some beach in Michigan or Indiana or someplace like that. He also had an original name with too many vowels and syllables, so when he got out of the Navy in ‘53 and decided to stay on in California and try to break into acting…

That’s when his real tragedy happened, although it took him years to realize it. He had the bad luck to sign up with someone very much like Buck Turner, possibly the most inept agent in the history of Hollywood, who changed his stage name to Rip Hammer and then proceeded to put him into a series of botched opportunities and disastrous casting choices. The New Jersey Beach Party movies were all flops; the hot rod movies were just all wrong for someone whose personal car was a 1950 Studebaker Commander; the guest villain roles on The Untouchables and Highway Patrol went nowhere, and his one rock ‘n’ roll movie, Rebel With an Accordion—well, let’s just say that Rip had a great baritone speaking voice, and leave it at that.

Still, Rip tried. He really tried. Whatever the role, no matter how stupid, he gave it his all. He poured his heart and soul into his work, always clinging to the hope that this role would open the door to his next role, and that the next role would be the one that would make his career and show the world what he was really capable of doing on screen. When he heard from a friend of a friend of another rather borderline friend about a movie that was in hush-hush development and that seemed like it would be exactly the right vehicle to make him a star—the right part, in the right movie, at exactly the right time to catch the leading edge of a rising trend—he campaigned with all his might to land the lead role, and he got it.

Only to realize, when he showed up on the set for the first day of shooting and finally read the script for the first time, that I WAS A TEENAGE MUMMY was not a monster movie, but rather a potboiler soap opera drama about unwed teenage mothers in England.

Still, he soldiered on, gamely playing the entire film in drag and turning in a bravura performance that critics would later agree was the absolute pinnacle of his career. He really got the audience to believe he was not a 35-year-old man from Michigan but rather a heart-breakingly beautiful and tragic 15-year-old girl growing up too fast in Stepney. The film, while not a huge commercial success, was hailed in many circles as a critical milestone. 

Unfortunately for Rip Hammer, it was also the last film of his career, so far as is now known, because after this one, he was very much in demand in Hollywood—but only for parts to be played in drag, in gay porn films…

—Bruce Bethke


Footnote: There is a persistent but unverifiable Hollywood story that Billy Wilder himself tried to get Rip to read for the role of Joe/Josephine in Some Like It Hot, but Rip’s agent convinced him that taking the part would be career suicide. The part instead went to Tony Curtis, and as of the time of this writing it remains impossible to confirm or disprove the allegation that Rip was Wilder’s first choice.

“First Date Magic” • by Sylvia Heike

 


The waiter’s smooth voice soothed both my nerves and ears. “My name is Ernest, and I’ll be at your service this evening. What would you like?”

My voice was dreamy, not quite mine. “Flowers when it’s not my birthday, walks in the rain. Someone who likes animals.”

“And you, sir?” he asked my date. 

“A lady who knows what she wants. If it’s me, great. If not, I’ll keep looking. I’m tired of playing games. Unless it’s with my dogs.”

After Ernest (I’m pretty sure he wasn’t our waiter) poofed away, I was afraid to open my mouth again, so I just smiled. And couldn’t stop smiling.

¤     ¤     ¤


Sylvia Heike is a speculative fiction writer from Finland. She likes hiking, nature photography, books, bunnies, and birds. Her stories have appeared in Flash Fiction Online and elsewhere. To find out more, visit her website, https://sylviaheike.com, or follow her on Twitter @sylviaheike

______________________


And now, a few words from the publisher…

Bruce Bethke here. This week The Pete Wood Challenge is bringing you seven new flash fiction stories, all of which key off some slight variation on the phrase, “I’m pretty sure he wasn’t our waiter.” In an ideal world we’d like to see you express your appreciation for these stories by taking a closer look at our other magazines, chapbooks, and original novels, probably starting with STUPEFYING STORIES MAGAZINE—

But if you already have all the books, ebooks, and audio books you could ever possibly use, then I’m going to switch to my old public radio on-air voice and tell you that STUPEFYING STORIES and Rampant Loon Media are supported by the generosity of readers and listeners like you. If you appreciate the kind of programming we’re bringing you, please show it by clicking this link or the button below to make a donation today. All major credit cards are accepted, and all donations go directly to paying the authors and artists who create the content you’re enjoying on this site.



Gee, that really does look like a giant ibuprofen gelcap, doesn’t it? 

Follow STUPEFYING STORIES 

• on Facebook at https://www.facebook.com/StupefyingStories/    

• on Twitter at https://twitter.com/StupefyingSF


“Metamorphosis” • by Jonathan Worlde

 


We’d finished our meal of giant barbequed slug at Curios Café, Planet Argonne’s favorite expat hangout.

The wait staff were all local non-lethal juveniles, with characteristic four arms and four eyes on long stalks. Our waiter delivered the check with a big smile. I paid with my Galaxy Yuan card.

On the way out Tanya asked, “Robbie, did you leave a tip?”

I’d forgotten about tipping here. I returned to look for the girl with lovely eyes. But she had just prematurely metamorphosed as I returned, and, losing control, was devouring a Martian trader.

Making a hasty retreat, I told Tanya, “I’m pretty sure that wasn’t our waiter anymore.”

¤     ¤     ¤

Paul Grussendorf is an attorney representing refugees, a former Immigration Judge, and a consultant to the UN Refugee Agency. His legal memoir is My Trials: Inside America’s Deportation Factories. He writes genre fiction under the byline of “Jonathan Worlde.”

Jonathan Worlde’s neo-noir mystery novel, Latex Monkey with Banana, was winner of the Hollywood Discovery Award with a prize of $1,000. Recent short fiction appears in The Raven Review, the 2020 anthology Ghost Stories of Shepherdstown, and in Cirque Journal. He is also a traditional country blues performer under the stage name Paul the Resonator, whose CD is Soul of a Man.

 

______________________

 

And now, a few words from the publisher:

Bruce Bethke here. This week The Pete Wood Challenge is bringing you seven new flash fiction stories, all of which key off some slight variation on the phrase, “I’m pretty sure he wasn’t our waiter.” In an ideal world we’d like to see you express your appreciation for these stories by taking a closer look at our books and magazines, beginning with either STUPEFYING STORIES MAGAZINE proper or something in the STUPEFYING STORIES PRESENTS line—

But if you already have all the books, ebooks, and audio books you could ever possibly use, then I’m going to pull out my old public radio hat, dust it off, put it on, switch to my on-air voice, and tell you that Stupefying Stories and Rampant Loon Media are supported by the generosity of readers and listeners like you. If you appreciate the kind of programming we’re bringing you, please show it by clicking this link or the button below to make a donation today. All major credit cards are accepted, and all donations go directly towards paying the authors and artists who create the content that you’re enjoying on this site.


Please don’t make me escalate this to the coffee mug and tote bag level.

Wednesday, July 7, 2021

“Alone” • by Novae Caelum

 


We have a hard time socializing with normal people, though our parents always said an emperor should try.

So we sit in this bar with a mug that could melt eyelashes, if ours weren’t false.

“You alone tonight?” A femme person plops in front of us.

“Alone and wish to stay that way.”

The person flashes knife-edged nails. “No worries. Give me your credits, you can be alone as you want.”

A shadow falls. “I think you need to leave,” a masc person says, setting down our order of steaming stir-fry.

Mm. We’re pretty sure that wasn’t our waiter. Security will never let us just be alone.

¤     ¤     ¤


Novae Caelum is an author, illustrator, and designer with a love of spaceships and a tendency to quote Monty Python. Star's had stories in Diabolical Plots, Escape Pod, Clockwork Phoenix 5, and Lambda Award winning Transcendent 2: The Year's Best Transgender Speculative Fiction. These days star can be found serializing queer space opera epics, with which star hopes to take over the world. At least, that's the plan. Find star online at https://novaecaelum.com

______________________

 

A few words from the publisher:

Bruce Bethke here. This week The Pete Wood Challenge is bringing you seven new flash fiction stories, all of which key off some slight variation on the phrase, “I’m pretty sure he wasn’t our waiter.” In an ideal world we’d like to see you express your appreciation for these stories by taking a closer look at our books and magazines—

For example, consider this audio book, THE FUGITIVE HEIR: just the perfect thing to listen to while you’re in the car, driving to your summer vacation getaway.

But if you already have all the books, ebooks, and audio books you could ever possibly use, then I’m going to pull out my old public radio hat, dust it off, put it on, switch to my on-air voice, and tell you that Stupefying Stories and Rampant Loon Media are supported by the generosity of readers and listeners just like you. If you appreciate the kind of programming we’re bringing you, please show it by clicking the button below and making a donation today. All major credit cards are accepted, and all donations go directly to paying the authors and artists who create the content you’re enjoying on this site.


Please don’t make me escalate to coffee mug and tote bag level.

“Merger” • by Eric Fomley

 


Vi chewed the bloody steak, the juices dripping down her chin.

Lang, her chief of security, sat across from her. A smile cracked his face.

“The White Suns can’t stop us once the merger goes through,” he said. “No spice will go in or out of this station without passing through our hands.”

Vi nodded and forked another piece into her mouth.

The waiter came through and dropped off a nice-looking pie.

When he spun and left, Lang looked sharply at Vi.

“What’s wrong?” she asked.

“I’m pretty sure he wasn’t our waiter.”

The holo of the pie winked out—revealing the swirling nanobomb.

¤     ¤     ¤


Eric Fomley’s
work has appeared in Daily Science Fiction, Galaxy’s Edge, Flame Tree Press, and The Black Library. You can read more of his work on his website at https://ericfomley.com or buy him a coffee in exchange for a story at https://ko-fi.com/ericfomley.

______________________

 

A few words from the publisher:

Bruce Bethke here. This week The Pete Wood Challenge is bringing you seven new flash fiction stories, all of which key off some slight variation on the phrase, “I’m pretty sure he wasn’t our waiter.” In an ideal world we’d like to see you express your appreciation for these stories by taking a closer look at our books and magazines—

For example, consider this audio book, THE COUNTERFEIT CAPTAIN: just the perfect thing to listen to while you’re driving to your summer vacation getaway.

But if you already have all the books, ebooks, and audio books you could ever possibly use, then I’m going to pull out my old public radio hat, dust it off, put it on, switch to my on-air voice, and tell you that Stupefying Stories and Rampant Loon Media are supported by the generosity of readers and listeners just like you. If you appreciate the kind of programming we’re bringing you, please show it by clicking the button below and making a donation today. All major credit cards are accepted, and all donations go directly to paying the authors and artists who create the content that you’re enjoying on this site.

Please don’t make me do a pledge break.
—brb

Tuesday, July 6, 2021

BOOK RELEASE / BOOK SALES

RELEASING JULY 20

SCOUT’S FIRST MISSION

THE LATEST ADVENTURE IN HENRY VOGEL’S BEST-SELLING SCOUT SERIES

Henry Vogel’s Terran Scout Corps novels have not only been best-sellers for us, they have at times been a real source of hope and inspiration. Therefore, as a build-up to the July 20 release of Scout’s First Mission—no, it’s not a prequel, but Henry rejected the title of Scout’s Honor: The Next Generation—for the next three weeks we are running a cascading series of book sales.

This week the second book in the series, SCOUT’S OATH, is on sale for just $0.99 USD. 

GET SCOUT’S OATH NOW!

And keep watching for more special deals, as we ramp up to the July 20 release of SCOUT’S FIRST MISSION.


Congrats, Bo Balder!

 

Just a quick shout-out to congratulate Stupefying Stories alum Bo Balder (“Alien Whispering,” in the now out-of-print SS#20), for making the cover of the latest issue of The Magazine of Fantasy & Science Fiction! 

And watch for her story, “There Is Another Sky,” coming soon in Stupefying Stories #24.

A View from the Geek: Do SFF Authors Have a Moral Obligation? • By Eric Dontigney

Photo by Nathan Cowley from Pexels

I recently ran across this article that makes the argument, gently perhaps, that science fiction authors have an obligation to address climate change. As someone with a philosophy background, I found the thesis a little dubious. So, I considered the argument and decided to abstract away from the issue of climate change and ask a broader question.

Do science fiction or speculative fiction authors have a moral obligation to address the pressing issues of their time in their fiction?

I want to stress that “in their fiction” part because that’s a very different question than whether authors as individuals have moral obligations to address pressing issues as they carry out their personal lives. Depending on what theology or morality you ascribe to, the answer to the question of whether or not people owe moral obligations to not be awful, destructive, and abusive to their fellow human beings and the planet is almost always yes. Yes, they do have those moral obligations. There are some exceptions, but they aren’t considered mainstream moral codes, so I won’t dig into them.

The question of whether those obligations extend into authors’ professional lives in terms of their fiction is another matter entirely. The very question of what, if any, obligations an author has is pretty nebulous beyond putting words on the page. Even that “words on the page” thing is pretty loosely interpreted. After all, Harper Lee was called an author and she only published two books in her entire life. Specific kinds of authors have some additional obligations. Non-fiction authors are, in theory, obligated to stick with the facts as they are known at the time. Religious authors are generally obligated to stick within the parameters of their religions. But what about SFF authors? There are some general guidelines about good writing in genre fiction, but obligations? Not so much.

In fact, beyond writing a book that will hopefully generate revenue for themselves or their publishers, I’m hard-pressed to find any obligations (moral or otherwise) that you can ascribe to SFF authors. When you get right down it, authors aren’t even obligated to write a good story. It’s bad for sales and their careers, but they aren’t obligated. So, where does this idea that SFF authors are obligated to write about pressing issues come from? Authors aren’t doctors or lawyers who take on binding, professional ethical obligations.

I think what’s happening is actually a couple of related problems. First up, is an inversion of Kant’s famous formulation that “ought implies can.” In its original formulation, this means that to be obligated to perform an act, one must first be capable of performing an act. So, I cannot be morally obligated to dive into deep water to save a drowning child if, for example, I do not know how to swim myself. What seems to be happening here is a belief that “can implies ought.” Basically, since SFF authors can write about pressing issues, they are morally obligated to write about them. To express how stupid an idea this is, let me give you a corollary. Since you can give away all the money in your bank account, you are morally obligated to give away all the money in your bank account. Can does not imply ought.

There also seems to be a pretty fundamental category error going on here. A category error happens you ascribe properties belonging to one thing to another thing. In this case, it’s an issue of individual moral obligations and professional moral obligations. People are saying that the kinds of personal ethical obligations most people have are actually an author’s professional obligations. In other words, people conflate authors’ personal obligations to other people or the planet with a professional obligation to talk about the problems of other people or the planet.

I’ve also seen supposed moral arguments that anytime someone has the power to affect change and doesn’t, that they have failed some moral test. There are all kinds of flaws with that line of reasoning. One of the biggest problems is the idea that SFF authors have the power to affect change. It’s just not so as a general rule. First of all, there is an implicit assumption there that every SFF novel can affect change with no consideration given to the readership of said novel. There is another implicit assumption that every SFF author has the skill to talk about pressing issues in a meaningful way that isn’t condescending. There is a third implicit assumption that every SFF author has in-depth knowledge about a pressing issue. There is a fourth implicit assumption that every SFF author has the skill to weave that discussion into a fictional framework without detracting from the story. None of those implicit assumptions will hold up to scrutiny. There are probably hundreds, if not thousands, of SFF novels out there that try to talk about pressing issues inside the context of the story and fail spectacularly.

Beyond all of that, there is the question of whether or not SFF authors have moral obligations to themselves. What if, for example, a SFF author simply doesn’t want to write about pressing issues? What if they find joy in writing about benevolent space rogues rescuing princesses and toppling monolithic evil empires? What if trying to write about pressing issues negatively affects their mental health? While some level of self-sacrifice is standard issue in moral systems, it’s a very damn demanding system indeed that mandates you put a metaphoric bullet into the head of your professional quality of life and/or damage your mental health. It’s so demanding, in fact, that few rational people would sign on for it. It’s certainly too demanding for a group as heterogeneous and amorphous as SFF authors.

No, this claim that SFF authors somehow owe it to the world to write about pressing issues is not only absurd, it’s irrational. While there might be some public benefit when SFF authors elect to write about pressing issues, it should be left to those authors who want to write about issues and have the skill to do it well.

_______________________________________________

Eric Dontigney is the author of the highly regarded novel, THE MIDNIGHT GROUND, as well as the Samuel Branch urban fantasy series and the short story collection, Contingency Jones: The Complete Season One. Raised in Western New York, he currently resides near Dayton, OH. You can find him haunting obscure sections of libraries, in Chinese restaurants or occasionally online at ericdontigney.com.

Sunday, July 4, 2021

Independence Day, 2021

 

There is a temptation on a day like this, a national holiday, to wander off into cheap sentimentality and write about marching in the Fourth of July parade in a hot and scratchy Cub Scout uniform, or racing to eat vanilla ice cream before it melts, or family picnics, iced lemonade, cold fried chicken, and seeing who could spit watermelon seeds the farthest. Or perhaps I could delve into my storehouse of Old Soldier stories and write something simplistically flag-waving and patriotic about some poor s.o.b. I once interviewed who'd come back from one of our foreign wars. Or maybe I could even write some sort of stirring paean to “freedom,” whatever that is; for the most part, I believe that freedom is largely a semi-illusory state of mind, and not an actual human condition. As the man once said, you gotta serve somebody.

But…

But what is it, exactly, that we Americans celebrate today? The best liquor store sales of the year? To look at the ads published this past week it would seem so. Wisconsin's incredibly lax fireworks laws? Could be. In Wisconsin you can buy almost anything, provided you pay the appropriate sales taxes and sign a little piece of paper pledging not to use whatever you bought within the borders of the state of Wisconsin. If they applied the same principle to illegal drugs they could solve their state budget deficit problem overnight. Tonight a lot of people will be sedating their dogs, because otherwise the dog will be down in the basement, trying to dig through the concrete floor in an effort to escape the barrage of illegal fireworks their neighbors will be setting off.

Or perhaps you’re a bit more historically minded, and think of this as the day the American colonies declared their independence from Great Britain. Except that, no, that was July 2nd. Today is merely the 245th anniversary of the day Congress finally stopped wrangling over the exact wording of the resulting Declaration and published the results.

The wrangling over that little document continues to this day. For two centuries, Americans have argued over whether Thomas Jefferson actually conceived and wrote the declaration in a fit of pure genius, or whether he was merely the committee member with the best penmanship and cribbed large parts of it from earlier documents, or whether the story of his being the sole author of the declaration was pure political hagiography cooked up during the run-up to the 1800 presidential election. A few years ago scholars using the latest technology plumbed the very fibers of the document itself to announce that one ancient mystery had at last been solved: a certain blob of ink that had long puzzled historians was revealed to be a place where Jefferson had written “subjects,” but then scratched it out and replaced it with “citizens.” Hmm…

Me, I’ve decided that I’m not interested in the outtakes, or the alternate drafts, or the scribbled bits and corrections or who exactly wrote which sentence. What matters most to me is the text of the declaration as finally agreed upon and published, and today, I recommend that you find a copy and read it, preferably out loud, and in your best William Shatner voice, if that helps.

The words are powerful; almost magical. There is great mana in these words, made all the stronger by the realization that these are the words of men, not claiming to be transcribing for any god. There are radical, earth-shaking, world-changing, kingdom-toppling ideas embedded in these few hundred words.

“When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation. 
“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed…”


All men are created equal. Just governments derive their powers solely from the consent of the governed. Powerful stuff. Heady. 

And yet no matter how many times I’ve read these words, I always seem to find something new in them. For example, this morning, this paragraph, which I’ve glossed over a hundred times before, suddenly jumped out at me and came to life.

“He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.”

I don’t know why I always read “population” as a noun before, and failed to realize that it is used here as a verb. The Founding Fathers of this nation wanted immigrants to come here, from all over the world. They wanted foreigners to join them in helping to create this new American nation.

In this one sentence, my entire family history becomes possible. Before this moment, the American colonies were reserved for Englishmen, and such of their Scottish, Irish, and Black servants and slaves as they chose to bring over, and those few remaining Frenchies the Crown had not yet successfully expunged. Without this profoundly radical idea, my English ancestors might yet have come here, yes, but my German and Polish ancestors would not have been welcome. Certainly not my father’s grandfather, who came to this country as a toddler in the arms of his young and unwed mother, a refugee from one stupid European war or another; he and his mother would have been turned away at the door.

We are a strange people, we Americans; a bastard nation. Unlike every other nation in the world we are united not by race or religion or tribal ancestry, or even by language. We are here because we—or our ancestors of just a few generations ago—chose to come here, to become a new people, united by nothing stronger than the radical idea that all people are created equal, with unalienable rights to life, liberty, and the pursuit of happiness.

These rights come with no guarantees. They are merely assurances of equal opportunities, not equal outcomes. But these simple opportunities are still more than most of the nations of world provide for their people.

So today, I want you to eat your picnics, and drink your beer, and light your sparklers, and have a great time celebrating the Fourth of July, whatever you deem it to be an observance of. But while you’re doing so, also take a moment to remember that not that long ago there were people who risked their lives, fortunes, and sacred honor to provide you with opportunities. So tomorrow…

Seize them. 

—Bruce Bethke

Saturday, July 3, 2021

Encore: “Market Futures” • by M. Ian Bell

 

While looking through the archives for things worth promoting on our shiny new Twitter feed, (https://twitter.com/StupefyingSF), I began to realize that I was favoring flash fiction and drabbles. Before anyone gets stuck on the idea that we are yet another online-only short-short-short story market, I decided I needed to find a really good representative of the kinds of stories I’d like to see and publish more often. 

Then I remembered this one.

Two murder victims: a depraved old artist and a promising young schoolteacher. Plenty of people with motive to kill the former but not the opportunity, but not one person with a grudge against the latter. Something must connect the two murders besides the unusual cause of death—but what?

Detective Ellouise Nielson has had some tough cases before, but this one is setting a new high bar…
Herewith, the encore performance of “Market Futures,” by M. Ian Bell. If you’re looking for something to do tonight besides light off fireworks, you’ve exhausted all your choices on Netflix and Amazon Prime and tonight’s movie on Svengoolie (“She-Wolf of London”) is one you’ve seen so many times you can recite the dialog in your sleep, why not give this chilling future crime story a look?

You can start reading right here…

Enjoy,
~brb